Mon 01. Feb. 2021, 8.00 pm | Elbphilharmonie, Großer Saal
Joseph Haydn: Symphony No. 44 in E minor Hob. I:44 "Mourning"
Avner Dorman: Mandolin Concerto
Sergei Prokofiev: Symphony No. 5 in B-flat major Op. 100
Yutaka Sado is one of the most important Japanese conductors of our time. Since the season 2015/16 he is Chief Conductor of the Tonkünstler-Orchester in Austria, where his contract has been extended already until including the season 2024/25.
After several years of assisting Leonard Bernstein and Seiji Ozawa, Yutaka Sado won such prestigious conducting prizes as the Grand Prix of the 39th “Concours international de jeunes chefs d'orchestre” in Besançon, France in 1989, and in 1995 the Grand Prix of the “Leonard Bernstein Jerusalem International Music Competition”. His close ties with his mentor led to his appointment as Conductor in Residence at the Pacific Music Festival in Sapporo, which had been founded by Bernstein. At the “Leonard Bernstein Memorial Concert” in the cathedral of St. John the Divine in New York in December 1990, Yutaka Sado conducted alongside other Bernstein protégés.
Sado, born in Kyoto, has been Artistic Director of the Hyogo Performing Arts Center (PAC) and Chief Conductor of the PAC Orchestra since 2005. With around 60,000 subscribers and over half-a-million visitors per year, this concert house and theatre has become one of Japan's leading artistic venues. Yutaka Sado's popularity in Japan is enormous, not least thanks to the weekly TV program “Untitled Concert” that he presented from 2008 to 2015 and in which he brought the world of classical music closer to Japanese music enthusiasts. For almost 20 years now, he has been directing the annual performance of Beethoven's Ninth Symphony with 10,000 choir singers at a stadium in Osaka. The very popular “Daiku”, which in English means “The Ninth” is directed by the Mainichi Broadcasting System (MBS), a major Japanese radio and television station. Yutaka Sado also regularly tours with his Super Kids Orchestra, founded in Hyogo in 2003, which promotes the most talented lower and middle school children from all over Japan as part of an exemplary music education program. Since 2003, he has also been Principal Conductor of the Siena Wind Orchestra, one of the few professional wind orchestras in the world, which has been in existence since 1990.
Yutaka Sado's career outside Japan began in France, where he was Principal Conductor of the Orchestre Lamoureux in Paris from 1993 to 2010. For years, the charismatic orchestra leader has also been one of the favorite guest conductors of the Orchestre de Paris. In Turin he made his Italian opera debut in 2010 with “Peter Grimes” by Benjamin Britten in a production by Willy Decker. Since then he has been returning regularly to the Teatro Regio.
As part of his extensive concert engagements with the Tonkünstler-Orchester, he has toured Japan, England and – most recently - Germany with concerts at the Hamburg Elbphilharmonie, the Dresdener Kulturpalast and the Essen Philharmonie.
In the meantime Yutaka Sado has stood in front of numerous outstanding European orchestras. He has appeared with the Berliner Philharmoniker, the Deutsches Symphonie-Orchester and the Konzerthausorchester Berlin, the Bayerisches Staatsorchester in Munich and the radio symphony orchestras of the BR, NDR, SWR and WDR. Sado has conducted the Mahler Chamber Orchestra, the Leipzig Gewandhaus Orchestra, the Sächsische Staatskapelle Dresden, the Staatskapelle Weimar, the Dresden Philharmonic and Hamburg Philharmonic State Orchestra, as well as the Bamberg Symphony Orchestra, the Gürzenich Orchestra Cologne and the Tonhalle Orchestra Zurich. He has also appeared with the Orchestre de la Suisse-Romande, the London Symphony and the London Philharmonic Orchestra, the BBC Philharmonic, the Orchestre de Paris, the Orchestre Philharmonique de Radio France and the Orchestre National de France. In Italy he conducted the Orchestra di Santa Cecilia Roma, the RAI Torino, the Orchestra Sinfonica di Milano Giuseppe Verdi and the Orchestra of the Maggio Musicale Florence. Sado conducted the National Symphony Orchestra in Washington in January 2018, his debut in the USA.
Yutaka Sado’s many-faceted musical achievements have been documented in over 50 CDs and DVDs, and the Tonkünstler Orchestra have been successfully producing and releasing titles including “Ein Heldenleben” and the “Rosenkavalier” suite by Richard Strauss, Haydn’s Symphonies Nos. 4-6, Bruckner’s Symphonies No. 4 and 9, Sibelius’ Symphony No. 2 and “Finlandia”, Haydn’s “Schöpfung” and Bernstein’s orchestral works.
The first mandolin soloist to be nominated for a classical Grammy, Avi Avital has been compared to Andres Segovia for his championship of his instrument and to Jascha Heifitz for his incredible virtuosity. Passionate and ”explosively charismatic” (New York Times) in live performance, he is a driving force behind the reinvigoration of the mandolin repertory. More than 100 contemporary compositions have been written for him, 15 of them concertos including by Anna Clyne, Avner Dorman and Giovanni Sollima.
An exclusive Deutsche Grammophon artist, he has made five recordings for the label mostly recently solo Bach (2019). Earlier releases include “Avital meets Avital” (2017) with bassist, Omer Avital, which explores their shared cultural heritage and brings their differing classical and jazz musical backgrounds into dialogue. Vivaldi (2015) followed his own Bach concerto transcriptions (2012) and Between Worlds (2014), a cross-generic chamber collection exploring the nexus between classical and traditional music. He has also recorded for Naxos and SONY Classical.
Increasingly in demand as a concerto soloist, Avital’s has performed with the BBC Symphony Orchestra, Chicago Symphony Orchestra, Deutsche Symphonie Orchester Berlin, Maggio Musicale Fiorentino, Tonhalle Zurich, Israel Philharmonic, Dresden Phiharmonic, Yomiuri Nippon Symphony, Residentie Orkest, Norwegian Radio, Orpheus, The Knights, Detroit Symphony, Seattle Symphony and Orchestre Symphonique de Montréal under conductors such as Mehta, Nagano, Vänskä, Sado, Jonathan Cohen, McGegan, Koopman and Antonini.
He is a regular presence at major festivals such as Aspen, Salzburg, Tanglewood, Spoleto, Ravenna, MISA Shanghai, Cheltenham and Verbier and he was Portrait Artist at the Schleswig-Holstein Music Festival in 2017. He subsequently curated a weekend Zeitsinsel at the Dortmund Konzerthaus with 4 programmes featuring classical, jazz and improvisations and a new collaboration with the Venice Baroque Orchestra and Georgian puppet theatre, Budrugana Gagra.
Born in Be’er Sheva in southern Israel, Avital began learning the mandolin at the age of eight and soon joined the flourishing mandolin youth orchestra founded and directed by his charismatic teacher, Russian-born violinist Simcha Nathanson. He studied at the Jerusalem Music Academy and the Conservatorio Cesare Pollini in Padua with Ugo Orlandi. Winner of Israel’s prestigious Aviv Competition in 2007, Avital is the first mandolinist in the history of the competition to be so honoured. He plays on a mandolin made by Israeli luthier Arik Kerman.
The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.
During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Sir Neville Marriner, Valery Gergiev and Sir Roger Norrington.
Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016 Nagano and the Philharmonic undertook a successful three-week concert tour in South America, a tour of Spain followed in 2019. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released at ECM.
The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.
In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.
The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.
The mandolin is a lute instrument used by composers such as Vivaldi, Mozart and Beethoven up to the beginning of the 19th century. The Israeli virtuoso Avi Avital has taken up the challenge of reviving its former popularity, not only by playing classical repertoire, but also recent works. For his recording of the 2006 Mandolin Concerto by Avner Dorman, Avital was nominated for a Grammy in the category "Best Instrumental Soloist". The programme led by the Japanese conductor Yutaka Sado also features symphonies by Joseph Haydn and Sergei Prokofiev. Please note: before the concert on Sunday morning, there will be a special pre-concert talk for children aged 9 to 12.
Venue: Elbphilharmonie, Großer Saal, Platz der Deutschen Einheit 4, 20457 Hamburg
Prices: € 65,00 / 52,00 / 41,00 / 28,00 / 12,00
no advance ticket sale yet