Sunday 11. Apr. 2021, 11.00 am | Elbphilharmonie, Kleiner Saal
Viktor Ullmann: String Quintet No. 3 Op. 46
Arnold Schönberg: Ode to Napoleon Buonaparte Melodrama for Narrator, Piano and String Quartet Op. 41
Samuel Barber: Dover Beach for Voice and String Quartet Op. 3
Louis Vierne: Piano Quintet in C Minor Op. 42
Akademie für Gesang und vokale Kunst in Reykjavik bei Bergþór Pálsson (2009-2013); Masters at Hochschule für Musik „Hanns Eisler“ with Prof. Scot Weir (2015); lessons with KS Prof. Thomas Quasthoff, Prof. Wolfram Rieger and Prof. Júlia Várady
with Thomas Hampson, Helmut Deutsch, Graham Johnson, Christian Geraher, Giacomo Aragall, et al.
Winner Stella Maris Vocal Competition (2019), Icelandic Music Award in the category “Most Promising Young Artist”, nominated for “Singer of the Year” and “Musical Event of the Year” (2018), 3rd Prize and audience award at the competition ”Das Lied” in Heidelberg (2017), Finalist International Robert-Schumann-Wettbewerb für Klavier und Gesang Zwickau (2016)
Eugen Onegin (Eugen Onegin), Miriways (Miriways), Christiano (Un Ballo in Maschera), Fiorillo (Il Barbiere di Siviglia), Morales (Carmen), Il Barone Douphol (La Traviata), Il Commissario Imperiale (Madama Butterfly), Zweiter Handwerksbursch (Wozzeck), Hiroto (Stilles Meer), Marullo (Rigoletto), Un Sergente degli Arcieri (Manon Lescaut), Rupert/Jäger/Königssohn (Schneewittchen), Happy (La Fanciulla del West), et al.
Hamburgische Staatsoper, Pierre Boulez Saal, Heidelberger Frühling, Oxford Lieder Festival, Dresdner Musikfestspiele, Icelandic Opera, et al.
Cooperation with directors:
Vera Nemirova, Birgit Kajtna, Holger Liebig, et al.
Cooperation with conductors:
Herbert Blomstedt, Kent Nagano, Stefano Ranzani, Roberto Rizzi-Brignoli, Christoph Gedschold, Carlo Rizzari, Pier Giorgio Morandi, Josep Caballé-Domenech, et al.
Conducting and piano at the Hochschule für Musik und Theater Leipzig as well as conducting, pianoforte and harpsichord at the Conservatorium van Amsterdam
First Prize at the Wigmore Hall/Kohn Foundation International Song Competition together with Dominik Königer (2011)
Relation to the Hamburg State Opera:
Solo repetitor since the 2012/13 season, additionally musical assistant to the General Music Director (since the 2017/18 season)
Focus on the German repertoire (Wagner, Strauss etc.), Italian repertoire, Mozart; special predilection for song and chamber music
Musikalische Komödie/Oper Leipzig, Theater Hagen, Royal Opera Covent Garden London
Schleswig-Holstein Festival, Aldeburgh Festival, Oper Leipzig, Theater Hagen, Royal Opera House Covent Garden, National Concert Hall Dublin, Mozartfest Würzburg, Opéra de Lille, Wigmore Hall London, et al.
Cooperation with orchestras:
Member of the Gustav Mahler Jugendorchester and Schleswig-Holstein Festival Orchestra, collaboration with Concerto Köln, Accademia Bizzantina, et al.
The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.
During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Sir Neville Marriner, Valery Gergiev and Sir Roger Norrington.
Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016 Nagano and the Philharmonic undertook a successful three-week concert tour in South America, a tour of Spain followed in 2019. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released at ECM.
The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.
In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.
The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.
In this chamber concert, our musicians focus on works reacting directly or caused by the great catastrophes of the 20th century: Viktor Ullmann’s String Quartet No. 3 was written during his imprisonment at the Theresienstadt (Terezín) camp. Lord Byron’s "Ode to Napoleon Buonaparte" is a scornful reckoning with Napoleon in reaction to his abdication. Arnold Schoenberg set the text during World War II for piano quintet and narrator as a political plea against tyranny and for the values of democracy. Written in 1931, the song "Dover Beach" for string quartet and baritone by Samuel Barber can be read as a warning of the omens of World War II. It deals with the loneliness humans feel when they have lost their faith. The last piece of the programme is the only piano quintet by the French composer Louis Vierne, written in 1917 as an immediate reaction to the loss of his 17-year-old son on one of the battlefields of World War I. In the quintet, Vierne saw a "profound expression of my tender feelings and the tragic fate of my child".
Venue: Elbphilharmonie, Kleiner Saal, Platz der Deutschen Einheit 4, 20457 Hamburg
Prices: € 28,00 / 20,00 / 14,00 / 10,00
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