Ballet by John Neumeier | Beethoven Project II
Mon, Dec. 12, 2022, 7.30 pm - 9.45 pm
Alexandr Trusch
Principal
BORN
26.6.89 in Dnipropetrovsk. Ukrainian
EDUCATION
The School of the Hamburg Ballet
MAIN TEACHERS
Kevin Haigen, Marianne Kruuse, Christian Schön, Irina Jacobson
ENGAGEMENT
Hamburg Ballet since 2007, Soloist in 2010, Principal since 2014
CREATIONS
Vaslav Nijinsky as a student in "Le Pavillon d'Armide"
Hermes' Attendant in "Orpheus"
A Shy Young Man in "Liliom"
Angel in "Christmas Oratorio I-VI"
Vladimir Lensky in "Tatiana"
The Soldier (Luciano Nicastro) in "Duse"
Prince Désiré in "The Sleeping Beauty" (new version 2021)
A Mystic in "Dona Nobis Pacem"
and solos in
Purgatorio
Beethoven Project II
The Rain (Miljana Vracaric)
Let's Keep it Black (Orkan Dann)
Zozula (Edvin Revazov)
Renku (Yuka Oishi/Orkan Dann)
Into this Wild Abyss (Braulio Alvarez)
Solo for Two (Konstantin Tselikov)
Vesna (Edvin Revazov)
REPERTORY
Joseph in "The Legend of Joseph"
A Young Man (Daphnis) in "Daphnis and Chloe"
Vaslav Nijinsky and Leonid Massine in "Nijinsky"
Günter and Fritz in "The Nutcracker"
The King, Count Alexander and Quadrille in "Illusions - like Swan Lake"
Vaslav Nijinsky in "Le Pavillon d'Armide"
Des Grieux and Count N. in "Lady of the Camellias"
Philostrat/Puck and Lysander in "A Midsummer Night's Dream"
Allan Gray in "A Streetcar Named Desire"
Bohort in "Parzival – Episodes and Echo"
Louis in "Liliom"
Arlequin in "Carnaval" and The Spirit of the rose in "Le Spectre de la rose" in "Nijinsky"
Romeo in "Romeo and Juliet"
Ler Beau in "As You Like It"
Cassio in "Othello"
Albrecht in "Giselle"
The Prince in "A Cinderella Story"
Peer's Aspect – Vision in "Peer Gynt"
Man I and Love in "Bernstein Dances"
Hamlet in "Hamlet 21"
Aminta in "Sylvia"
Catalabutte in "The Sleeping Beauty" (new version 2021)
Pas de deux of the Scotts in "La Sylphide" (Pierre Lacotte after Filippo Taglioni)
The Prodigal Son in "The Prodigal Son" (George Balanchine)
Man in Brick and Brown in "Dances at a Gathering" (Jerome Robbins)
The Shy Boy in "The Concert" (Jerome Robbins)
Gennaro in "Napoli" (August Bournonville / Lloyd Riggins)
Basil in "Don Quixote" (Rudolf Nurejev after Marius Petipa)
Prince Florizel in "The Winter's Tale" (Christopher Wheeldon)
and solos in
Fourth Symphony of Gustav Mahler
Seasons – The Colors of Time
Nocturnes from "Songs of the Night"
Third Symphony of Gustav Mahler
Saint Matthew Passion
Vaslav
The Song of the Earth
Soldier Songs (Des Knaben Wunderhorn)
The Fifth Symphony of Gustav Mahler
La Vivandière (Pierre Lacotte after Arthur Saint-Léon)
Brahms-Schoenberg Quartet (George Balanchine)
AWARD
Dr. Wilhelm Oberdörffer-Prize 2010
Find further information about Alexandr Trusch here.
Anna Laudere
Principal
BORN
19.2.83 in Sigulda. Latvian
EDUCATION
Riga Ballet School
The School of the Hamburg Ballet
MAIN TEACHERS
Valentins Blinovs, Marianne Kruuse, Kevin Haigen, Irina Jacobson, Radik Zaripov
ENGAGEMENT
Hamburg Ballet since 2001, promoted Soloist in 2008 and Principal in 2011
CREATIONS
The Maiden-who-never-laughs in "Parzival – Episodes and Echo"
Calliope in "Orpheus"
The Friend (Isadora Duncan) in "Duse"
Anna Arkadyevna Karenina in "Anna Karenina"
A Widow in "Dona Nobis Pacem"
and solos in
Nachtwanderung from "Songs of the Night"
Purgatorio
Um Mitternacht
Beethoven Project I
Ghost Light
Beethoven Project II
A Foreign Sound (Thiago Bordin)
At Asyl-Um (Luva-Andrea Tessarini)
Anima (Edvin Revazov)
REPERTORY
Lady Capulet and Rosalind in "Romeo and Juliet"
Cinderella, Cinderella's Mother, A Stepsister and Princess from Another Country in "A Cinderella Story"
Irina Nikolayevna Arkadina, Primaballerina and Nina Mikhailovna Zarechnaya in "The Seagull"
Desdemona in "Othello"
Eleonora Bereda in "Nijinsky"
Odette and Princess Claire in "Illusions - like Swan Lake"
Hermia in "A Midsummer Night's Dream"
Marguerite Gautier and Manon Lescaut in "Lady of the Camellias"
Louise and La Fille du Pharaon in "The Nutcracker"
Ophelia in "Hamlet"
Mrs. Muskat in "Liliom"
Giselle and Myrtha in "Giselle"
Tatiana Larina in "Tatiana"
Solveig and Aase in "Peer Gynt"
Eurydice in "Orphée et Eurydice"
La Barbarina and Aschenbach's assistant, his mother and Tadzio's mother in "Death in Venice"
Aminta in "Sylvia"
The Queen and The Rose in "The Sleeping Beauty" (new version 2021)
The Siren in "The Prodigal Son" (George Balanchine)
Woman in Mauve and in Green in "Dances at a Gathering" (Jerome Robbins)
The Wife and the Ballerina in "The Concert" (Jerome Robbins)
Tatiana in "Onegin" (John Cranko)
The Queen of the Dryads in "Don Quixote" (Rudolf Nurejev after Marius Petipa)
Queen Hermione in "The Winter's Tale" (Christopher Wheeldon)
and solos in
Christmas Oratorio I-VI (she danced this role for the premiere)
Verklungene Feste
Saint Matthew Passion
Requiem
Vaslav
Seasons – The Colors of Time
Adagietto
Third Symphony of Gustav Mahler
Le Sacre
Préludes CV
Winterreise
Messias
Turangalîla
Soldier Songs (Des Knaben Wunderhorn)
The Fifth Symphony of Gustav Mahler
Nocturnes
Les Sylphides (Michail Fokine)
Jewels – Emeralds/Rubies (George Balanchine)
Reflet (Stefano Palmigiano)
Liebeslieder Walzer (George Balanchine)
Brahms-Schoenberg Quartet (George Balanchine)
GUESTING
Munich (Marguerite Gautier in "Lady of the Camellias", Bavarian State Opera), Stuttgart, Lausanne, London, Milan (Marguerite Gautier in "Lady of the Camellias", Teatro alla Scala), Tallinn, Riga, Moscow, Buenos Aires, Hong Kong, Tokyo (World Ballet Festival 2015 and 2018), Beijing
AWARDS
Dr. Wilhelm Oberdörffer-Prize 2008
Premio Positano Léonide Massine 2018
Latvian Excellence Award in Culture 2019
The Russian-Italian Prize Benois-Massine 2019
Order of the Three Stars – Highest civilian order awarded for meritorious service to Latvia
Find further information about Anna Laudere here.
Charlotte Larzelere
Corps de Ballet
BORN
March 20, 1998 in San Antonio, Texas. American
EDUCATION
Houston Ballet Academy
Houston Ballet II
MAIN TEACHERS
Cheryne Busch, Priscilla Nathan-Murphy, Susan Bryant, Sally Rojas, Andrew Murphy, Claudio Muñoz, Sabrina Lenzi
ENGAGEMENT
National Youth Ballet 2016-2018
Hamburg Ballet since 2018
CREATION
solo in
Beethoven Project II
REPERTORY
Hermia in "A Midsummer Night's Dream"
Prudence Duvernoy in "Lady of the Camellias"
One of the Big Swan in "Illusions - like Swan Lake"
and solos in
Broadway's Pavlova
Beethoven Project II
Third Symphony of Gustav Mahler
Find further information about Charlotte Larzelere here.
Ida Stempelmann
Corps de Ballet
BORN
29.5.2000 in Dusseldorf. German/Finn
EDUCATION
Ballet School Kaiserswerth
Royal Ballet School Antwerp
MAIN TEACHERS
Katrin Hansen, Kimmy Lauwens, Kevin Durwael, Genevieve Van Quaquebeke
ENGAGEMENTS
National Youth Ballet 2018
Hamburg Ballet starting 2020/2021
CREATION
solo in
Beethoven Project II
REPERTORY
Nanina in "Lady of the Camellias"
One of the Big Swan in "Illusions - like Swan Lake"
solos in
Third Symphony of Gustav Mahler
Préludes CV
Find further information about Ida Stempelmann here.
Madoka Sugai
Principal
BORN
12.7.94 in Atsugi City, Kanagawa Prefecture, Japan. Japanese
EDUCATION
Sasaki Mika Ballet Academy (Yamato, Kanagawa Prefecture)
MAIN TEACHERS
Mika Sasaki, Mikio Ikehata
ENGAGEMENTS
National Youth Ballet in 2012
Hamburg Ballet since 2014. Soloist in 2017, Principal since 2019
CREATIONS
A Mystic and A young Woman in "Dona Nobis Pacem"
and solos in
Beethoven Project
Ghost Light
Beethoven Project II
Solo for Two (Konstantin Tselikov)
Little Requiem (Aleix Martínez)
Götterboten (Aljoscha Lenz)
REPERTORY
Peasant Pas de deux in "Giselle"
Cinderella in "A Cinderella Story"
Prudence Duvernoy in "Lady of the Camellias"
Princess Natalia in "Illusions – like Swan Lake"
Woman III in "Bernstein Dances"
Hermia in "A Midsummer Night's Dream"
Ophelia in "Hamlet 21"
Sylvia in "Sylvia"
Aurora in "The Sleeping Beauty" (new version 2021)
Louise and The Beautiful Girl from Granada in "The Nutcracker"
Woman in Apricot in "Dances at a Gathering" (Jerome Robbins)
Kitri/Dulcinea in "Don Quixote" (Rudolf Nurejev after Marius Petipa)
Princess Perdita in "The Winter's Tale" (Christopher Wheeldon)
and solos in
Soldier Songs (Des Knaben Wunderhorn)
The Fifth Symphony of Gustav Mahler
Vaslav
Broadway's Pavlova
Saint Matthew Passion
Third Symphony of Gustav Mahler
Préludes CV
Brahms-Schoenberg Quartet (George Balanchine)
AWARDS
Prix de Lausanne 2012
Dr.-Wilhelm-Oberdörffer-Prize 2018
Find further information about Madoka Sugai here.
Jacopo Bellussi
Principal
BORN
27.3.93 in Genoa. Italian
EDUCATION
Accademia Teatro alla Scala, Milan
The Royal Ballet School, London
MAIN TEACHERS
Gailene Stock, Jay Jolley, Kathryn Wade, Gary Norman, Marialuisa Capiferri, Valentina Massa, Emma Landolina
ENGAGEMENTS
Bayerisches Staatsballett II
Hamburg Ballet since 2012. Soloist in 2017, Principal since 2019
CREATIONS
A figure from the romantic novels Tatiana loves to read in "Tatiana"
The Soldier's Friend (Annunzio Cervi) in "Duse"
A Mystic in "Dona Nobis Pacem"
and solos in
Beethoven Project I
Ghost Light
Beethoven Project II
Peter and Igor
Yes we Could (Konstantin Tselikov)
REPERTORY
Romeo and Paris in "Romeo and Juliet"
Curio in "VIVALDI or What you will"
Cassio in "Othello"
Peasant Pas de deux in "Giselle"
Leonid Massine, Harlequin in ‘Carnaval' and Geist der Rose in 'Le Spectre de la rose' in "Nijinsky"
Armand Duval, Gaston Rieux and Des Grieux in "Lady of the Camellias"
Semyon Semyonovich Medvedenko in "The Seagull"
her husband in "Christmas Oratorio I-VI"
Count Alexander in "Illusions - like Swan Lake"
Man II in "Bernstein Dances"
Alexej Wronski in "Anna Karenina"
Lysander in "A Midsummer Night's Dream"
The Unicorn in "The Glass Menagerie"
Endymion in "Sylvia"
Frederick the Great in "Death in Venice"
Prince Désiré and a Spanish Prince in "The Sleeping Beauty" (new version 2021)
Mann in Blue in "Dances at a Gathering" (Jerome Robbins)
Espada in "Don Quixote" (Rudolf Nurejev after Marius Petipa)
and solos in
The Song of the Earth
Saint Matthew Passion
Soldier Songs (Des Knaben Wunderhorn)
The Fifth Symphony of Gustav Mahler
Vaslav
Nocturnes
At Midnight
Third Symphony by Gustav Mahler
Brahms-Schoenberg Quartet (George Balanchine)
Liebeslieder Walzer (George Balanchine)
King Polixenes in "The Winter's Tale" (Christopher Wheeldon)
GUESTING
Munich (Matinee of the Heinz Bosl Foundation, 2019), Roma , Genova-Nervi, Ravenna and Padova (2021), L'Aquila (728° Perdonanza Celestiniana, 2022), Positano (Award Ceremony Gala 2022)
AWARDS
Premio Danza&Danza 2016 – Best Italian Dancer Abroad
Konstanze Vernon Prize 2019
Premio Nazionale Sfera d'Oro per la Danza 2021
Premio Positano Léonide Massine 2022
Find further information about Jacopo Bellussi here.
Christopher Evans
Principal
BORN
2.11.94 in Loveland, CO. American
EDUCATION
BalletMet Dance Academy
Canada's National Ballet School
The School of the Hamburg Ballet
MAIN TEACHERS
Susan Dromisky, Alexander Gorbatsevich, Kevin Haigen
ENGAGEMENT
Hamburg Ballet since 2012, Soloist 2015, Principal since 2018
CREATIONS
Jim O'Connor in "The Glass Menagerie"
A Mystic in "Dona Nobis Pacem"
and solos in
Turangalîla
Beethoven Project I
Ghost Light
Beethoven Project II
Aether (Luca Andrea Tessarini)
Metamorphosis (Marc Jubete)
Beautiful Soul (Marcelino Libao)
REPERTORY
The King, Count Alexander and Quadrille in "Illusions - like Swan Lake"
Benvolio and Antonio in "Romeo and Juliet"
Fabian in "VIVALDI or What you will"
Albrecht in "Giselle"
Günther in "The Nutcracker"
Vladimir Lensky in "Tatjana"
The Prince and A Bird in "A Cinderella Story"
Theseus/Oberon and Lysander in "A Midsummer Night's Dream"
Arlequin in ‘Carnaval' and The Spirit of the rose in 'Le Spectre de la rose' in "Nijinsky"
Konstantin (Kostya) Gavrilovich Triplev in "The Seagull"
Armand Duval and Des Grieux in "Lady of the Camellias"
Man I in "Bernstein Dances"
Gustav von Aeschenbach in "Death in Venice"
Koll/Fortinbras in "Hamlet 21"
Love/Thyrsis/Orion in "Sylvia"
Catalabutte in "The Sleeping Beauty" (Neufassung 2021)
Mann in Green in "Dances at a Gathering" (Jerome Robbins)
Basil in "Don Quixote" (Rudolf Nurejev after Marius Petipa)
Prince Florizel in "The Winter's Tale" (Christopher Wheeldon)
and solos in
Préludes CV
Petrushka-Variations
Christmas Oratorio I-VI
The Song of the Earth
Soldier Songs (Des Knaben Wunderhorn)
The Fifth Symphony of Gustav Mahler
Nocturnes
At Midnight
Saint Matthew Passion
Third Symphony of Gustav Mahler
Brahms-Schoenberg Quartet (George Balanchine)
HE CHOREOGRAPHED
"Soul Sketch"
Premiere: Young Choreographers, Hamburg, 2016
"A Cosmic Second"
Premiere: Young Choreographers, Hamburg, 2017
AWARDS
Prix de Lausanne 2010
Dr. Wilhelm Oberdörffer-Prize 2015
Find further information about Christopher Evans here.
Artem Prokopchuk
Corps de Ballet
BORN
1.1.98 in Vinnytsia, Ukraine. Ukrainian
EDUCATION
Accademia Nazionale di Danza Roma
Ballet School of the Hamburg Ballet
MAIN TEACHERS
Irina Rosca, Brunella Vidau, Manuela Cerreto, Janusz Mazon, Kevin Haigen
ENGAGEMENTS
Le Vie del Teatro in Terra di Siena
National Youth Ballet 2017-2019
Hamburg Ballet since 2019
REPERTORY
Flute/Thisbe in "A Midsummer Night's Dream"
Jaschu in "Death in Venice"
A Thorn in "The Sleeping Beauty" (new version 2021)
The Speaker in "Illusions - like Swan Lake"
The Unicorn in "The Glass Menagerie"
Tybalt in "Romeo and Juliet"
Father Sheperd in "The Winter's Tale" (Christopher Wheeldon)
and solo in
Beethoven Project II
Edvin Revazov
Principal
BORN
30.12.83 in Sevastopol. Ukrainian
EDUCATION
Moscow School
The School of the Hamburg Ballet
MAIN TEACHERS
Boris Rachmanin, Radik Zaripov
ENGAGEMENT
Hamburg Ballet since 2003, Soloist in 2007, Principal since 2010
CREATIONS
Tadzio in "Death in Venice"
Parzival in "Parzival – Episodes and Echo"
Apollo in "Orpheus"
Gate Keeper in "Liliom"
Eugene Onegin in "Tatiana"
Count Alexei Kirillovich Vronsky in "Anna Karenina"
Tennessee in "The Glass Menagerie"
An Officer in "Dona Nobis Pacem"
and solos in
Christmas Oratorio
Purgatorio
Um Mitternacht
Beethoven Project I
Ghost Light
Beethoven Project II
Herr Sprüngli (Yohan Stegli)
Renku (Yuka Oishi / Orkan Dann)
REPERTORY
Günter and Arabian Dance in "The Nutcracker"
Romeo and Brother Lorenzo in "Romeo and Juliet"
Wolfgang Amadeus in "Windows on MOZART"
Semyon Semyonovich Medvedenko in "The Seagull"
Cassio in "Othello"
The Angel in "The Legend of Joseph"
Endymion in "Sylvia"
Kiefaber and Allan's Friend in "A Streetcar Named Desire"
Armand Duval in "Lady of the Camellias"
The Man in the Shadow and Count Alexander in "Illusions - like Swan Lake"
A Man in "Seasons – The Colors of Time"
Theseus/Oberon and Lysander in "A Midsummer Night's Dream"
Serge Diaghilev and Thomas Nijinsky in "Nijinsky"
Hamlet in "Hamlet"
Albert in "Giselle"
The Prince in "A Cinderella Story"
Peer Gynt in "Peer Gynt"
Orphée in "Orphée et Eurydice"
Gustav von Aschenbach and Frederick the Great in "Death in Venice"
King Florestan XXIV in "The Sleeping Beauty" (new version 2021)
Liliom in "Liliom"
The Prodigal Son in "The Prodigal Son" (George Balanchine)
Madge, a Witch in "La Sylphide" (Pierre Lacotte after Filippo Taglioni)
Man in Purple in "Dances at a Gathering" (Jerome Robbins)
Onegin in "Onegin" (John Cranko)
King Leontes in "The Winter's Tale" (Christopher Wheeldon)
and solos in
Requiem
Nocturnes from "Songs of the Night"
Soldier Songs (Des Knaben Wunderhorn)
Verklungene Feste
Fourth Symphony of Gustav Mahler
Afternoon of a Faun
Le Sacre
Third Symphony of Gustav Mahler
Préludes CV
Saint Matthew Passion
The Fifth Symphony of Gustav Mahler
Vaslav
Les Sylphides (Michail Fokine)
Reflet (Stefano Palmigiano)
Liebeslieder Walzer (George Balanchine)
Brahms-Schoenberg Quartet (George Balanchine)
GUESTING
Munich (Armand Duval in "Lady of the Camellias", Bavarian State Opera), Stuttgart, Lausanne, London, Milan (Armand Duval in "Lady of the Camellias", Teatro alla Scala), Tallinn, Riga, Moscow (Armand Duval in "Lady of the Camellias", Bolshoi Theatre), Buenos Aires, Hong Kong, Tokyo (World Ballet Festival 2015 and 2018), Beijing
HE CHOREOGRAPHED
"Coco Rosie"
Premiere: Young Choreographers, Hamburg, 2011
"Zozula"
Premiere: Young Choreographers, Hamburg, 2012
"Anima"
Premiere: Young Choreographers, Hamburg, 2015
"Vesna"
Premiere: Young Choreographers, Hamburg, 2016
"Closed Rooms"
Premiere: Young Choreographers, Hamburg, 2017
"Rain memories"
Premiere: National Youth Ballet, 2017
"Shakespeare – Sonnets"
Premiere: Hamburg Ballet, 2019
HE FOUNDED
a new ballet company in 2023: The Hamburg Chamber Ballet – Edvin Revazov, as choreographic director, gives a new artistic home to refugee Ukrainian dancers.
HE STAGED NEUMEIER'S BALLET
"Anna Karenina" for the Bolshoi Theatre in Moscow
AWARDS
Dr. Wilhelm Oberdörffer-Prize 2007
German Theater Prize DER FAUST 2007
Danza&Danza Prize – Best Upcoming Dancer 2008
Premio Positano Léonide Massine 2018
Find further information about Edvin Revazov here.
Tenor
Klaus Florian Vogt
Tenor
Birthplace:
Heide, Germany
Studies:
Singing at the Hochschule für Musik und Theater in Lübeck
Prizes:
Christel Goltz Preis of the Semperoper, ECHO-Klassik as Artist of the Year (2012), Europäischer Kulturpreis für Musik (2013), Hamburg Chamber Singer (2019)
Important parts:
Lohengrin (Lohengrin), Tannhäuser (Tannhäuser), Parsifal (Parsifal), Walter von Stolzing (Die Meistersinger von Nürnberg), Siegmund (Die Walküre), Florestan (Fidelio), Paul (Die tote Stadt), Hoffmann (Les Contes d’Hoffmann), Erik (Der fliegende Holländer), Prinz (Rusalka), Bacchus (Ariadne auf Naxos), Faust (La Damnation de Faust), et al.
Stages:
Metropolitan Opera, Teatro alla Scala, Vienna State Opera, Zurich Opera House, New National Theatre Tokyo, Bavarian State Opera, Deutsche Oper Berlin, Gran Teatre del Liceu, Théâtre des Champs Elysées, Semperoper Dresden, Staatsoper Unter den Linden, Opéra national de Paris, Royal Opera House Covent Garden, Concertgebouw, Teatro Real Madrid, Théâtre du Capitole Toulouse, Finnish National Opera, Osterfestspiele Baden-Baden, Tanglewood Festival, Schleswig-Holstein Musik Festival, Salzburger Festspiele, Bayreuther Festspiele, et al.
Cooperation with directors:
Katharina Wagner, Hans Neuenfels, Barrie Kosky, Andrea Moses, Uwe Eric Laufenberg, Andreas Kriegenburg, Andreas Homoki, Jossi Wieler, Valentin Schwarz, et al.
Cooperation with conductors:
Daniel Barenboim, Christian Thielemann, Kirill Petrenko, Andris Nelsons, Simone Young, Mariss Jansons, Sir Antonio Pappano, Philippe Jordan, Hartmut Haenchen, Alan Gilbert, Kent Nagano, Sir Mark Elder, Jonathan Nott, Sebastian Weigle, Thomas Guggeis, François-Xavier Roth, et al.
Find further information about Klaus Florian Vogt here.
photo: Harald Hoffmann
Violin
Anton Barakhovsky
Violonist
Anton Barakhovsky wurde in Novosibirsk geboren und trat bereits mit sechs Jahren als Solist mit dem Sinfonieorchester seiner Heimatstadt auf. Er erhielt seine Ausbildung am Staatlichen Konservatorium Michail Glinka, an der Musikhochschule Hamburg und an der Juilliard School, wo er bei Dorothy DeLay und Itzhak Perlman studierte.
Der Geiger konzertierte als Solist mit zahlreichen Orchestern wie den St. Petersburger Philharmonikern, dem Russischen Nationalorchester, den Berliner Symphonikern, den Sinfonieorchestern des NDR, dem Orquestra Sinfónica de Santiago (Chile) und dem New York Chamber Orchestra. Von 2001 bis 2009 war Anton Barakhovsky erster Konzertmeister der Philharmoniker Hamburg. Seit Oktober 2009 ist er erster Konzertmeister des Symphonieorchesters des Bayerischen Rundfunks. Rezitale gab er in New York in der Kaufmann-Concert-Hall, in der Weill-Hall der Carnegie-Hall und in der Alice-Tully-Hall.
Für das Erato-Label spielte er 1999 gemeinsam mit dem Geiger Vadim Repin eine CD mit der Sonate für zwei Violinen von Sergej Prokofiew ein, die im Louvre aufgenommen wurde.
Für Brittens Doppelkonzert für Violine und Viola unter Simone Young kehrt der Künstler nun nach Hamburg zurück.
Piano
Mari Kodama
Pianist
Mari Kodama is consistently praised for her virtuosity in a wide range of repertoire, including orchestral, chamber and solo works by composers of all periods. She is also known for her natural musicality, tonal expressiveness with a clear form, and as a benchmark Beethoven interpreter.
She performs with leading orchestras worldwide, including Deutsches Symphonie-Orchester Berlin, Detroit Symphony Orchestra, Vienna Symphony Orchestra, Tokyo Symphony Orchestra, Los Angeles Philharmonic and Orchestre symphonique de Montréal. At the same time, she is the artistic director of the "Forest Hill Musical Days" in San Francisco as well as the festival "Tra Luce & Sogno" in Postignano, Italy for which she could win artists such as Christian Gerhaher, Matt Haimowitz and Gerold Huber, among others. She enjoys a worldwide reputation especially for her Beethoven interpretations in the complete recording of all sonatas and piano concertos, which she has presented in recent years.
Mari Kodama was born in Osaka and raised in Germany and Paris. At the Conservatoire National in Paris, she studied piano with Germaine Mounier and chamber music with Genevieve Joy-Dutilleux. She has also worked with Tatiana Nikolaeva and Alfred Brendel. Mari Kodama was appointed as a Steinway Artist.
Find further information about Mari Kodama here.
photo: Sergio Veranes
Conductor
Constantin Trinks
Conductor
Constantin Trinks is a regular quest conductor with opera houses around the world. Highlights of 2018/19 include productions of "The Turn of the Screw" for Seattle Opera, "Lustige Witwe" for Teatro dell'Opera di Roma, "Die Entführung aus dem Serail" and "Arabella" for Bayerische Staatsoper (Arabella is also performed in Theatre des Champs Elysees in Paris in January 2019), "Lohengrin" for National Theatre Prague (revived after a hugely successful run in 2017/18 which included a performance in the Prague Spring Festival) and "Euryanthe" for Theater an der Wien.
Operatic highlights of recent seasons have included Sächsische Staatsoper Dresden (Der Fliegende Holländer), New National Theatre Tokyo (Le nozze di Figaro), Opernhaus Zürich (The Turn of the Screw), Opéra du Rhin Strasbourg (Salome), Opéra National de Paris (Die Zauberflöte), Wiener Staatsoper, Oper Frankfurt and Staatsoper Hamburg, the Ring-Trilogie (which was developed especially for the Theater an der Wien by Tatiana Gürbaca, Bettina Auer and Constantin Trinks, with ORF Radio-Symphonieorchester Wien and the Arnold Schoenberg Choir), "Così fan tutte" and "Arabella" for Bayerische Staatsoper (the latter as part of the Münchner Opernfestspiele), and "Tristan und Isolde" for Staatstheater Kassel.
Acknowledged as a major Wagner conductor, Trinks celebrated the Wagner Bicentenary conducting "Der fliegende Holländer" in Dresden (in Spring 2013 - premiered there 170 years before), "Tannhäuser" in Tokyo, Strasbourg, Deutsche Oper Berlin and Frankfurt, as well as Wagner's early opera "Das Liebesverbot" at the Bayreuth Festival and for Opéra du Rhin in Strasbourg.
Similarly active on the orchestral platform, upcoming engagements include Orchestre Philharmonique de Strasbourg, Orchestre de Chambre de Paris, Hessischer Rundfunk, ORF Radio-Symphonieorchester Wien at the Brucknerhaus Linz, Vancouver Symphony, Dresden Philharmonic, the orchestra of den Norske Opera and Salzburg Mozarteum Orchester with whom the live recording of Hans Rott's Symphony No. 1 received an ECHO Classic in October 2017 for Profil Edition Hänssler. He made his debut in 2016/17 with the Baverische Rundfunk and, following an acclaimed debut with the Munich Philharmonic in 2015/16, he conducted their New Year Beethoven 9 concerts in December 2016. His acclaimed recording with Dresden Staatskapelle/ Semperoper of Weinberger's "Svanda dudák" (Schwanda the Bagpiper) is also for Profil Edition Hänssler.
Trinks joined the Saarländisches Staatstheater in 2002 as Kapellmeister, ascending within a few years into the position of interim music director from 2006 to 2009. Whilst there he conducted Nono's "Intolleranza 1960", "La bohème", "Don Giovanni", "Die Zauberflöte", "Das Rheingold", "Lohengrin", "Salome", "Carmen", "Don Carlo", "La traviata", "Cavalleria rusticana" / "I pagliacci", "Kullervo" (Sallinen), and the European premiere of "The First Emperor" by Tan Dun, thus demonstrating his interest in wide-ranging repertoire.
In 2009 Trinks was appointed Music Director at the Staatstheater Darmstadt, where his productions included not only his first critically acclaimed "Der Ring des Nibelungen", but also "Die Meistersinger von Nürnberg", "Parsifal", "Fidelio", "Aida" and the world premiere of Orff's early work "Gisei" (available on DVD) in combination with "De temporum fine comoedia".
Constantin Trinks, born in Karlsruhe, studied conducting at the Conservatory of his hometown with Wolf-Dieter Hauschild, and piano with Günter Reinhold. Major musical influences come from Thomas Hengelbrock and Christian Thielemann, combining important insights into historically informed performance practice as well as a strong romantic line.
Find further information about Constantin Trinks here.
Orchestra
Philharmonisches Staatsorchester Hamburg
Orchestra
The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.
During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Sir Neville Marriner, Valery Gergiev and Sir Roger Norrington.
Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016 Nagano and the Philharmonic undertook a successful three-week concert tour in South America, a tour of Spain followed in 2019. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released at ECM.
The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.
In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.
The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.
photo: Foto: Felix Broede
