Giacomo Puccini | La Bohème
Thu, Dec. 07, 2023, 7.30 pm - 10.00 pm
Musikalische Leitung
Giampaolo Bisanti
Musical Direction
Birthplace:
Milan, Italy
Studies:
Conducting, clarinet, piano and composition at the Conservatorio Giuseppe Verdi in Milan, graduating with honors
Prizes:
Winner of the Dimitri Mitropoulos International Music Competition in Athens, 1998
Repertoire:
Mainly Italian repertoire, from Bellini, Donizetti to Verdi and Puccini and Verismo, first conducted Wagner opera (Der Fliegender Holländer) at Teatro Petruzzelli Bari (2018)
Career stages:
General Music Director of Teatro Petruzzelli in Bari/Italy 2017-2022), from September 2022 General Music Director of Opéra Royal de Wallonie Luettich
Stages:
Wiener Staatsoper, Staatsoper Hamburg, Deutsche Oper Berlin, Semperoper Dresden, Gran Teatre del Liceu, Festival Peralada, Opéra Bastille Paris, Les Chorégies d'Orange,, Opernhaus Zürich, Stadttheater Basel, Opéra de Lausanne, New National Theatre Tokyo, Teatro alla Scala di Milano, Teatro Regio Torino, Teatro del Maggio Musicale Fiorentino, Teatro La Fenice, Teatro Comunale Bologna, Teatro Petruzzelli in Bari, Seattle Opera, et al.
Cooperation with orchestras:
Israel Philharmonic Orchestra, Orchestra RAI Torino, Philharmonie de Strasbourg, Russian Philharmonic Orchestra, Orchestra della Toscana, Haydn Orchestra Bozen Bolzano, et al.
Find further information about Giampaolo Bisanti here.
Rodolfo
Long Long
Tenor
Birthplace:
Shandong, China
Studies:
Shanghai Music Academy, University Opera Research Institute in Beijing
Master class:
With Georg Solti Accademia (2017)
Prizes:
Winner 18th International Singing Competition “Neue Stimmen" (2019), winner Music Competition Harbin (2019), 3rd prize and 5 special prizes at the Moniuszko Vocal Competition in Warsaw (2019), 3rd prize winner at the Francisco Viñas International Singing Competition in Barcelona (2019), winner Giovani Voci Verdiane competition in Busseto (2017), winner Grand Prix de l'Opera in Bucharest (2016)
Important parts:
Romeo (Romeo et Juliette), Nemorino (L'Elisir d'Amore), Edgardo (Lucia di Lammermoor), Rinuccio (Gianni Schicchi), Rodolfo (La Bohème), Godefroy de Vaudémont (Iolanta), Tamino (Die Zauberflöte), Alfredo (La Traviata), Il Duca di Mantua (Rigoletto), Don Ottavio (Don Giovanni), et al.
Stages:
Royal Opera House, Santa Fe Opera Festival, Atlanta Opera, Semperoper Dresden, Opéra National de Montpellier, Staatsoper Hamburg, Dallas Opera, Israeli Opera, Prague National Opera, NCPA Beijing, Canadian Opera Company, Bregenzer Festspiele, Glyndebourne Festival, Ópera Nacional de Chile and Teatre Principal de Palma, Bayerische Staatsoper, Oper Frankfurt and Göteborg Opera, Polish National Opera, Dutch National Opera, Komische Oper Berlin, Staatsoper Hannover, Salzburg Festival, Aalto-Theater Essen
Cooperations with conductors:
Valery Gergiev, Kirill Petrenko, Bertrand de Billy, Carlo Rizzi, Simone Young, Asher Fish, Keri Lynn Wilson, et al.
photo: He Ping
Schaunard
Chao Deng
Bass-baritone
Birthplace:
Tianjin, China
Studies:
Vocal studies in Tianjin, China; diploma in voice at the Hochschule für Musik Würzburg with Cheryl Studer; master studies with Christian Elsner and in the Lied class of Gerold Huber and opera studio at the Hochschule für Musik Weimar with Prof. Dr. Michail Lanskoi; master class exam at the Hochschule für Musik Dresden with KS Prof. Matthias Henneberg.
Master classes:
With Liang Li, Michaelis Doukakis, John Norris, KS Camilla Nylund, KS Helen Donath, KS Brigitte Fassbaender, Sonja Prina, Alberto Triola, Catherine Foster, Georg Zeppenfeld, Juliane Banse, Roberto Scandiuzzi, KS Deborah Polaski.
Awards:
Prize for Opera Singing of the Concerto Foundation Würzburg (2015), Prize Winner of the International Singing Competition of the Chamber Opera Schloss Rheinsberg (2014), Scholarship Holder of the Richard Wagner Association Bayreuth Festival (2014), et al.
Relation to the State Opera:
Ensemble member of the Hamburg State Opera since the 2020/21 season.
Important roles:
Peter (Hänsel und Gretel), Häuptling Abendwind (Chief Evening Wind), Ramfis (Aida), Gianni Schicchi/Betto di Signa (Gianni Schicchi), Papageno/Sprecher /2. Geharnischte (Die Zauberflöte), Frank (Die Fledermaus), Don Fernando (Fidelio), Schaunard (La Bohème), Mr. Fluth (The Merry Wives of Windsor), Kilian/Ottokar (Der Freischütz), Buonafede (Il mondo della luna), Förster (Das schlaue Füchslein), Le Duc (Romeo et Juliette), Angelotti (Tosca), Colas (Bastien et Bastienne), Priamus (Les Troyens), Antonio (Le nozze di Figaro), Marullo/Ceprano (Rigoletto), Zuniga (Carmen), De Retz (Les Huguenots), Lord Syndham (Zar und Zimmermann), Spielmann (Königskinder), Journalist (Lulu), Osias, High Priest (Judith), et al.
Stages:
Hamburg State Opera, Bavarian State Opera, Dresden Semper Opera, German Opera on the Rhine, Dresden Philharmonic, Braunschweig State Theater, German National Theater Weimar, Dresden State Operetta, Erfurt Theater, Weimarhalle, Saar Music Festival, Shanghai Opera House, et al.
Collaboration with directors:
Peter Konwitschny, Lydia Steier, Barrie Kosky, Mariame Clément,Yona Kim, Manfred Weiß, Sabine Hartmannshenn, Hasko Weber, Anette Leistenschneider, Guy Montavon, Andrea Moses, et al.
Collaboration with conductors:
Kent Nagano, Sebastian Weigle, Stefano Ranzani, John Fiore, Stefan Soltész, Xu Zhong, Daniele Callegari, Speranza Scappucci, Giampaolo Bisanti, Ivan Repušić, Riccardo Minasi, Giacomo Sagripanti, Roberto Rizzi Brignoli, Thomas Leo Cadenbach, Moritz Gnann, Felix Krieger, Christoph Gedschold, Kristiina Poska, Tomáš Netopil, Antonino Fogliani, Omer Meir Wellber, Nikolaj Szeps-Znaider, Stefan Lano, Martin Hoff, Georg Fritzsch, et al.
Find further information about Chao Deng here.
photo: Jie Chen
Marcello
Alexey Bogdanchikov
Baritone
Birthplace:
Tashkent, Uzbekistan
Studies:
Galina Vishnevskaya Opera Centre, Tchaikovsky State Conservatory in Moscow
Prizes:
Winner of the 57th International Singing Competition "Voci Verdiane" in Busseto (2019), Dr. Wilhelm Oberdörffer-Preis (2017), Special Prize at the “Neue Stimmen” competition (2013), representative for Russia at the BBC Cardiff Singer of the World Competition (2013), second prize at the European Vocal Competition “Debut” (2012), third prize at the Armel Opera Competition in Hungary (2010)
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 2015/16
Important parts:
Barrett (The Servant), Wolfram (Tannhäuser), Eugen Onegin (Eugen Onegin), Robert (Iolanta), Prinz Jeletzki (Pique Dame), Belcore (L’Elisir d’Amore), Marcello (La Bohème), Moralès (Carmen), Graf (Le Nozze di Figaro), Mercutio (Roméo et Juliette), Rodrigo (Don Carlo), Frank und Fritz (Die tote Stadt), Silvio (Pagliacci), Sharpless (Madama Butterfly), Figaro (Il Barbiere di Siviglia), Valentin (Faust), Enrico (Lucia di Lammermoor), Carlo Gérard (Andrea Chénier von Umberto Giordano), Malatesta (Don Pasquale), et al.
Stages:
Armel Opernfestival in Szeged, Teatro Comunale di Bologna, Guangzhou Opera House, Teatro Comunale Luciano Pavarotti in Modena, Teatro Municipale in Piacenza, Teatro Delle Muse in Ancona, Teatro dell’Opera di Roma, Astrakhan Opera House, Magnitogorsk Opera House, Kolobov Novaya Opera Theatre Moscow, Deutsche Oper Berlin, Hamburgische Staatsoper, Staatsoper Hannover, Sankt Galler Festspiele, et al.
Cooperation with conductors:
Jader Bignamini, Francesco Ivan Ciampa, Emmanuel Villaume, Renato Palumbo, Erich Wächter, Alexander Joel, Stefano Ranzani, Josep Caballé Domenech, Nathan Brock, Gregor Bühl, Kent Nagano, Pier Giorgio Morandi, Christoph Gedschold, Carlo Rizzari, Christopher Ward, et al.
Find further information about Alexey Bogdanchikov here.
photo: PAULINA HOLBREICH
Colline
David Minseok Kang
Bass
Origin:
Korea
Studies:
Kyunghee University in Seoul with Alfred Kim, Staatliche Hochschule für Musik und Darstellende Kunst Stuttgart Master class Oper with Ulrike Sonntag (2018-2022)
Master classes:
With Jenny Anvelt, Bo Skovhus, Kwangchul Youn, Margreet Honig, Gundula Schneider
Important parts:
Sarastro (Die Zauberflöte), Colline (La Bohème), Dr. Grenvil (La Traviata), Gremin (Eugen Onegin), Reinmar von Zweter (Tannhäuser), Don Alfonso (Così fan tutte), Sparafucile (Rigoletto), Colline (La Bohème), et al.
Stages:
Staatsoper Stuttgart, Ettlinger Schlossfestspiele, Theater Kiel, Oper Zürich
Relation to the State Opera:
Member of the International Opera Studio from 2019/2020 to 2021/2022
Ensemble member since 2022/2023
Cooperations with directors:
Blanka Radoczy, Solvejg Bauer, Bernd Schmitt
Cooperations with conductors:
Kent Nagano, Nicolas Andre, Matteo Beltrami, Paolo Arrivabeni, Giampaolo Bisanti, Francesco Ivan Ciampa
photo: Brinkhoff/Mögenburg
Benoît
Mateusz Ługowski
Baritone
Birthplace:
Działdowo, Poland
Studies:
Solo sining and chor conducting, Vocal- and Conducting isntitute Ignacy Jan Paderewski Academy of Music in Poznań (graduated 2022)
Prizes:
Special Prize by Prof. Tadeusz Pszonka in 10th National Vocal Competition in Mława, Poland (2022), 2nd Prize 10th National Vocal Competition, Mława (2022), Grand Prix International Festival of Arts “Sakura Blossom” (2021), 1st Prize MAP International Music Competition Los Angeles (2021), 1st Prize 4th International Moscow Music Compeitions (2021), Award of Excellence in Angel Voice Classic/2nd Prize Angel Voice Classic in “Opera-Youth”/1st Prize in “Slavic” (2021), 1st Prize International Competition ArtSong Opucs (2021), Grand Prix International vocal and choral competition (2021)
Master classes:
Mariusz Kwiecień, Marcin Koziel, Eytan Pessen, Bogdan Makal, Izabela Kłosińska, Maestro Adi Bar, Maestro Marco Guidarini, Viorica Cortez, Ubaldo Fabbri, et al.
Relation to the Hamburg State Opera:
Member of the International Opera Studio of the Hamburg State Opera since the 2022/2023 season
Important parts:
Gianni Schicchi (Gianni Schicchi), Guglielmo (Cosí fan tutte), et al.
Cooperations with directors:
Rares Zaharia, Krzysztof Cicheński, Paweł Szkotak, et al.
Cooperations with conductors:
Noar Shani, Adi Bar, Grzegorz Wierus, Marco Guidarini, et al.
Find further information about Mateusz Ługowski here.
photo: Jörn Kipping
Mimì
Natalia Tanasii
Soprano
Birthplace:
Moldova
Studies:
Zurich International Opera Studio, the Jerwood Young Artist at Glyndebourne Festival Opera, the young ensemble of the Norwegian National Opera
Prizes:
2nd Prize winner of the Neue Stimmen competition
Important parts:
Micaela (Carmen), Fifth Maid (Elektra), Zerlina (Don Giovanni), Fiordiligi (Così fan tutte), Tatyana (Eugene Onegin), Mimi (La bohème), et al.
Stages:
Opernhaus Zurich, La Monnaie, Teatro Massimo di Palermo, Opéra Royal de Wallonie-Liège, Opéra de Lausanne, Garsington Opera, Oper Frankfurt, Salzburg Festival, Teatro Nacional de São Carlos, Den Norske Opera & Ballet, Teatro Arriaga in Bilbao, et al.
Cooperations with directors:
Calixto Bieito, Laurent Pelly, Lotte de Beer
photo: A. Lurkovski
Musetta
Olivia Boen
Soprano
Birthplace:
Chicago, USA
Studies:
Opera Course at Guildhall School of Music and Drama (2021), Master of Music with Distinction at Guildhall School of Music and Drama (2019), Bachelor of Music in Voice from Oberlin Conservatory of Music (2017)
Prizes:
Finalist Guildhall Gold Medal Prize (2021), Awarded English Song Prize from London Song Festival (2019), Third Place Hurn Court Singing Competition (2019), First Place Musicians Club of Women Lynne Cooper Harvey Foundation Award (2018), Awarded Frank Huntington Beebe Fund for Musicians Grant (2018), First Place Tuesday Musical Competition (2017)
Master classes:
Renée Fleming, Roderick Williams, Thomas Hampson, Eric Owens, Helmut Deutsch, Marilyn Horne, Thomas Quasthoff, Dame Felicity Lott, Kamal Khan, Kate Royal
Relation to the Hamburg State Opera:
Member of the International Opera Studio of the Hamburg State Opera since the 2022/2023 season
Important parts:
Alice Ford (Falstaff), Pamina (Die Zauberflöte), Sifare (Mitridate), Servilia (La Clemenza di Tito), Gretel (Hänsel und Gretel), Musetta (La Bohéme), Susanna (Il Segreto di Susanna), Queen Mother (The Little Green Swallow), Alcina (Alcina), Romilda (Serse), et al.
Stages:
Opéra national de Paris, BBC Philharmonic Orchestra, Royal Philharmonic Orchestra, Wigmore Hall, Grant Park Music Festival, Oxford Lieder Festival, Verbier Festival, Opera Theatre of Saint Louis, Barbican Centre, Ravinia Festival, International Meistersinger Academy, Samling Institute, et al.
Cooperations with directors:
Frank Castorf, Immo Karaman, Lee Blakeley, Stephen Medcalf, et al.
Cooperations with conductors:
Sir Andrew Davis, Valery Gergiev, Dominic Wheeler, Stanislav Kochanovsky, et al.
Find further information about Olivia Boen here.
photo: Simon Pauly
Parpignol
Aaron Godfrey-Mayes
Tenor
Birthplace:
Mansfield, United Kingdom
Studies:
Mascarade Emerging Artist (2022-2023)
Mascarade Opera Studio (2021-2022)
Advanced Diploma, Royal Academy Opera
Master of Arts, Royal Academy of Music
Bachelor of Music, Royal Academy of Music
Master class:
Allan Clayton, Royal Academy of Music
Dennis O’Neill, Royal Academy of Music
Carmen Santoro, Mascarade Opera Studio
Ann Murray
Ian Partridge, Royal Academy of Music
Prizes:
1 st place, Royal Academy of Music Pavarotti Prize
3 rd place & Wil Keune Mozart Prize, Veronica Dunne International Singing Competition
1 st place, David Clover Festival of Singing Recital Prize
19 th century Italian opera prize, Mozart Singing Competition
Prize winner, Richard Lewis/Jean Shanks Award
1 st place, Nottinghamshire Masonic Music Association Bursary
Relation to the Hamburg State Opera:
Member of the International Opera Studio of the Hamburg State Opera since the season 2023/24
Important parts:
Don Ramiro (La Cenerentola), Ferrando (Così fan tutte), Flute (A Midsummer Night’s Dream), Alì (Adina), Albert Herring (Albert Herring), Triquet (Eugene Onegin)
Stages:
Teatro La Fenice, Garsington Opera, Nevill Holt Opera, Königliches Kurtheater Bad Wildbad, et al.
Cooperation with directors:
Oliver Mears, Marie Lambert-Le Bihan, Noa Naamat, Douglas Boyd, Paul Curran, Federico Grazzini, Pedro Ribeiro, Jean-Romain Vesperini, et al.
Cooperation with conductors:
Philippe Herreweghe, Trevor Pinnock, Iain Ledingham, Luciano Acocella, Jonathan Santagada, Douglas Boyd, Sian Edwards, Peter Robinson, Matthew Scott Rogers, Nicholas Chalmers, Dionysis Grammenos, Tom Seligman, et al.
photo: Jörn Kipping
Alcindoro
Liam James Karai
Bass-Baritone
Birthplace:
Hongkong, China
Studies:
MMUS & PGDip - Royal Northern College of Music, taught by Quentin Hayes
BSC – University of Leicester
Master class:
Olga Peretyatko (2022 Hamburg)
Piotr Beczała (2022 Salzburg Festspiele)
John Tomlinson (2022 RNCM)
Ann Murray (2022 RNCM)
Graham Vick (2021 RNCM)
Christopher Purves (2021 RNCM)
Prizes:
Sir John Tomlinson Scholarship (RNCM)
Andrew Lloyd Webber Scholarship (RNCM)
Frederic Cox Award (RNCM)
RNCM Silver Medal
Joaninha Trust Award Competition
Pomerance Prize (University of Leicester)
St Cecilia Opera Prize (Leicester festival of music & dramatic art)
Winner of the Opera solo Award (Leicester festival of music & dramatic art)
Relation to the Hamburg State Opera:
Member of the International Opera Studio of the Hamburg State Opera since the 2022/2023 season
Important parts:
Figaro (Le nozze di Figaro), Leporello/Don Giovanni (Don Giovanni), Guglielmo (Così fan tutte), Alidoro (Cenerentola), Escamillo (Carmen), Colline (La bohème)
Stages:
Salzburg Festspiele, Staatsoper Hamburg, English National Opera, Opera Holland Park, RNCM
Cooperation with directors:
Christof Loy, Angelina Nikonova, Victoria Newlyn, Sam Brown, Stuart Barker, Jonathan Cocker
Cooperation with conductors:
Kent Negano, Franz Welser-Möst, Peter Whelan, Adrian Kelly, Peter Robinson, Nicholas Kok, Paul Jenkins
Find further information about Liam James Karai here.
photo: Jörn Kipping
Kinderchor
Alsterspatzen – Kinder- und Jugendchor der Hamburgischen Staatsoper
Die Alsterspatzen bezaubern seit vielen Jahrzehnten als Lebkuchen- oder Straßenkinder, als Ministranten und Elfenchor. In der Spielzeit 2019/20 übernahm Luiz de Godoy die Leitung des Kinder- und Jugendchores der Hamburgischen Staatsoper. Die jungen Sängerinnen und Sänger stehen in Produktionen wie „Hänsel und Gretel“, „Carmen“ oder „La Bohème“ neben Ensemblemitgliedern und internationalen Gästen auf der großen Bühne der Staatsoper. Darüber hinaus sind sie mit dem Philharmonischen Staatsorchester unter anderem in der Elbphilharmonie und im Rahmen eigener Projekte in der opera stabile zu erleben.
Wir danken der Alster-Hof Melzner-Stiftung für die Unterstützung.
Find further information about Alsterspatzen – Kinder- und Jugendchor der Hamburgischen Staatsoper here.
photo: Niklas Marc Heinecke
Chor
Chor der Hamburgischen Staatsoper
The chorus members appear on stage at the Hamburg State Opera in a different role almost every night. From one day to the next, they might be sailors, pilgrims or conspirators, then courtiers, hunters, the deranged or the imprisoned. In the role of crusaders in I Lombardi alla prima Crociata they travel to Jerusalem, other nights they are invited to Madama Butterfly's marriage or acclaim Prince Igor. The ladies and gentlemen of the opera chorus demonstrate their artistic prowess, their flexibility, and their love of the stage in every performance.
With a membership around 70, the chorus of the Hamburg State Opera has been one of the world’s best opera choruses for many years. The varied repertoire – almost always in the original language – is multifaceted and includes baroque operas and dramatic operas, major works by Verdi and Wagner as well as contemporary pieces. At the start of the 2013/14 season, Eberhard Friedrich took over the post of Chorus Master.
photo: Niklas Marc Heinecke
Orchester
Philharmonisches Staatsorchester Hamburg
Orchestra
The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.
During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Adam Fischer and Sir Roger Norrington.
Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera and since June 2023 also its honorary conductor. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016, Nagano and the Philharmonic toured South America, followed by concert tours to Spain and Japan in 2019, and in the spring of 2023, the Philharmonic State Orchestra made its debut at New York's Carnegie Hall under his direction, which was acclaimed by audiences and the press. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released by ECM, for which Widmann received the OPUS KLASSIK as Composer of the Year 2019, and ARCHE was performed again in 2023 to great acclaim.
The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.
In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.
The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.
photo: Foto: Felix Broede
