Sunday 29. Sep. 2019, 4.00 pm | Elbphilharmonie, Großer Saal
Hector Berlioz: Roman Carnival Overture, Op. 9
Giuseppe Martucci: "La canzone dei ricordi" for voice and orchestra
Felix Mendelssohn Bartholdy: Symphony No. 4 in A major, Op. 90 "Italian"
Special Jury Prize at Le Concours International de Chant – Nuits Lyriques de Marmande
Carmen (Carmen), Léonor (La Favorite), Fides (Le Prophète), Amneris (Aida), Concepcion (L’Heure Espagnole), Marguerite (La Damnation de Faust), Dulcinee (Don Quichotte), Sara (Roberto Devereux), Rebecca (Il Templario), Dalila (Samson et Dalila), Charlotte (Werther), Zayda (Don Sebastien), Gertrude (Hamlet), et al.
Opéra National de Paris, Metropolitan Opera, Bayerische Staatsoper, Lyric Opera of Chicago, Deutsche Oper Berlin, Teatro Colón in Buenos Aires, Teatro dell’Opera di Roma, Grand Théâtre de Genève, Teatro di San Carlo in Naples, Opera Australia, Canadian Opera Company, Gran Teatre del Liceu in Barcelona, Théâtre du Capitole in Toulouse, Opéra Municipal de Marseille, Oper Köln, Semperoper Dresden, Washington National Opera, Musikverein in Vienna, Salzburg Festival, et al.
Cooperation with directors:
Christian Spuck, Hugo De Ana, Daniele Finzi Pasca, John Bell, Béatrice Lachaussée, Matthew Ozawa, Calixto Bieito, Olivier Py, Jean-Louis Grinda, Derek Gimpel, Jakop Ahlbom, et al.
Cooperation with conductors:
Riccardo Muti, Daniele Gatti, Stéphane Denève, Emmanuel Villaume, Roberto Rizzi-Brignoli, Giuseppe Finzi, Donald Runnicles, Raphaël Pichon, Jacques Lacombe, Jean-Christophe Spinosi, Josep Caballé Domenech, Vladimir Kiradžijevs, Luciano Acocella, Michel Plasson, Ira Levin, Will Crutchfield, Evan Rogister, Charles Dutoit, Paolo Carignani, Andrea Molino, Sir Andrew Davis, Friedrich Haider, Juraj Valcuha, Paolo Arrivabeni, Enrique Mazzola, Maxime Pascal, Patrick Summers, et al.
The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.
During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Sir Neville Marriner, Valery Gergiev and Sir Roger Norrington.
Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016 Nagano and the Philharmonic undertook a successful three-week concert tour in South America, a tour of Spain followed in 2019. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released at ECM.
The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.
In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.
The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.
Italy – the land that "northern lights" yearn for! One of the most beautiful examples of this phenomenon in music history is the "Italian Symphony" written by the 21-year-old Mendelssohn. In 1830 he undertook his first grand tour of Italy, which left him so enthusiastic and energetic that it enticed him to write an entire symphony. However, the composer began to doubt his work, and he considered revising it. Perhaps because his piece ran so contrary to the "classical symphony" of Haydn, Mozart or Beethoven? After all, the first movement resembled a rousing finale, a dynamic gesture that left audiences breathless.
Italy – land of opera! We know little of the attempts to lay down roots for instrumental music, symphonies and chamber works, in this cradle of opera. One key figure in these efforts was Giuseppe Martucci, a Wagner acolyte. However, he was no less fervent in his support for Brahms, whose Second Symphony the conductor premiered in Italy.
One hour before the concert, dramaturge Janina Zell will give a pre-concert talk (in german).
Venue: Elbphilharmonie, Großer Saal, Platz der Deutschen Einheit 4, 20457 Hamburg
Prices: € 65,00 / 52,00 / 41,00 / 28,00 / 12,00