Sun, May 05, 2024, 11.00 am | Elbphilharmonie, Grand Hall
Vladimir Tarnopolski: "Im Dunkel vor der Dämmerung" for clarinet, viola, double bass and orchestra (world premiere) Commissioned work of the Philharmonic State Orchestra
Ludwig van Beethoven: Symphony No. 3 in E-flat major op. 55 "Eroica"
Kent Nagano is considered one of today’s outstanding conductors for both operatic and orchestral repertoire. Since September 2015, he has been General Music Director of the Hamburg State Opera and Chief Conductor of the Philharmonic State Orchestra Hamburg. In addition, he is committed as Artistic Director of the Ring project “The Wagner Cycles” of Dresdner Musikfestspiele with Dresdner Festspielorchester and Concerto Köln, and as patron of the Herrenchiemsee Festival. 2023 he was appointed Honorary Conductor of the Philharmonic State Orchestra, in 2021 of the Orchestre symphonique de Montréal, in 2019 of the Concerto Köln, and in 2006 of the Deutsches Symphonie-Orchester Berlin.
The 2023/2024 season in Hamburg begins with four concerts, performing with the Philharmonische Akademie at the Laeiszhalle, then with the Philharmonic State Orchestra at the Rathausmarkt Open Air and the Elbphilharmonie. This will be followed by a series of opera productions at the State Opera in September and October, with a premiere of Mussorgski’s Boris Godunow in a production by Frank Castorf and a premiere of Strauss’s Salome in a production by Dmitri Tcherniakov, as well as performances of Sciarrino’s Venere e Adone and Britten’s Peter Grimes. Furthermore, as in every season Nagano will conduct symphonic concerts with the Philharmonic State Orchestra at the Elbphilharmonie, including the New Year’s performance.
His past years in Hamburg include opera productions such as Les Troyens, Lulu, Lady Macbeth von Mzensk, the world premiere of Stilles Meer and German premiere of Lessons in Love and Violence, the "Philharmonische Akademie" at St. Michaelis, open-air concerts at the Rathausmarkt and the world premiere of Pascal Dusapin's work Waves for organ and orchestra at the Elbphilharmonie. Orchestral tours with the Philharmonisches Staatsorchester Hamburg have taken Kent Nagano to Japan, Spain and South America.
Kent Nagano has worked with the world's leading international orchestras, including the Bavarian Radio Symphony Orchestra, the Orchestre Philharmonique Radio France, the Orchestre de l’Opéra national in Paris, the Chicago and Detroit Symphony Orchestra, the Finnish Radio Symphony Orchestra, and the Wiener Symphoniker. Special projects were productions of Wagner's Das Rheingold with Concerto Köln and the Bernstein opera A quiet place at the Paris Opera. His operatic work has included Dusapin‘s Il viaggio, Dante at the Festival d‘Aix-en-Provence, Hindemith's Cardillac and Poulenc's Dialogues des Carmélites at the Opéra National de Paris and Henze’s The Bassarids and the premiere of Saariaho's L’amour de loin at the Salzburg Festival. Other world premieres conducted by Nagano include Bernstein's A White House Cantata and the operas Alice in Wonderland by Unsuk Chin, Three Sisters by Peter Eötvös and The Death of Klinghoffer and El Niño by John Adams.
The 2023/24 season will see Kent Nagano make a wide variety of appearances at the Maison symphonique in Montréal, the Concertgebouw in Amsterdam, the Tonhalle in Zurich, the Philharmonie in Berlin, the Konzerthalle in Bamberg and the Kulturpalast in Dresden. In addition, he will conduct the Orchestre de l'Opera de Lyon and lead a new production of Ligeti’s Le Grand Macabre by Krzysztof Warlikowski at the Bavarian State Opera in Munich.
Under the artistic direction of Kent Nagano and the Intendant of the Dresdner Musikfestspiele Jan Vogler, Wagner's "Ring Tetralogy" will be performed in the artistic context of the period in which it was composed, based on the latest findings of research into Wagner and performance practice, and integrated into an extensive supporting program as part of the multi-year project "The Wagner Cycles" of the Dresdner Musikfestspiele from 2023 to 2026. The prelude was the performance of "Das Rheingold" at the Dresden Music Festival in 2023 and the tour to Cologne, Ravello and Lucerne under the musical direction of Kent Nagano. With "Die Walküre," the second work in the epochal narrative will follow in 2024.
Highlights of Kent Nagano's collaboration with the OSM as Music Director from 2006 to 2020 included the inauguration of the orchestra’s new concert hall La Maison Symphonique in September 2011, performances of the complete cycles of Beethoven and Mahler symphonies, Schoenberg's Gurrelieder, concert versions of Wagner's Tannhäuser, Tristan und Isolde and Das Rheingold, Honegger's Jeanne d'Arc au Bücher, and Messiaen's Saint François d'Assise. Tours have taken Nagano and the orchestra to Canada including the Northern Territories, Japan, South Korea, Europe (latest 2019), Latin America and the USA. In July 2018, Kent Nagano conducted Krzysztof Penderecki’s St. Luke Passion with the OSM at the Salzburg Festival opening concert.
His recordings with the OSM on Sony Classical/Analekta include Mahler’s Orchestral Songs with Christian Gerhaher in 2013 and a complete recording of all of Beethoven’s symphonies in 2015. Decca released a recording of the North American premiere of L'Aiglon, a rarely performed opera by Honegger and Ibert in 2016, conducted by Nagano in 2015. Further releases by Decca are Danse Macabre with works by Dukas, Saint-Saens, Ives and others in 2016 as well as a recording of Bernstein's A quiet place in 2018 on the occasion of the composer's 100th birthday. John Adams' Common tones in simple time & harmony (Decca) was released in 2019, the Lukas Passion by Penderecki (BIS) and works by Ginastera, Bernstein and Moussa (Analekta) in 2020.
At the Bayerische Staatsoper, where he was General Music Director from 2006 to 2013, Kent Nagano commissioned new operas such as Babylon by Jörg Widmann, Das Gehege by Wolfgang Rihm and Alice in Wonderland by Unsuk Chin. New productions included Mussorgsky's Boris Godunov and Khovanshchina, Strauss' Ariadne auf Naxos and Die Frau ohne Schatten, Poulenc's Dialogues des Carmelites, Messiaen’s Saint François d'Assise, Berg’s Wozzeck, George Benjamin's Written on skin and Wagner's Der Ring des Nibelungen. Tours took Nagano and the Bavarian State Orchestra through Europe and Japan. In addition to Bruckner's Symphonies Nos. 4 and 7 (Sony), Kent Nagano has released several opera performances with the Bavarian State Orchestra on DVD: Unsuk Chin's opera Alice in Wonderland (2008) and Mussorgsky's Chowanschtschina (2009) with unitel classica/medici arts, Dialogue des Carmélites with Bel Air Classiques (2011) and Lohengrin (2010) with Decca.
Another very important period in Nagano’s career was his time as Artistic Director and Chief Conductor of the Deutsches Symphonie-Orchester Berlin from 2000-2006. He performed Schönberg’s Moses und Aron with the orchestra (in collaboration with Los Angeles Opera) and took them to the Salzburg Festival to perform both Zemlinsky’s Der König Kandaules and Schreker’s Die Gezeichneten, as well as to the Festspielhaus Baden-Baden with Parsifal and Lohengrin in productions by Nikolaus Lehnhoff. Recordings with the Deutsches Symphonie-Orchester Berlin for Harmonia Mundi include repertoire as diverse as Bernstein’s Mass, Bruckner’s Symphonies Nos. 3 & 6, Beethoven’s Christus am Ölberge, Wolf’s Mörike-Lieder, Mahler’s Symphony No. 8, Schönberg’s Die Jakobsleiter and Friede auf Erden, as well as Brahms’s Symphony No. 4 and Schönberg’s Variationen für Orchester Op. 31. In June 2006, at the end of his tenure with the orchestra, Kent Nagano was given the title Honorary Conductor by members of the orchestra – only the second recipient of this honour in their 60-year history. To this day he maintains a close friendship with the orchestra.
In October 2019, Kent Nagano and Mari Kodama expanded their joint recordings of Beethoven's works for piano and orchestra with Beethoven's Piano Concerto No. 0 E-flat Major WoO 4, a nearly unknown work from the composer’s youth, and his Rondo for Piano and Orchestra WoO 6 with the Deutsches Symphonie-Orchester Berlin. The complete edition of Beethoven’s piano concerti was released on the Berlin Classics label.
Nagano was awarded Grammys for his recordings of Busoni’s Doktor Faust with Opéra National de Lyon, Prokofjew’s Peter and the Wolf with the Russian National Orchestra and Saariaho’s L’amour de Loin with the Deutsches Symphonieorchester Berlin. He has worked with labels such as BIS, Decca, Sony Classical, FARAO Classics and Analekta for many years, and has also recorded CDs with Berlin Classics, Erato, Teldec, Pentatone, Deutsche Grammophon and Harmonia Mundi.
To celebrate Kent Nagano's 70th birthday in 2021, a 3-CD box set of works by Olivier Messiaen was released in October on the BR Klassik label. The release includes live recordings of the works Poèmes pour Mi, Chronochromie and La Transfiguration de Notre Seigneur Jésus-Christ from his concerts with the Symphonieorchester und Chor des Bayerischen Rundfunks, demonstrating Nagano's close familiarity with Messiaen's musical language in a special way.
In September 2021, Kent Nagano published his second book with Berlin Verlag. In "10 Lessons of my Life", he recalls ten deeply personal encounters from which he learned important lessons, not only for his career but for his life more broadly. Among those experiences are encounters with the Icelandic pop artist Björk, Frank Zappa, Leonard Bernstein, Pierre Boulez and the Nobel Prize winner in physics Donald Glaser.
In 2015 Kent Nagano published "Erwarten Sie Wunder!" also in Berlin Verlag, a passionate appeal for the relevance of classical music in today's world. In 2019 the book was released in English by the Canadian McGill-Queen's University Press under the title ″Classical Music - Expect the Unexpected" and in 2015 under "Sonnez, merveilles!" in French by Éditions du Boréal.
Born in California, Nagano maintains close connections with his home state and was Music Director of the Berkeley Symphony Orchestra from 1978-2009. His first major successes came with the Boston Symphony Orchestra in 1984, when Messiaen appointed him assistant to conductor Seiji Ozawa for the premiere of his opera Saint François d'Assise. Nagano’s success in America led to European appointments: Music Director of Opéra National de Lyon (1988-1998) and Music Director of the Hallé Orchestra (1991-2000). Kent Nagano became the first Music Director of Los Angeles Opera in 2003 having already held the position of Principal Conductor for two years.
Kent Nagano was awarded an honorary doctorate from McGill University in Montréal in 2005, an honorary doctorate from the Université de Montréal in 2006, and an honorary doctorate from San Francisco State University in 2018. Since 2017, Kent Nagano has been a "Compagnon" of the "Ordre des arts et des lettres" of Québec and in the fall of 2023, Kent Nagano was also awarded the title of "Chevalier" in the "Ordre des art et des lettres" of France. In February 2024, Kent Nagano was awarded the Order of Merit of the Federal Republic of Germany by the Federal President.
Onstage or in the office: people who work in the music industry usually decide on one or the other, however Boglárka Pecze is an exception to the rule. Born in Hungary, Pecze is an internationally sought after clarinettist who has been working at the forefront of the contemporary art music scene for many years.
“I’m a free spirit,” admits Pecze, having also found her calling as a cultural manager. She is not attracted to accumulating the greatest possible concentration of concerts but to having a variety of tasks and perspectives.
On her instrument, Boglárka Pecze has proven herself in becoming one of the most exciting young virtuosi. She has performed at prestigious venues and festivals throughout Europe, Asia and the USA, including the Concertgebouw (Amsterdam), the Salzburg Festival and the Shanghai International Music Festival. Highlights of the 2023/24 season include perfominces at Konzerthaus Berlin, Ultraschall Festival and Gare du Nord Basel with ensembles such as DSO Berlin and Göttinger Symphony Orchestra.
“Pecze’s palette of sound on the clarinet is extremely wide; her precision and seriousness can only be met with utmost admiration,” high praise from the Hamburger Abendblatt. Even more noteworthy and undeniably contagious however is “her joy of playing and her wit when dealing with even the most abstract material.”
Of course, “abstract material” means contemporary art music: a field in which Boglárka Pecze has been engaged in recent years with “dazzling intensity” (Neue Zeitschrift für Musik) and a will of expression that verges on “existential limits” (Neue Zürcher Zeitung), playing her way to the top, internationally. As a founding member of the award-winning Trio Catch, she has worked with composers such as Helmut Lachenmann, Isabel Mundry, Georges Aperghis and Beat Furrer, given concerts as a “Rising Star” in the major concert halls of Europe and received awards such as the German Record Critics’ Prize and the Berenberg Cultural Prize. Numerous other prizes have followed including a scholarship of the German Music Competition and as two-time recipient of the Prize for Interpretation at the Stockhausen courses in Kürten, Germany.
“Of course good technique is extremely important…” explains Pecze, who discovered contemporary art music as a scholarship holder of the International Ensemble Modern Academy, “…but perfection isn’t everything. The deciding factor is when the craftsmanship recedes into the background and the music can take flight”, the critical acclaim for her performances more than confirming Boglárka Pecze’s statement. According to the press, “some classical music fans who experience the extraordinary dedication and the musical clarity of this clarinettist are, as if by mistake, utterly drawn in to this radically contemporary music. A music that they would otherwise avoid completely.”
Boglárka Pecze exhibits the same passion and curiosity behind the scenes as a cultural manager, negotiating fees, calculating budgets, taking part in competitions as a jury member and thus supporting other musicians and ensembles.
Taking the step behind the scenes of the music industry came naturally: “From the very beginning I was interested in how the classical music industry works,” says Pecze, “and I love the challenge of persuasion,” she laughs.
Pecze is currently working for the Ensemble Recherche, is a member of the Board of Trustees of the Hanne Darboven Foundation, a jury member for the Composition Prize of the City of Stuttgart and passes on her knowledge to young musicians at the Nuremberg Academy of Music. “My goal is that students can manage and establish themselves in the industry and that they’re able to make a living from making music.”
With her dynamic work both on and offstage, Boglárka Pecze forges new ground within the music business. Her career is based on a remarkable musicality and a boundless curiosity for the interconnectedness of the industry, but above all, for the courage to tread your own path.
Born in Caracas in 1985, Edicson Ruiz decided to play the bass when he was just eleven years old. His first teacher and mentor Felix Petit guided him through his studies in "El Sistema", the Venezuelan national youth orchestra foundation founded by José Antonio Abreu.
At the age of 15, Edicson Ruiz took 1st Prize at the International Society of Bassist Competition in Indianapolis, USA. In 2001 became the youngest member of the history of Orchestra Academy of the Berlin Philharmonic, where he studied with Prof. Klaus Stoll. After one Month, Edicson Ruiz won a job at the Berlin Philharmonic for a whole life term.
Edicson Ruiz is one of most successful bass soloists of the present time, and his virtuosity impresses audiences the world over. He is a regular guest at festivals such as the Salzburg Festival, the Lucerne Festival, and the Warsaw Chopin Festival, and has performed as soloist in major metropolises such as Rome (Auditorio Santa Cecilia), Warsaw (Philharmonic Hall), Budapest (Listz Academy), New York (Lincoln Center), Berlin (Philharmonie), Vienna (MuTh Saal), Tokyo (Tokyo Metropolitan Theater), Madrid (Auditorio Nacional), Lissabon (Fundacion Gulbenkian), Zürich (Tonhalle), Johannesburg (Philharmonic Hall), Paris (Le Cite de la Musique), Stockholm (Konserthuset), Hong Kong (Townhall), Brisbane (QPAC), Mexico City (Teatro Bellas Artes), Taiwan (NSO Hall) amoung many others.
He has premiered numerous works written for him by composers such as Heinz Holliger, Luciano Maria Serra, Rudolf Kelterborn, Georg Friedrich Haas, Paul Desenne, Efrain Oscher, Dai Fujikura, Toshio Hosokawa and Roland Moser. His chamber music activities have led him to close relationships with Anner Bylsma, György Kurtág, Heinz Holliger, Elliott Carter, Maurice Bourgue, Klaus Thunemann, Sabine Meyer, Yuri Bashmet, Christian Tetzlaff, Thomas Zehetmair, Gidon Kremer, Lars Vogt, Vilde Frang, Jörg Widmann.
Edicson Ruiz has recorded numerous CDs with Phil.Harmonie, which emphasize his passion for the music of the 18th century as well as modern and contemporany music. International television and radio broadcasts and productions also bear witness to his versatile achievements. He was granted the "José Felix Ribas Prize" in 2002 for his service to art and culture by the Venezuelan Goverment as well as being Recipient of "The Golden Bow Prize" 2012 by the Brienz Violinmaker School in Brienz, Switzerland.
Ruiz teaches currently as Guest Professor at the Fachhochschule des Nordenschweiz in Basel, Switzerland since 2018.
The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.
During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Adam Fischer and Sir Roger Norrington.
Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera and since June 2023 also its honorary conductor. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016, Nagano and the Philharmonic toured South America, followed by concert tours to Spain and Japan in 2019, and in the spring of 2023, the Philharmonic State Orchestra made its debut at New York's Carnegie Hall under his direction, which was acclaimed by audiences and the press. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released by ECM, for which Widmann received the OPUS KLASSIK as Composer of the Year 2019, and ARCHE was performed again in 2023 to great acclaim.
The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.
In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.
The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.
Russian composer Vladimir Tarnopolski, born in 1955, is certainly no stranger to contemporary music. His works have been performed at many major festivals over the past decades. He has received numerous awards and released many of his works on CD. As a professor of composition at the Moscow Tchaikovsky Conservatory, he has already passed on his knowledge to an entire generation of up-and-coming composers. "In the Dark Before Dawn" is the title of a new work commissioned by the Philharmonic State Orchestra, which will be premiered here. "Sinfonia eroica" was the title Ludwig van Beethoven gave his third symphony in 1804, a "heroic symphony composed to celebrate the memory of a great man." Whether this "great man" was to be little Napoleon - at first, probably so. But Beethoven probably destroyed a corresponding dedication, since the Corsican's coronation as emperor by his own hand was for the composer a bitter betrayal of the republican ideas of the French Enlightenment. Was Beethoven himself perhaps a hero? An innovator in the music-historical sense? After all, he truly breaks new ground with his "Eroica" ...
"Music represents our security and confidence and is therefore probably representative of our highest values."
Frank Polter, percussionist
Venue: Elbphilharmonie, Grand Hall, Platz der Deutschen Einheit 4, 20457 Hamburg
Prices: € 83,00 / 65,00 / 51,00 / 36,00 / 14,00