Wolfgang Amadeus Mozart | Die Zauberflöte (The Magic Flute)
Wed 02. Dec. 2020, 7.00 pm - 10.00 pm
Musikalische Leitung
Volker Krafft
Birthplace:
Tubingen, Germany
Studies:
Conducting and piano at the Hochschule für Musik und Theater Leipzig as well as conducting, pianoforte and harpsichord at the Conservatorium van Amsterdam
Prizes:
First Prize at the Wigmore Hall/Kohn Foundation International Song Competition together with Dominik Königer (2011)
Relation to the Hamburg State Opera:
Solo repetitor since the 2012/13 season, additionally musical assistant to the General Music Director (since the 2017/18 season)
Repertoire:
Focus on the German repertoire (Wagner, Strauss etc.), Italian repertoire, Mozart; special predilection for song and chamber music
Career Stages:
Musikalische Komödie/Oper Leipzig, Theater Hagen, Royal Opera Covent Garden London
Stages:
Schleswig-Holstein Festival, Aldeburgh Festival, Oper Leipzig, Theater Hagen, Royal Opera House Covent Garden, National Concert Hall Dublin, Mozartfest Würzburg, Opéra de Lille, Wigmore Hall London, et al.
Cooperation with orchestras:
Member of the Gustav Mahler Jugendorchester and Schleswig-Holstein Festival Orchestra, collaboration with Concerto Köln, Accademia Bizzantina, et al.
Chor
Eberhard Friedrich
Choir Director
Birthplace:
Darmstadt, Germany
Studies:
Studies with Helmuth Rilling in Frankfurt am Main
Prizes:
Under his direction, the Bayreuther Festspielchor was awarded the International Opera Award for Best Choir of the Year in 2014. Under his direction, the choir of the Staatsoper Unter den Linden was named Choir of the Year in 2004 and received the European Cultural Award (2009). Eberhard Friedrich also received a Grammy for his recording of "Tannhäuser" at the Staatsoper Unter den Linden with Daniel Barenboim (2003)
Relation to the Hamburg State Opera:
Choir director of the Hamburg State Opera since 2013/14
Career stages:
Choir director of the Festspielchor / Bayreuther Festspiele (since 2000), choir director of the Staatsoper Unter den Linden (1998 to 2013), assistant at the Bayreuther Festspiele (since 1993), choir director at the Theater der Stadt Koblenz (1986 to 1991) as well as at the Hessisches Staatstheater Wiesbaden (1991 to 1998)
Cooperation with choirs:
MDR-Rundfunkchor, Amsterdam Opera Choir, Internationale Bachakademie Stuttgart, Philharmonischer Chor Prag, Chor des Niederländischen Rundfunks, Rundfunkchor Berlin, Rias Kammerchor, Bayerischer Rundfunkchor, Chöre des Westminster Choir College, et al.
photo: Enrico Nawrath
Sarastro
Alexander Roslavets
Bass
Birthplace:
Brest, Belarus
Studies:
Rimsky-Korsakov Staatskonservatorium in St. Petersburg bei Professor Nikolai Okhotnikov (2009-2014), Young Artist Programme Bolschoi-Theater in Moskau (2014-2016)
Master classes:
With Elena Obraztsova, Edda Moser, Dmitry Vdovin, Evgeny Nesterenko, Irina Bogacheva, Lubov Orfenova, Neil Shicoff, Bernd Weikl, Carol Vaness, John Fisher
Prizes:
Third prize in the first International Music Competition in Harbin (2018), third and special prize in the Queen Sonja International Music Competition (2017), second prize in the second International Opera Singing Competition of Portofino (2017), special prize in the 36th International Hans Gabor Belvedere Singing Competition (2017), grand prix and audience prize in the second International Eva Marton singing competition in Budapest (2016), second prize in the sixth Galina Vishnevskaya International Opera Singers Competition (2016), grand prix in the Special Foundation Of The President Of Belarus Supporting Talented Youth (2016), first prize in the seventh International Competition of Opera Singers in Saint-Petersburg (2015), diploma in the 10th Elena Obraztsova International Competition Of Young Opera Singers (2015), special prize in the first International Christmas Vocal Competition in Minsk (2014), grand prix in the 42nd Russian National Vocal Graduates Competition in St. Petersburg (2014)
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 2016/17
Important parts:
Malyuta Skuratov (Die Zarenbraut), Mephistopheles (Faust), König Dodon (Der goldene Hahn), Colline (La Bohème), Bartolo (Le Nozze de Figaro), Commenadatore, Masetto (Don Giovanni), Brander (La Damnation de Faust), Il Conte di Monterone (Rigoletto), 5.Jude (Salome), Lodovico (Otello), Il Sagrestano und Cesare Angelotti (Tosca), Raimondo Bidebent (Lucia di Lammermoor), Peter Quince (A Midsummer Night’s Dream), Lo zio Bonzo (Madama Butterfly), Don Basilio (Il Barbiere di Siviglia), Fafner (Das Rheingold), Fafner (Siegfried), Sarastro (Die Zauberflöte), King René (Iolanta), Banco (Macbeth), Prince Gremin (Eugen Onegin), Daland (Der Fliegende Holländer), Vodnik (Rusalka), Dulcamara (L’Elisir d’Amore), Ali Baba (Ali Baba), et al.
Stages:
Mikhailovsky Theater, Bolschoi Theater, Tschaikowsky-Konzertsaal in Moskau, Bolschoi Theater in Weißrussland, St. Petersburger Philharmonie benannt nach Schostakowitsch, Ungarische Staatsoper, Hamburgische Staatsoper, Teatro alla Scala, Metropolitan Opera, Glyndebourne Festival, Berliner Philharmoniker, et al.
Cooperation with directors:
Rimas Tuminas, Calixto Bieito, Tito Capobianco, Paul Curran, Stanislav Gaudasinsky, Peter Stein, Alexey Stepaniuk, Achim Freyer, Liliana Cavani, Mariusz Trelinski, Melly Still, Jan Bosse, et al.
Cooperation with conductors:
Adam Fischer, Robin Ticciati, Henrik Nanasi, Vladimir Jurowski, Ainars Rubikis, Daniele Rustioni, Tugan Sokhiev, Fabio Mastrangelo, Anton Grishanin, Michal Klauza, Gregor Bühl, Kent Nagano, Paolo Carignani, Renato Palumbo, Pier Giorgio Morandi, Yves Abel, Stefano Ranzani, Carlo Rizzari, Christof Prick, Nathan Brock, Sergei Stadler, Yuri Simonov, Michail Jurowski, Vladimir Fedoseyev, Alexander Anisimov, et al.
photo: Jörn Kipping
Tamino
Dovlet Nurgeldiyev
Tenor
Birthplace:
Ashgabat, Turkmenistan
Studies:
Vocal studies at the Music College in Ashgabat, at the Turkmen National Conservatory, at the Conservatory Tilburg and at Koninklijk Conservatorium Den Haag
Relation to the Hamburg State Opera:
Member of the International Opera Studio (2008/9-2009/10)
Ensemble member since 2010/11
Important parts:
Fenton (Falstaff), Nemorino (L’Elisir d’Amore), Alfredo (La Traviata), Ferrando (Così fan tutte), Belmonte (Die Entführung aus dem Serail), Tamino (Die Zauberflöte), Don Ottavio (Don Giovanni), Lensky (Eugene Onegin), Vladimir (Prince Igor), Telemaco (Il Ritorno d'Ulisse in Patria), Alfred (Die Fledermaus), Chevalier (Dialogues des Carmelites), Hylas (Les Troyens), Macduff (Macbeth), Ismaele (Nabucco), Cassio (Otello), Naraboth (Salome), Medoro (Orlando Paladino), Belfiore (La finta giardiniera), et al.
Stages:
Hamburgische Staatsoper, Bayerische Staatsoper, Münchner Opernfestspiele, Staatsoper Unter den Linden Berlin, Deutsche Oper Berlin, Oper Frankfurt, Ungarische Staatsoper, Polnische Staatsoper, Opéra National de Montpellier, Opéra de Rouen Normandie, Auditorium de Bordeaux, Elbphilharmonie Hamburg, Gewandhaus Leipzig, Laeizhalle Hamburg, Prinzregententheater München, et al.
Cooperation with directors:
Hans Neuenfels, Marie-Eve Signeyrole, Renaud Doucet, Vincent Boussard, Jette Steckel, Willy Decker, Axel Ranisch, et al.
Cooperation with conductors:
Ivor Bolton, Kent Nagano, Bertrand de Billy, Keri Lynn Wilson, Philippe Auguin, Lothar Zagrosek, Michael Schonwandt, Stefan Soltesz, Henrik Nánási, Stefano Ranzani, Andrea Battistoni, Simone Young, et al.
photo: Henriette Mielke
Pamina
Ilse Eerens
Soprano
Origin:
Belgium
Studies:
Vocal studies at the Lemmens Institute in Louvain, Belgium
Master classes:
New Opera Academy (Netherlands), student of Jard van Nes, Tom Krause, John Bröcheler, Sarah Walker, Susan Manoff, Helmut Deutsch
Prizes:
3rd prize (ARD Musikwettbewerb 2006), Arleen Auger prize (International Vocal Competition in
's-Hertogenbosch in the Netherlands 2004)
Important parts:
Melisande/Yniold (Pelléas et Mélisande), Tschang-haitang (Der Kreidekreis), Pamina/Papagena (Die Zauberflöte), Matsukaze (Matsukaze), Marianne (Geschichten aus dem Wienerwald), Marguerite (Jeanne d´Arc au bûcher), Vixen (The Cunning Little Vixen), Kitchenboy (Rusalka), Mathilde (Elisabetta, regina d´Inghilterra), Despina (Così fan tutte), Susanna (Le Nozze di Figaro), La Princesse/La Jeune Lady/Une dame du rêve (Lady Sarashina), Celia (Lucia Silla), Oscar (Un ballo in maschera), Gemmy (Guillaume Tell), Noémie (Cendrillon), Antigone (Oedipe), Amanda (Le Grand Macabre), Atalanta (La Corona), Valencienne (Die lustige Witwe), Wendla (Frühlings Erwachen), Ninfa (Orfeo), Amore (Il ballo delle ingrate), Bastienne (Bastien&Bastienne), Zerlina (Don Giovanni), Gabrielle (La Vie Parisienne), Elle (La voix humaine), Liu (Turandot), Musetta (La Bohème), Dido (Dido and Aeneas), Zima/Phani (Les Indes Galantes), Leonora (Prima la musica), Ein junges Mädchen (Moses und Aaron), Anezka (Two Widows), Adele (Die Fledermaus), Echo (Ariadne auf Naxos), Gilda (Rigoletto), Flowermaiden (Parsifal)
Stages:
Staatsoper Hamburg, La Monnaie (Brussels), De Nationale Opera Amsterdam, Opéra National de Lyon, Salzburger Festspiele, Opéra de Lille, Stadttheater Klagenfurt, Opera Narodowa (Warsaw), New National Theatre Tokyo, Bregenzer Festspiele, Theater an der Wien, Royal Opera House Covent Garden, Bachfest Leipzig, Festival de Beaune, La Seine Musicale, Het Concertgebouw (Amsterdam), Teatro Colón (Buenos Aires), Teatro dell'Opera di Roma, Adelaide Music Festival (Australia), Wiener Konzerthaus, et al.
Cooperations with directors:
Sasha Waltz, et al.
Cooperations with conductors:
Yannick Nézet-Séguin, Riccardo Muti, Hartmut Haenchen, Alain Altinoglu, Lorenzo Viotti, Kazushi Ono, Philippe Herreweghe, Peter Dijkstra, Richard Egarr, Ton Koopman, Michael Boder, Jean-Christoph Spinosi, Michael Schønwandt, Kenneth Montgomery, Mark Wigglesworth, Jaap van Zweden, Constantinos Carydis, Frans Bruggen, Claus Peter Flor, Antonello Manacorda, Mirga Gražinytė-Tyla, et al.
photo: Sarah Wijzenbeek
Sprecher
Chao Deng
Bass-baritone
Birthplace:
Tianjin, China
Studies:
Vocal studies in Tianjin, China; Diploma in voice at the University of Music Würzburg with Cheryl Studer; Master studies with Christian Elsner and in the Lied class of Gerold Huber as well as opera studio at the University of Music Weimar with Prof. Dr. Michail Lanskoi; Master class examination at the University of Music Dresden with KS Prof. Matthias Henneberg
Master class:
with Liang Li, Michaelis Doukakis, John Norris, KS Camilla Nylund, KS Helen Donath, KS Brigitte Fassbaender, Sonja Prina, Alberto Triola, Catherine Foster, Georg Zeppenfeld, Juliane Banse, Roberto Scandiuzzi, KS Deborah Polaski
Prizes:
Prize for opera singing of the Concerto Foundation Würzburg (2015), winner of the International Singing Competition of the Chamber Opera Schloss Rheinsberg (2014), scholarship of the Richard Wagner Association Bayreuth Festival (2014), et al.
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 2020/21 season
Important parts:
Le Duc (Romeo et Juliette), Betto di Signa (Gianni Schicchi), Colas (Bastien et Bastienne), Priamus (Les Troyens), 2. Geharnischte (Die Zauberflöte), Antonio (Le nozze di Figaro), Il Conte Ceprano (Rigoletto), Araldo (Otello), Zuniga (Carmen), Indianer (Die verkaufte Braut), Angelotti, Schließer (Tosca), Betto di Signa (Gianni Schicchi), De Retz (Les Huguenots), Häuptling Abendwind (Häuptling Abendwind), Schaunard (La Bohème), Yakuside (Madama Butterfly), Sansone (Giulietta e Romeo), Lord Syndham (Zar und Zimmermann), Spielmann (Königskinder), Ramfis (Aida), Frank (Die Fledermaus), Kilian, Ottokar (Der Freischütz), Don Fernando (Fidelio), Journalist (Lulu), Papageno (Die Zauberflöte), Buonafede (Il mondo della luna), Förster (Das schlaue Füchslein), Osias, Oberpriester (Judith), et al.
Stages:
Deutsche Oper am Rhein, Semperoper Dresden, Staatsoperette Dresden, Staatstheater Braunschweig, Deutsches National Theater Weimar, Theater Nordhausen, Thüringer Schlossfestspielen Sondershausen, Weimarhalle, Musikfestspiele Saar, et al.
Cooperation with directors:
Lydia Steier, Peter Konwitschny, Mariame Clément, Manfred Weiß, Sabine Hartmannshenn, Hasko Weber, Anette Leistenschneider, Guy Montavon, Andrea Moses , Bruno Berger-Gorski, et al.
Cooperation with conductors:
Sebastian Weigle, Stefano Ranzani, John Fiore, Stefan Soltész, Xu Zhong, Daniele Callegari, Speranza Scappucci, Giampaolo Bisanti, Ivan Repušić, Thomas Leo Cadenbach, Moritz Gnann, Felix Krieger, Christoph Gedschold, Kristiina Poska, Tomáš Netopil, Antonino Fogliani, Omer Meir Wellber, Nikolaj Szeps-Znaider, Stefan Lano, Martin Hoff, Georg Fritzsch, et al.
photo: Jie Chen
Priester
Seungwoo Simon Yang
Tenor
Birthplace:
Gwangyang, South Korea
Studies:
Singing at Hochschule für Musik und Theater Hamburg with Prof. Carolyn Grace James
Master class:
Nicola Martinucci, Seoul in Korea 2016
Prizes:
1st Prize of the Mozart Singing Competition (2019), Special Prize and 2nd Prize of the Maritim Music Award (2019), 2nd Prize of the Maritim Music Award (2018), 1st Prize of the Korean Singing Competition (2015), 1st Prize of the Korea Talent Award (2015), 1st Prize of the Ehwa & Kyunghyang Competition (2014), 1st Prize Shin Young-Ok Voice Competition (2014), 1st Prize of the Shinhan Music Award (2014)
Relation to the Hamburg State Opera:
Member of the International Opera Studio of the Hamburg State Opera since the 2020/21 season
Important parts:
Tamino (Die Zauberflöte), Ferrando (Così fan tutte), Pilade (Oreste), Nemorino (L'Elisir d'amore), Rodolfo (La Bohème), et al.
Stages:
Korea, Belgien, Bergedorf Musiktage, Elbphilharmonie, Laeiszhalle
Cooperation with directors:
Guy Montavon
Königin der Nacht
Rocío Pérez
Soprano
Birthplace:
Madrid, Spain
Studies:
Vocal studies at the Escuela Superior de Canto in Madrid
Operastudio Colmar (Opéra national du Rhin Strasbourg)
Master classes:
with Natalie Dessay, Dolora Zajick, June Anderson and Carlos Chausson
Prizes:
4th price (Queen Elisabeth Competition, 2018), two special prizes (36th International Hans Gabor Belvedere Singing Competition, 2017), 3rd prize and “Newcomer” prize (Die Meistersinger von Nürnberg Wettbewerb, 2016), 2nd prize, “Newcomer” prize and “Audience” prize (27th Concours International de Chant de Marmande, 2015)
Important parts:
Carolina (Il Matrimonio Segreto), Fanny (La cambiale di matrimonio), Tebaldo (Don Carlo), Königin der Nacht (Die Zauberflöte), Nannetta (Falstaff), Lucia (Lucia di Lammermoor), Dinorah (Dinorah ou Le pardon de Ploërmel), Olympia (Les contes d´Hoffmann), Berenice (L´occasione fa il ladro), Zerlina (Don Giovanni), Le Feu/Princesse/Rossignol (L´enfant et les sortilèges), Amore/Damigella (L´incoronzione die Poppea), Cleone (Ermione), Norina (Don Pasquale), Paula (Tres sombreros de copa), Morgana (Alcina), Fata Azzurra (La bella dormente nel bosco)
Upcoming and future new parts:
Tonina (Prima la Musica e poi le Parole), Frau Herz (Der Schauspieldirektor) Gilda (Rigoletto), Niece 1 (Peter Grimes), La Comtesse Adèle (Le Comte Ory)
Stages:
Opéra national du Rhin, Deutsche Oper Berlin, Semperoper Dresden, Teatro Real, Finnish National Opera, Teatro La Fenice, Teatro Colon, Opéra de Lyon, Théâtre des Champs-Élysées, Opéra-Théâtre de Metz, Teatro de la Zarzuela, Gran Teatre del Liceu, Staatsoper Hamburg, Opéra national de Lorraine, Teatro Malibran
Cooperations with directors:
Olivier Py, Robert Carsen, Christophe Gayral, Marie-Ève Signeyrole and Valentina Carrasco
Cooperations with conductors:
Patrick Davin, Vincent Monteil, Antonino Fogliani, Marcus Bosch, Alain Altinoglu, Daniele Callegari, Enrique Mazzola, Daniele Rustioni et. al.
Find further information about Rocío Pérez here.
Erste Dame
Hellen Kwon
Soprano
Birthplace:
Seoul, South Korea
Studies:
Hochschule für Musik Köln with Dietger Jacob (1979-1984)
Prizes:
First prize in the Novara International Singing Competition (1984), winner of the Dr. Wilhelm Oberdörffer Preis (1987), Rolf-Mares-Preis in the category “Exceptional Performances of an Actresses” for her interpretation of “Frau” in Wolfgang Rihm’s “Das Gehege” (2010), Grammy Award Nomination for the recording of Walter von Braunfels’ “Die Vögel” conducted by Lothar Zagrosek, honored with the title of “Hamburger Kammersängerin” by the Hamburg Senate (2011), “Order of Civil” by the Korean Government for exceptional artistic achievements (2013), “Star of Ewha” Prize (2018)
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 1987/88
Important parts:
The Queen of the Night (Die Zauberflöte), Zerbinetta (Ariadne auf Naxos), Sophie (Der Rosenkavalier), Zdenka (Arabella), Susanna (Le Nozze di Figaro), Blonde/Konstanze (Die Entführung aus dem Serail), Fiordiligi (Così fan tutte), Donna Anna/Donna Elvira (Don Giovanni), Despina/Fiordiligi (Così fan tutte), Elettra (Idomeneo), Vitellia (La clemenza di Tito), Musetta/Mimì (La Bohème), Cio-Cio-San (Madama Butterfly), Liú (Turandot), Violetta Valéry (La Traviata), Gilda (Rigoletto), Oscar (Un Ballo in Maschera), Rosina (Il Barbiere di Siviglia), Micaëla (Carmen), Norina (Don Pasquale), Adina (L’Elisir d’Amore), Adele/Rosalinde (Die Fledermaus), Agathe (Der Freischütz), Senta (Der fliegende Holländer), Minni (La Fanciulla del West), Frau (Das Gehege), Salome/Herodias (Salome), Chrysothemis (Elektra), et al.
Stages:
Hamburgische Staatsoper, Bayerische Staatsoper, Bayreuther Festspiele, Staatsoper Unter den Linden Berlin, Semperoper Dresden, Gewandhaus Leipzig, Oper Leipzig, Oper Stuttgart, Oper Köln, Deutsche Oper am Rhein, Staatstheater Wiesbaden, Wiener Staatsoper, Wiener Festwochen, Salzburger Festspiele, Opernhaus Zürich, Grand Théâtre de Genève, Concertgebouw Amsterdam, Festival d‘Aix-en-Provence, Opéra Comique de Paris, Glyndebourne Festival, Den Norske Opera, Accademia Nazionale di Santa Cecilia, Teatro Filarmonico Verona, The Israeli Opera, Jerusalem Opera Festival, New National Theatere Tokio, Korean National Opera, et al.
Cooperation with directors:
Achim Freyer, Peter Konwitschny, Johannes Schaaf, Günther Krämer, Marco Marelli, Jean-Pierre Ponnelle, Peter Sellars, John Dew, Adolf Dresen, Nikolas Brieger, Johannes Erath, Claus Guth, et al.
Cooperation with conductors:
Giuseppe Sinopoli, Vladimir Ashkenazy, Horst Stein, Neville Marriner, Zubin Mehta, James Levine, Jeffrey Tate, Marcello Viotti, Simone Young, Nikolaus Harnoncourt, Wolfgang Sawallisch, Kent Nagano, Christian Thielemann, et al.
photo: Kurt-Michael Westermann
Zweite Dame
Valentina Stadler
Dritte Dame
Kristina Stanek
Mezzo-soprano
Birthplace:
Krefeld, Germany
Studies:
Master studies with distinction at the Royal Academy of Music, London
Master classes:
with KS Brigitte Fassbaender, Charlotte Lehmann, Rudolf Piernay, Grace Bumbry
Prizes:
Best young singer at the European Music Festival Rome, Italy; 1st prize at the Mozart Competition Prague, Czech Republic; 1st prize at the Rotary Music Competition, Germany
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since season 2020/21
Important parts:
Carmen (Carmen), Romeo (I Capuleti e i Montecchi), Orfeo (Orfeo ed Euridice), Rosina (Il Barbiere di Siviglia), Sesto & Annio (La Clemenza di Tito), Cecilio (Lucio Silla), Hänsel (Hänsel und Gretel), Cherubino (Le Nozze di Figaro), Suzuki (Madama Butterfly), Maddalena (Rigoletto), Concepcion (L‘heure espagnole), Olga (Eugen Onegin), Dritte Dame (Die Zauberflöte), Wellgunde (Das Rheingold), Veronica Quaife (The Fly), Mary Shelley (Uraufführung Diodati. Unendlich), Soprano 4 (Al gran sole carico d‘amore), Prinz Orlofsky (Die Fledermaus), et al.
Stages:
Theater Basel, Badisches Staatstheater Karlsruhe, Saarländisches Staatstheater, Oper Wuppertal, Stadttheater Trier, Gstaad Menuhin Festival, et al.
Cooperation with directors:
Hans Neuenfels, Yuval Sharon, David Bösch, Barbora Horáková Joly, Stephan Kimmig, Barbara Frey, Lydia Steier, Sebastian Baumgarten, Sam Brown, Vasily Barkhatov, Daniel Kramer, Katharina Thoma, David Hermann, Christian von Treskow, et al.
Cooperation with conductors:
Marco Armiliato, Ivor Bolton, Ainars Rubikis, Erik Nielsen, Kristiina Poska, Joana Mallwitz, Titus Engel, Christopher Moulds, Gianluca Capuano, Jonathan Stockhammer, David Parry, Christian Curnyn, Antonello Allemandi, Justin Brown, Daniele Squeo, Johannes Willig, Valtteri Rauhalammi, et al.
Find further information about Kristina Stanek here.
photo: Lucia Hunziker
Papageno
Bernhard Hansky
baritone
Birthplace:
Eisenhüttenstadt, Germany
Studies:
Hochschule für Musik Hanns Eisler Berlin
Master classes:
with Angelika Kirchschlager, Brigitte Fassbaender, Dietrich Fischer-Dieskau, Deborah Polaski
Prizes:
Förderpreis of the Franz-Grothe-Stiftung at the Bundeswettbewerb Gesang (2008)
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 2020/21
Important parts:
Don Giovanni (Don Giovanni), Dr. Falke (Die Fledermaus), Farfarello (Die Liebe zu den drei Orangen), Landsknecht (Simplicius Simplicissimus), Papageno (Die Zauberflöte), Nick Carraway (The Great Gatsby), Kilian (Der Freischütz), Conte dʼAlmaviva (Le Nozze di Figaro), Moralès (Carmen), Dandini (La Cenerentola), Barone Douphol (La Traviata), Hermann (Les Contes d’Hoffmann), Schlemihl (Les Contes d’Hoffmann)
Stages:
Komische Oper Berlin, Staatsoper Berlin, Ständetheater Prag, Semperoper Dresden, Teatro Massimo Palermo, Osterfestspiele Salzburg
Cooperations with directors:
Barrie Kosky, Keith Warner, David Hermann, Johannes Erath, Axel Köhler, et al.
Cooperations with conductors:
Omer Meir Wellber, Tomás Netopil, Stefano Ranzani, Patrick Lange, Christian Thielemann, et al.
Monostatos
Daniel Kluge
Tenor
Birthplace:
Buenos Aires, Argentina
Studies:
Hochschule für Musik Karlsruhe with Klaus Dieter Kern
Master classes:
with Roman Trekel, Julia Varady and Dietrich Fischer-Dieskau as well as master classes for „Liedgesang“ with Markus Hadulla, Mitsuko Shirai and Hartmut Höll
Important parts:
Normanno (Lucia di Lammermoor), Abdallo (Nabucco), Remendado (Carmen), Flavio (Norma), Knappe und 1. Gralsritter (Parsifal), Kilian (Freischütz), Dr. Blind (Die Fledermaus), Spoletta (Tosca), Schreiber (Chowanschtschina), Jacquino (Fidelio), Ein Soldat (Reigen), Chick (Der Schaum der Tage), Borsa (Rigoletto), Knusperhexe (Hänsel und Gretel), Orpheus (Orpheus in der Unterwelt), Pedrillo (Die Entführung aus dem Serail), Truffaldino (Die Liebe zu drei Orangen), Balakin (Charodeyka), Max (Der Freischütz), Tanzmeister (Ariadne auf Naxos), Steuermann (Der fliegende Holländer), Vierter Jude (Salome), et al.
Stages:
Staatsoper Stuttgart, Stadttheater Bern, Aalto-Theater Essen, Grand Théâtre de Genève, Nationaltheater Mannheim, Opéra National de Lyon, et al.
Cooperation with directors:
Jossi Wieler, Sergio Morabito, Kirill Serebrennikov, Nicola Hümpel , Tobias Hoheisel, Imogen Kogge, Armin Petras, Demis Volpi, Axel Ranisch, et al.
Cooperation with conductors:
Sylvain Cambreling, Georg Fritzsch, Roland Kluttig, Giacomo Sagripanti, Johannes Witt, Hans Christoph Bünger, Kirill Karabits, Willem Wentzel, Alejo Pérez, Christopher Schmitz, et al.
photo: Matthias Baus
Papagena
Marie-Dominique Ryckmanns
Soprano
Birthplace:
Munich, Germany
Studies:
Bachelor of Arts and Master studies at the University Mozarteum Salzburg
Meisterklassen:
with Dame Felicity Lott (Britten), Andreas Scholl (Broque Singing), Donatienne Michel-Dansac (New Music), Prof. Josef Wallnig (Mozart Opera Institute Salzburg), Pauliina Tukiainen (Liedgesang), Michael Woodwood, Volker Wahl and Christian Poewe (Acting) and Margit Legler (Historical Dance and Gestures)
Prizes:
Grand Prix and Audience Prize at the 5th International Singing Competition "Opéra Jeunes Espoirs - Raymond Duffaut" of the Opéra Grand Avignon (2019), Special Prize of the Walter and Charlotte Hamel Foundation at the Bundeswettbewerb Gesang Berlin (2018), Prize Winner of the 22nd International "Ferruccio Tagliavini" Singing Competition (Graz, 2016), Prize Winner of the 11th International Singing Competition (Graz, 2016) International "Duschek" Competition (Prague, 2016), 1st prize at "Jugend musiziert" (Hamburg, 2015) and special prize of the German Federal Ministry for Family Affairs, Senior Citizens, Women and Youth for the best interpretation of a song cycle by the American composer Amy Beach (Karlsruhe 2015)
Relation to the Hamburg State Opera:
Member of the International Opera Studio of the Hamburg State Opera since 2020/21 season
Important parts:
Olympia (Les Contes d'Hoffmann), Tytania (A Midsummer Night's Dream), et al.
Stages:
Herkulessaal München, Großer Saal Salzburg, Max-Schlereth-Saal Salzburg, Allerheiligen-Hofkirche München, Künstlerhaus München, et al.
Cooperation with directors:
Alexander v. Pfeil, Karoline Gruber, Nicole Claudia Weber
Cooperation with conductors:
Axel Kober, Bruno Weil, Riccardo Minasi, Jean Pierre Faber, Hansjörg Albrecht, Kai Röhrig, Albert Hartinger, Gernot Sahler, et al.
Find further information about Marie-Dominique Ryckmanns here.
photo: Meltem Salb
Erster Geharnischter
Jürgen Sacher
Tenor
Birthplace:
Augsburg, Germany
Studies:
Church music and music education at the Leopold-Mozart Konservatorium in Augsburg, vocal studies with Leonore Kirschstein
Prizes:
Scholarship of the Richard Wagner Verband, Promotion Prize of the Hamburgische Staatsoper, appointment as Hamburger Kammersänger (2017)
Relation to the Hamburg State Opera:
Ensemble member of the Staatsoper Hamburg since 1991/92
Important parts:
Mime (Siegfried), Mime/Loge (Das Rheingold), Herodes (Salome), Knusperhexe (Hänsel und Gretel), Hauptmann/Andres (Wozzeck), Monostatos/1. Geharnischter (Die Zauberflöte), Maler/Prinz/Marquis/Kammerdiener (Lulu), Dr. Cajus (Falstaff), Tichon (Katja Kabanova), Truffaldino (Die Liebe zu den drei Orangen), Valzacchi (Der Rosenkavalier), David (Die Meistersinger von Nürnberg), Junger Mann (Moses und Aron), Steuermann (Der fliegende Holländer), Peter Iwanow (Zar und Zimmermann), Pedrillo (Die Entführung aus dem Serail), Walther von der Vogelweide (Tannhäuser), Goro (Madame Butterfly), Graf Elemer (Arabella), Raoul de St. Brioche (Die lustige Witwe), Novagerio (Palestrina), Orontes (Flavius Bertaridus), Asasello (Der Meister und Margarita), Tanzmeister (Ariadne auf Naxos), Graf von Kent (Lear), Reverend Adams (Peter Grimes), L´Aumonier (Dialogues des Carmélites), Aegisth (Elektra), Fedotik (Tri Sestri), Sylvester von Schaumburg (Mathis der Maler), et al.
Stages:
Hamburgische Staatsoper, Staatsoper Unter den Linden, La Monnaie, Gran Teatre del Liceu, Königliche Oper von Kopenhagen, Teatro alla Scala, Salzburger Festspiele, Theater an der Wien, Budapester Staatsoper, Theatro Municipal de São Paulo, Wagner Festival Budapest, Theater Dortmund, Staatstheater Braunschweig, Staatsoper Budapest, et al.
Cooperation with directors:
Harry Kupfer, Willy Decker, Claus Guth, Mario Martone, Achim Freyer, Géza M. Tóth, Livia Sabag, Roger Vontobel, Stefan Herheim, Karoline Gruber, Vincent Boussard, Jochen Biganzoli, et al.
Cooperation with conductors:
Adam Fischer, Bertrand de Billy, Claudio Abbado, Kent Nagano, Semyon Bychkov, Horst Stein, Christian Thielemann, Ingo Metzmacher, Michael Boder, Kirill Petrenko, Simone Young, Daniel Barenboim, et al.
Zweiter Geharnischter
Peter Lobert
Bass
Peter Lobert wurde 1971 geboren und absolvierte nach dem Medizinstudium eine Gesangsausbildung an der Dresdner Musikhochschule und nahm Unterricht bei Celestina Casapietra.
Sein erstes Engagement führte ihn 2002 ans Staatstheater Karlsruhe, wo er bis 2007 wichtige Partien seines Fachs, darunter Sarastro (Die Zauberflöte), Osmin (Die Entführung aus dem Serail), Daland (Der fliegende Holländer), Fafner (Das Rheingold, Siegfried) und Hunding (Die Walküre) sang.
Von 2007 bis 2014 war Peter Lobert Ensemblemitglied der Semperoper Dresden und stand hier u. a. als Commendatore (Don Giovanni), Titurel (Parsifal), Timur (Turandot) und George Benton (Dead Man Walking) auf der Bühne.
Gastengagements führten ihn u. a. an das Theater an der Wien, die Deutsche Oper am Rhein, die Komische Oper Berlin, das Opera Theatre in Detroit, die Staatsoper Stuttgart und ans Teatro Alighieri in Ravenna und das Nuova Teatro Bolzano sowie an die Bayerische Staatsoper in München.
2011 debütierte er bei den Salzburger Festspielen in „Vec Makropulos“ unter Esa–Pekka Salonen und der Regie von Christoph Marthaler, 2012 als Sarastro am Teatro dell’Opera in Rom und 2013 als Fafner an der Opéra Bastille in Paris unter Philipp Jordan und 2015 als Fafner im Rheingold an der Ruhrtriennale unter Teodor Currentzis.
Seit der Spielzeit 2014/15 ist er festes Ensemblemitglied der Bayerischen Staatsoper in München.
photo: Fritz Beck
Drei Knaben
Solisten des Tölzer Knabenchors
Biography will be published shortly.
Orchester
Philharmonisches Staatsorchester Hamburg
The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.
During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Sir Neville Marriner, Valery Gergiev and Sir Roger Norrington.
Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016 Nagano and the Philharmonic undertook a successful three-week concert tour in South America, a tour of Spain followed in 2019. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released at ECM.
The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.
In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.
The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.
photo: Foto: Felix Broede
Chor
Chor der Hamburgischen Staatsoper
The chorus members appear on stage at the Hamburg State Opera in a different role almost every night. From one day to the next, they might be sailors, gypsies, pilgrims or conspirators, then courtiers, hunters, the deranged or the imprisoned. In the role of crusaders in I Lombardi alla prima Crociata they travel to Jerusalem, other nights they are invited to Madama Butterfly's marriage or acclaim Prince Igor. The ladies and gentlemen of the opera chorus demonstrate their artistic prowess, their flexibility, and their love of the stage in every performance.
With a membership around 70, the chorus of the Hamburg State Opera has been one of the world’s best opera choruses for many years. The varied repertoire – almost always in the original language – is multifaceted and includes baroque operas and dramatic operas, major works by Verdi and Wagner as well as contemporary pieces. At the start of the 2013/14 season, Eberhard Friedrich took over the post of Chorus Master.
