Sun, Nov. 14, 2021, 11.00 am | Elbphilharmonie, Grand Hall
Joseph Haydn: Symphony No. 44 in E-minor Hob. I:44 “Mourning”
Wolfgang Amadeus Mozart: Oboe Concerto in C-major K. 314
Ludwig van Beethoven: Symphony No. 4 in B-flat-major Op. 60
François Leleux – conductor and oboist – is renowned for his irrepressible energy and exuberance. He is currently Artistic Partner of Camerata Salzburg. Leleux was previously Artist-in-Association with Orchestre de Chambre de Paris and has featured as Artist-in-Residence with orchestras such as hr-Sinfonieorchester, Orchestre Philharmonique de Strasbourg, Berner Symphonieorchester, Norwegian Chamber Orchestra, and Orquesta Sinfónica de Tenerife.
In the 2021/22 season, Leleux returns as conductor to Orchestra della Svizzera Italiana, BBC Scottish Symphony, Hungarian National Philharmonic Orchestra, Camerata Salzburg, Chamber Orchestra Europe, City of Birmingham Symphony Orchestra, Scottish Chamber Orchestra, Nederlands Chamber Orkest and Orchestre de Chambre de Paris. He has previously conducted orchestras such as Oslo Philharmonic, HR and WDR Sinfonieorchester, Orchestre National de Lille, Swedish Chamber Orchestra, and the Sydney, Gulbenkian, Swedish Radio and Tonkünstler orchestras.
As an oboist, Leleux has performed as soloist with orchestras such as New York Philharmonic, Deutsches Symphonie-Orchester Berlin, Royal Stockholm Philharmonic, Royal Liverpool Philharmonic, Budapest Festival Orchestra, and the Swedish Radio and the NHK symphony orchestras. A dedicated chamber musician, he regularly performs worldwide with sextet Les Vents Français and with recital partners Lisa Batiashvili, Eric Le Sage and Emmanuel Strosser.
The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.
During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Sir Neville Marriner, Valery Gergiev and Sir Roger Norrington.
Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016 Nagano and the Philharmonic undertook a successful three-week concert tour in South America, a tour of Spain followed in 2019. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released at ECM.
The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.
In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.
The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.
“A slender Greek maiden between two Nordic giants” – thus Schumann imagined Beethoven’s Fourth Symphony. The allegorical comment refers not only to the obvious fact that the Fourth remained in the shadow of the heroic Third and the fateful Fifth, but also to its characteristics: delicate details, originality and energy. An air of “serious suffering” is the hallmark of Haydn’s “Mourning” Symphony (whose sobriquet was presumably not the composer’s idea) from the “Sturm und Drang” period. The French oboist François Leleux has a double role in this concert of repertoire from the First Viennese School: he interprets one of the most beautiful oboe concertos, that of Mozart, and also conducts.
60 minutes before the concert, dramaturge Savina Kationi will give a pre-concert talk (in german).
Venue: Elbphilharmonie, Grand Hall, Platz der Deutschen Einheit 4, 20457 Hamburg
Prices: € 65,00 / 52,00 / 41,00 / 28,00 / 12,00