Ballet by John Neumeier | Beethoven 9
Sunday 13. Dec. 2020, 6.00 pm - 7.15 pm
General Music Director of Hamburg
Kent Nagano is considered one of the outstanding conductors for both operatic and orchestral repertoire. He has been Music Director of the Orchestre symphonique de Montréal (OSM) since September 2006 and took up the position of General Music Director of the Hamburg State Opera and Chief Conductor of the Hamburg Philharmonic State Orchestra in September 2015. In 2006 he was appointed Honorary Conductor of the Deutsches Symphonie-Orchester Berlin and in 2019 of Concerto Köln, the Baroque orchestra which he is involved in with the Wagner Readings.
In October 2019, Kent Nagano and the orchestra will go on an extensive tour through Latin America, including Sao Paolo, Rio de Janiero, Buenos Aires, with violinist Veronika Eberle, finishing at the Chicago Symphony Center on 15 October with the following program: Prokofiev, Rachmaninoff (soloist Denis Matsuev) and Bartok. In January 2020 the orchestra and Kent Nagano host the first ever Schubert Festival in Montreal, featuring all of the composer's symphonies. Other highlights of the 2019/20 season in Montreal include a concert with works by Messiaen and Fauré and a re-invitation of the orchestra and its Music Director to Carnegie Hall in New York. In summer 2020, the Virée Classique / Classical Spree festival, founded by Kent Nagano, goes into its 9th year.
In Hamburg, the 2019/20 season starts with the premiere of Shostakovich's The Nose in a production by Karin Beier at the Hamburg State Opera. In April 2020, the premiere of Strauss' Elektra, staged by Dmitri Tcherniakov, follows, as well as Olivier Messiaen's cult opera Saint François d'Assise at the Hamburg International Music Festival in a scenographic version by Georges Delnon which he especially developed for the Elbphilharmonie concert hall. In October 2019, Kent Nagano tours Japan with the Hamburg Philharmonic State Orchestra and in January 2020 he and the orchestra present the world premiere of Pascal Dusapin's Waves for organ and orchestra at the Elbphilharmonie.
Kent Nagano’s guest appearances in the 2019/20 season include the Orchestre Philharmonique de Radio France, the Deutsches Symphonie-Orchester Berlin in Munich and Berlin, the Vienna Symphony Orchestra, the NHK Symphony Orchestra, the Olso Philharmonic Orchestra and the Munich Philharmonic Orchestra, among others. With Concerto Köln he continues the scientific-artistic project Wagner Readings, with theoretically scientistic approaches as well as historically-informed performance practice of Richard Wagner's Ring.
One of the highlights of Kent Nagano's collaboration with the OSM was the inauguration of the orchestra’s new concert hall La Maison Symphonique in September 2011. In October 2016, he conducted the world premiere of José Evangelista’s Accelerando – a commission by the OSM on the occasion of the 50th anniversary of Montréal’s metro. In November of the same year he conducted a semi-staged production of the Matthäus-Passion. In previous years, Nagano and the orchestra performed the complete cycles of Beethoven and Mahler symphonies, Schönberg's Gurrelieder, concert versions of Wagner's Tannhäuser, Tristan and Isolde and Das Rheingold, Honegger's Jeanne d'Arc au Bûcher and Messiaen's Saint François d'Assise. In July 2018, Kent Nagano conducted Krzysztof Penderecki’s St. Luke Passion with the OSM on the occasion of the Salzburg Festival opening concert.
Tours have taken Nagano and the orchestra to Canada, Japan, South Korea, Europe, South America and the USA, with stops in Washington, Boston and New York.
Most recently, he and the orchestra toured Europe in March 2019, including Berlin, Munich, Hamburg, Paris and Vienna.
His recordings with the OSM on Sony Classical/Analekta include Mahler’s Orchestral Songs with Christian Gerhaher, Beethoven’s Piano Concertos Nos. 4 & 5 and a complete recording of all the Symphonies by Beethoven of which the album Ideals of the French Revolution with Symphony No. 5 won a Juno award. In March 2016, Decca released recording of the North American premiere of L'Aiglon, a rarely performed opera by Honegger and Ibert, conducted by Nagano in March 2015, on CD. Further releases by Decca are Danse Macabre with works by Dukas, Saint-Saens, Ives and others in autumn 2016 and a recording of Bernstein's A quiet place in June 2018 on the occasion of the composer's 100th birthday. In autumn 2019 John Adams' Common tones in simple time & harmony (Decca) and at the end of 2019 the Lukas Passion by Penderecki (BIS) will be released.
Kent Nagano's past 4 years in Hamburg include the premieres of Berlioz‘ Les Troyens, Hosokawa’s Stilles Meer, Messiaen’s Turangalîla with the Hamburg Ballett and John Neumeier, the premieres of Wagner’s Parsifal and Beethoven’s Fidelio, Berg’s Lulu and Strauss’ Frau ohne Schatten and the „Philharmonische Akademie“ – a project in the tradition of musical academies of the 18th/19th century –, as well as the South America Tour with the Hamburg Philharmonic State Orchestra and the world premiere of Jörg Widmann’s oratorio ARCHE – composed on the occasion of the inauguration of the Elbphilharmonie in January 2017. The live recording of this concert was released on CD by ECM in autumn 2018.
As a much sought-after guest conductor, Kent Nagano has worked with the world's leading international orchestras, including the Bavarian Radio Symphony Orchestra, the Munich Philharmonic, the London Symphony Orchestra, the Tonhalle Orchestra Zurich, the NHK Symphony Orchestra, the Finnish Radio Orchestra, the Orchestra dell'Accademia Nazionale di Santa Cecilia in Rome and the Chicago Symphony Orchestra. In 2014-2016, he led his own festival as part of the AUDI Sommerkonzerte, called Vorsprung-Festival. Other special projects included productions of Mozart's Idomeneo with Concerto Köln and the Bernstein opera A quiet place with the Ensemble Modern in a new version premiered in Berlin in November 2013.
At the Bayerische Staatsoper, where he was General Music Director from 2006 to 2013, Kent Nagano commissioned new operas such as Babylon by Jörg Widmann, Das Gehege by Wolfgang Rihm and Alice in Wonderland by Unsuk Chin. New productions included Mussorgsky's Boris Godunov and Khovanshchina, Strauss' Ariadne auf Naxos and The Silent Woman, Poulenc's Dialogues des Carmelites, Messiaen’s Saint François d'Assise, Berg’s Wozzeck, George Benjamin's Written on skin and Wagner's Der Ring des Nibelungen. Tours took Nagano and the Bavarian State Orchestra through Europe and Japan. In addition to Bruckner's Symphonies Nos. 4 and 7 (Sony), Kent Nagano has released several opera performances with the Bavarian State Orchestra on DVD: Unsuk Chin's opera Alice in Wonderland (2008) and Mussorgsky's Chowanschtschina (2009) with unitel classica/medici arts, Dialogue des Carmélites with Bel Air Classiques (2011) and Lohengrin (2010) with Decca.
Another very important period in Nagano’s career was his time as Artistic Director and Chief Conductor of the Deutsches Symphonie-Orchester Berlin from 2000-2006. He performed Schönberg’s Moses und Aron with the orchestra (in collaboration with Los Angeles Opera), and took them to the Salzburg Festival to perform both Zemlinsky’s Der König Kandaules and Schreker’s Die Gezeichneten, as well as to the Festspielhaus Baden-Baden with Parsifal and Lohengrin in productions by Nikolaus Lehnhoff. Recordings with the Deutsches Symphonie-Orchester Berlin for Harmonia Mundi include repertoire as diverse as Bernstein’s Mass, Bruckner’s Symphonies Nos. 3 & 6, Beethoven’s Christus am Ölberge, Wolf’s Mörike-Lieder, Mahler’s Symphony No. 8, Schönberg’s Die Jakobsleiter and Friede auf Erden, as well as Brahms’s Symphony No. 4 and Schönberg’s Variationen für Orchester Op. 31. In June 2006, at the end of his tenure with the orchestra, Kent Nagano was given the title Honorary Conductor by members of the orchestra, only the second recipient of this honour in their 60-year history. To this day he has a close friendship to the orchestra.
Kent Nagano became the first Music Director of Los Angeles Opera in 2003 having already held the position of Principal Conductor for two years. His work in other opera houses has included Shostakovich's The Nose at the Staatsoper Unter den Linden Berlin, Rimsky-Korsakoff's The Golden Cockerel at the Châtelet in Paris, Hindemith's Cardillac and Poulenc's Dialogues des Carmélites at the Opéra National de Paris as well as Offenbach’s Les Contes d’Hoffmann and the premiere of Saariaho's L’amour de loin at the Salzburg Festival. Other world premieres he has conducted include Bernstein's A White House Cantata and the operas Three Sisters by Peter Eötvös and The Death of Klinghoffer and El Niño by John Adams.
Nagano has worked with labels such as Decca, Sony Classical, FARAO Classics and Analekta for many years, but he has also recorded CDs with BIS, Berlin Classics, Erato, Teldec, Pentatone, Deutsche Grammophon and Harmonia Mundi. He was awarded Grammys for his recordings of Busoni’s Doktor Faust with Opéra National de Lyon, Prokofjew’s Peter and the Wolf with the Russian National Orchestra and Saariaho’s L’amour de Loin with the Deutsches Symphonieorchester Berlin.
In October 2019, Kent Nagano and Mari Kodama will expand their joint recordings of Beethoven's works for piano and orchestra with Beethoven's Piano Concerto No. 0 E-flat Major WoO 4, a nearly unknown youth work of the composer, and his Rondo for Piano and Orchestra WoO 6 with the Deutsches Symphonie-Orchester Berlin. The 4-CD edition will be released by the label Berlin Classics.
Born in California, Nagano maintains close connections with his home state and was Music Director of the Berkeley Symphony Orchestra from 1978-2009. His first major successes came with the Boston Symphony Orchestra in 1984, when Messiaen appointed him assistant to conductor Seiji Ozawas for the premiere of his opera Saint François d'Assise. Nagano’s success in America led to European appointments: Music Director of Opéra National de Lyon (1988-1998) and Music Director of the Hallé Orchestra (1991-2000).
Since 2005 Kent Nagano is honorary doctorate of McGill University in Montréal, since 2006 honorary doctor of the Université de Montréal and since May 2018 of San Francisco State University.
photo: Benjamin Ealovega
Studies with Helmuth Rilling in Frankfurt am Main
Under his direction, the Bayreuther Festspielchor was awarded the International Opera Award for Best Choir of the Year in 2014. Under his direction, the choir of the Staatsoper Unter den Linden was named Choir of the Year in 2004 and received the European Cultural Award (2009). Eberhard Friedrich also received a Grammy for his recording of "Tannhäuser" at the Staatsoper Unter den Linden with Daniel Barenboim (2003)
Relation to the Hamburg State Opera:
Choir director of the Hamburg State Opera since 2013/14
Choir director of the Festspielchor / Bayreuther Festspiele (since 2000), choir director of the Staatsoper Unter den Linden (1998 to 2013), assistant at the Bayreuther Festspiele (since 1993), choir director at the Theater der Stadt Koblenz (1986 to 1991) as well as at the Hessisches Staatstheater Wiesbaden (1991 to 1998)
Cooperation with choirs:
MDR-Rundfunkchor, Amsterdam Opera Choir, Internationale Bachakademie Stuttgart, Philharmonischer Chor Prag, Chor des Niederländischen Rundfunks, Rundfunkchor Berlin, Rias Kammerchor, Bayerischer Rundfunkchor, Chöre des Westminster Choir College, et al.
photo: Enrico Nawrath
Singing at the Hochschule für Musik und Theater Hamburg with Prof. William Workman and singing at the Hochschule für Musik und Tanz Köln with Prof. Klesie Kelly-Moog
Pamina (Die Zauberflöte), Susanna and Contessa (Le nozze di Figaro), Fiordiligi (Così fan tutte), Donna Elvira and Donna Anna (Don Giovanni), Ilia (Idomeneo), Agathe (Der Freischütz), Eva (Die Meistersinger von Nürnberg), Lisa (Das Land des Lächelns), Emma (Fierrabras), Euridice (Orfeo ed Euridice) et al.
Opéra Bastille, Opernhaus Zürich, Semperoper Dresden, Bayerische Staatsoper, Metropolitan Opera, Royal Opera House Covent Garden, Teatro Real Madrid, Teatro la Fenice, Teatro alla Scala, Lyric Opera of Chicago, Maggio Musicale Fiorentino, Salzburger Festspiele, Staatsoper Unter den Linden, Festspielhaus Baden-Baden, Edinburgh Festival, Wiener Musikverein, Elbphilharmonie, Concertgebouw, Théâtre des Champs Elysées, Berliner Philharmonie, Köln, et al.
Cooperation with directors:
Stefan Herheim, Andrea Moses, Andreas Homoki, Peter Stein, Jens-Daniel Herzog, Sven-Eric Bechtholf, Robert Wilson, Martin Kusej, Guy Joosten, Tobias Moretti, Robert Carsen, Pina Bausch, et al.
Cooperation with conductors:
Jiri Kout, Fabio Luisi, Nikolaus Harnoncourt, Claudio Abbado, Riccardo Muti, Giovanni Antonini, Zubin Metha, Ralf Otto, Daniel Harding, Phillipe Jordan, Thomas Hengelbrock, Philippe Herreweghe, Andris Nelsons, Semyon Bychkov, Daniel Barenboim, Donald Runnicles, Franz-Welser Möst, Marc Minkowski, Helmut Rilling, Jeffrey Tate, Ivor Bolton, Marek Janowski, Adam Fischer, Ingo Metzmacher, et al.
photo: Theodora Richter
Hochschule für Musik und Theater in Hamburg with Prof. Ks. Judith Beckmann
Dr. Wilhelm Oberdörffer Preis of the Körber-Stiftung (2007), Cultural Prize of the Berenberg Bank Hamburg (2000), First Prize of the International Robert Stolz Singing Competition in Hamburg (2000), Masefield Fellowship of the Alfred Toepfer Stiftung
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 1999/2000, member of the International Opera Studio of the Hamburg State Opera (1997/98 to 1998/99)
Adalgisa (Norma), Mercédès (Carmen), Hexe (Königskinder), Smeton (Anna Bolena), Alisa (Lucia di Lammermoor), Marquise de Berkenfield (La fille du régiment), Sélysette (Ariane et Barbe-Bleue), Arsamene (Xerxes), Sancta Susanna (Klementia), Gertrud/Sandmännchen (Hänsel und Gretel), Frau des Dorfrichters (Jenufa), Valencienne (Die lustige Witwe), Witwe Browe (Zar und Zimmermann), Lola (Cavalleria Rusticana), Damigella Pallade (L’Incoronazione di Poppea), Dorabella (Così fan tutte), Marcellina (Le Nozze di Figaro), Erste Dame (Die Zauberflöte), Donna Elvira (Don Giovanni), Schenkwirtin (Boris Godunov), Mutter (Les Contes d’Hoffmann), Mère Marie (Dialogues des Carmélites), Ciesca (Gianni Schicchi), Suzuki (Madama Butterfly), Frugola (Il Tabarro), Goneril (Lear), Berta/Rosina (Il Barbiere di Siviglia), Marchese Melibea (Il Viaggio a Reims), Ariadne (Ariadne), Adelaide (Arabella), Annina (Der Rosenkavalier), Aufseherin/1. Magd (Elektra), Curra/Preziosilla (La Forza del Destino), Annina (La Traviata), Meg Page/Alice Ford (Falstaff), Giovanna/Maddalena (Rigoletto), Fenena (Nabucco), Emilia (Otello), Fricka (Das Rheingold), Siegrune/Sieglinde (Die Walküre), Magdalena (Die Meistersinger von Nürnberg), Brangäne (Tristan und Isolde), Ortrud (Lohengrin), Adriano (Rienzi), Eglantine (Euryanthe), Ericlea (Il Ritorno d’Ulisse in Patria), Larina (Eugen Onegin), et al.
Hamburgische Staatsoper, Semperoper, Staatsoper Unter den Linden, Staatstheater Mainz, Bayerische Staatsoper, Oper Leipzig, Internationale Herrenchiemsee Festspiele, Staatsoper Hannover, et al.
Zusammenarbeit mit Regisseuren:
Peter Konwitschny, Karoline Gruber, Claus Guth, Willy Decker, Achim Freyer, Roger Vontobel, Stefan Herheim, Michael Thalheimer, et al.
Zusammenarbeit mit Dirigenten:
Simone Young, Sir Simon Rattle, Peter Schneider, Ingo Metzmacher, Gerd Albrecht, Sebastian Weigle, Rolf Beck, Krzysztof Penderecki, et al.
Klaus Florian Vogt
Singing at the Hochschule für Musik und Theater in Lübeck
Christel Goltz Preis of the Semperoper, ECHO-Klassik as Artist of the Year (2012), Europäischer Kulturpreis für Musik (2013)
Lohengrin (Lohengrin), Tannhäuser (Tannhäuser), Parsifal (Parsifal), Walter von Stolzing (Die Meistersinger von Nürnberg), Siegmund (Die Walküre), Florestan (Fidelio), Paul (Die tote Stadt), Hoffmann (Les Contes d’Hoffmann), Erik (Der fliegende Holländer), Andrej (Chowanschtschina), Prinz (Rusalka), Bacchus (Ariadne auf Naxos), Faust (La Damnation de Faust), et al.
Metropolitan Opera, Teatro alla Scala, Wiener Staatsoper, Opernhaus Zürich, New National Theatre Tokyo, Bayerische Staatsoper, Deutsche Oper Berlin, Gran Teatre del Liceu, Semperoper Dresden, Théâtre des Champs Elysées, Staatsoper Unter den Linden, Opéra national de Paris, Theater an der Wien, Royal Opera House Covent Garden, Concertgebouw, Teatro Real Madrid, Théâtre du Capitole Toulouse, Finnish National Opera, Pfingstfestspiele Baden-Baden, Tanglewood Festival, Schleswig-Holstein Musik Festival, Salzburger Festspiele, Bayreuther Festspiele, et al.
Cooperation with directors:
Katharina Wagner, Hans Neuenfels, Barrie Kosky, Andrea Moses, Uwe Eric Laufenberg, Graham Vick, Andreas Kriegenburg, Andreas Homoki, Claus Maria Brandauer, et al.
Cooperation with conductors:
Daniel Barenboim, Christian Thielemann, Kirill Petrenko, Andris Nelsons, Simone Young, Mariss Jansons, Sir Antonio Pappano, Philippe Jordan, Hartmut Haenchen, Alan Gilbert, Kent Nagano, Sir Mark Elder, Jonathan Nott, Sebastian Weigle, et al.
Find further information about Klaus Florian Vogt here.
photo: H. Hoffmann
Vilsbiburg (Landshut), Germany
Singing studies at Berlin University of the Arts with KS Harald Stamm
with KS Kurt Moll und KS Marjana Lipovšek
2nd prize and audience prize at Internationaler Musikwettbewerb der ARD (2009), Dr. Wilhelm Oberdörffer-Preis of Stiftung zur Förderung der Hamburgischen Staatsoper (2011)
Figaro (Le Nozze di Figaro), Leporello (Don Giovanni), Sarastro (Die Zauberflöte), Osmin (Die Entführung aus dem Serail), Baron Ochs auf Lerchenau (Der Rosenkavalier), König Heinrich (Lohengrin), Landgraf Hermann (Tannhäuser), König Marke (Tristan und Isolde), Daland (Der fliegende Holländer), Fasolt (Das Rheingold), Rocco (Fidelio), Orest (Elektra), Sparafucile (Rigoletto), Il Re di Scozia (Ariodante), et al.
Hamburgische Staatsoper, Bayerische Staatsoper, Staatsoper Unter den Linden Berlin, Semperoper Dresden, Wiener Staatsoper, Opéra National de Lyon, Teatro alla Scala, Gran Teatre del Liceu Barcelona, Teatro Real Madrid, Königliche Oper Stockholm, Los Angeles Opera, Washington Opera, Chicago Opera, Bayreuther Festspiele, Salzburger Festspiele, Hong Kong Arts Festival, et al.
Cooperation with directors:
Stefan Herheim, Hans Neuenfels, Peter Konwitschny, Christof Loy, David McVicar, Frank Castorf, Karoline Gruber, Nikolaus Lehnhoff, et al.
Cooperation with conductors:
Daniel Barenboim, Zubin Mehta, Kirill Petrenko, Andris Nelsons, Sir Simon Rattle, Marek Janowski, Simone Young, Kent Nagano, Sebastian Weigle, Alan Gilbert, William Christie, et al.
Chor der Hamburgischen Staatsoper
The chorus members appear on stage at the Hamburg State Opera in a different role almost every night. From one day to the next, they might be sailors, gypsies, pilgrims or conspirators, then courtiers, hunters, the deranged or the imprisoned. In the role of crusaders in I Lombardi alla prima Crociata they travel to Jerusalem, other nights they are invited to Madama Butterfly's marriage or acclaim Prince Igor. The ladies and gentlemen of the opera chorus demonstrate their artistic prowess, their flexibility, and their love of the stage in every performance.
With a membership around 70, the chorus of the Hamburg State Opera has been one of the world’s best opera choruses for many years. The varied repertoire – almost always in the original language – is multifaceted and includes baroque operas and dramatic operas, major works by Verdi and Wagner as well as contemporary pieces. At the start of the 2013/14 season, Eberhard Friedrich took over the post of Chorus Master.
Philharmonisches Staatsorchester Hamburg
The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.
During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Sir Neville Marriner, Valery Gergiev and Sir Roger Norrington.
Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016 Nagano and the Philharmonic undertook a successful three-week concert tour in South America, a tour of Spain followed in 2019. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released at ECM.
The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.
In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.
The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.
photo: Foto: Felix Broede