Elbenita Kajtazi
Soprano
Birthplace:
Mitrovica, Kosovo
Studies:
University of Prishtina
Prizes:
Audience Prize and the 3rd prize at the first ever Glyndebourne Opera Cup (2018), first prize of the Riccardo Zandonai Competition (2015), first prize in the Spiros Argiris Sarzana Festival Competition in Italy (2014), Young Artist fellowship at the Deutsche Oper Berlin (2014-2016), member of the Young Singers Project at the Salzburger Festspiele (2016)
Important parts:
Adina (L’elisir d’amore), Pamina (Die Zauberflöte), Violetta (La Traviata), Liù (Turandot), Gretel (Hänsel and Gretel), Musetta (La Bohème), Crobyle (Thaïs), Kätchen (Werther), Frasquita (Carmen), Anna (Nabucco), Shepherd (Tannhäuser), Bianca (La Rondine), Frantik und Grasshopper (Cunning Little Vixen), Countess Ceprano (Rigoletto), et al.
Stages:
Deutsche Oper Berlin, Semperoper Dresden, Grand Théâtre de Genève, Aalto-Teater Essen, Philharmonie Essen, et al.
Cooperation with conductors:
Tomáš Netopil, Friedrich Haider, Roberto Rizzi Brignoli, Axel Kober, Patrick Fournillier, Donald Runnicles, Nicholas Carter, et al.
Nadezhda Karyazina
mezzo soprano
Birthplace:
Moscow, Russia
Studies:
Russian Academy of the Theatrical Arts in Moscow (2003-2008), Galina Vishnevskaya Opera Center (2010-2012), Young Artist Programme of the Bolshoi Theatre (2010-2012), Jette Parker Young Artist Programme (2013-2015)
Master class:
with Gloria Guida Borelli, Laura Claycomb, Elena Obraztsova, Eugeny Nesterenko, Luba Orfenova, Diane Zola, Richard Bado and Ann Hallenberg
Prizes:
Dr. Wilhelm Oberdörffer Prize of the Foundation for the Support of the Hamburg State Opera (2018), Österreichischer Musiktheaterpreis in the category “Best Young Artist” (2014), second prize in the II International Competition of the Savonlinna Opera Festival (2012), third prize in Placido Domingo’s Operalia Competition in Beijing (2012), fifth prize in the “Neue Stimmen” Competition (2011)
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 2015/16
Important parts:
Flosshilde (Das Rheingold), Mezzo-soprano (Messa da Requiem), Waltraute (Die Walküre), Drittes Blumenmädchen (Parsifal), Suzuki (Madama Butterfly), Kontschakowna (Prince Igor), Emilia (Otello), Pauline (Pique Dame), Cherubino (Le Nozze di Figaro), Rosina (Il Barbiere di Siviglia), Orlofsky (Die Fledermaus), Hänsel (Hänsel und Gretel), Dritte Magd (Elektra), Maddalena (Rigoletto), Madrigal Singer (Manon Lescaut), Flora (La Traviata), Rosette (Manon), Mercédès (Carmen), Charlotte (Werther), Polinesso (Ariodante), Zweite Dame/Dritte Dame (Die Zauberflöte), Fortune Teller (The Fiery Angel), Olga (Eugen Onegin), Clarissa (The Love for Three Oranges), Petrovna/Dunyasha (The Tsar’s Bride), et al.
Stages:
Tchaikovsky Concert Hall Moscow, International Performing Arts Centre Moscow, National Theatre of
Beijing, Linbury Theatre at the Royal Oper House, Theatre Wielki, De Doelen in Rotterdam, Bolshoi Theatre, Latvian National Opera, Salzburger Landestheater, Royal Opera House Covent Garden, Hamburgische Staatsoper, et al.
Cooperation with directors:
Jim Lucassen, Andreas Žagars, Sir David McVicar, Jonathan Kent, Jette Steckel, Achim Freyer, Calixto Bieito, et al.
Cooperation with conductors:
Yuri Bashmet, Vassily Sinaisky, Jean-Christophe Spinosi, Nathan Brock, Kent Nagano, Kevin John Edusei, Carlo Rizzari, Christoph Gedschold, Mikhail Tatarnikov, Patrick Fournillier, José Aparicio, Gregor Bühl, Stefano Ranzani, Erich Wächter, Philipp Pointner, Vladimir Conta, Maurizio Benini, Dan Ettinger, Emmanuel Villaume, Daniel Oren, Antonio Pappano, Plácido Domingo, et al.
Katharina Konradi
Soprano
Geburtsort:
Bischkek, Kirgisistan
Studium:
Gesangsausbildung bei Julie Kaufmann in Berlin, Masterstudium in Liedgestaltung bei Christiane Iven und Donald Sulzen an der Hochschule für Musik und Theater München
Meisterklassen:
mit Helmut Deutsch und Klesie Kelly-Moog
Auszeichnungen:
BBC New Generation Artist (2018-20), Gewinn des Deutschen Musikwettbewerbs in Bonn (2016), Sonderpreis der Walter und Charlotte Hamel Stiftung, Preisträgern des Bundeswettbewerbs „Jugend Musiziert“ und der Sommerakademie Mozarteum (2015), 1. Preis des Kulturkreises Gasteig München in der Wertung „Lied-Duo“ (2015); Stipendiatin der Paul-Hindemith-Gesellschaft Berlin, der Yehudi Menuhin Stiftung „Live Music Now“ und der Studienstiftung des deutschen Volkes
Bezug zur Staatsoper:
Ensemblemitglied der Staatsoper Hamburg ab 2018/19
Wichtige Partien:
Pamina (Die Zauberflöte), Gretel (Hänsel und Gretel), Adele (Die Fledermaus), Susanna (Le nozze di Figaro), Zerlina (Don Giovanni), Zdenka (Arabella), Ännchen (Der Freischütz), Anne Frank (Das Tagebuch der Anne Frank), u.a.
Bühnen:
Hessisches Staatstheater Wiesbaden, Elbphilharmonie, Kammeroper München, Theater Hof, Mainfranken Theater Würzburg, u.a.
Zusammenarbeit mit Dirigenten:
Lionel Bringuier, Paavo Järvi, Thomas Hengelbrock, Patrick Lange, Konrad Junghänel, u.a.
Hellen Kwon
Soprano
Birthplace:
Seoul, South Korea
Studies:
Hochschule für Musik Köln with Dietger Jacob (1979-1984)
Prizes:
First prize in the Novara International Singing Competition (1984), winner of the Dr. Wilhelm Oberdörffer Preis (1987), Rolf-Mares-Preis in the category “Exceptional Performances of an Actresses” for her interpretation of “Frau” in Wolfgang Rihm’s “Das Gehege” (2010), Grammy Award Nomination for the recording of Walter von Braunfels’ “Die Vögel” conducted by Lothar Zagrosek, honored with the title of “Hamburger Kammersängerin” by the Hamburg Senate (2011), “Order of Civil” by the Korean Government for exceptional artistic achievements (2013), “Star of Ewha” Prize (2018)
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 1987/88
Important parts:
The Queen of the Night (Die Zauberflöte), Zerbinetta (Ariadne auf Naxos), Sophie (Der Rosenkavalier), Zdenka (Arabella), Susanna (Le Nozze di Figaro), Blonde/Konstanze (Die Entführung aus dem Serail), Fiordiligi (Così fan tutte), Donna Anna/Donna Elvira (Don Giovanni), Despina/Fiordiligi (Così fan tutte), Elettra (Idomeneo), Vitellia (La clemenza di Tito), Musetta/Mimì (La Bohème), Cio-Cio-San (Madama Butterfly), Liú (Turandot), Violetta Valéry (La Traviata), Gilda (Rigoletto), Oscar (Un Ballo in Maschera), Rosina (Il Barbiere di Siviglia), Micaëla (Carmen), Norina (Don Pasquale), Adina (L’Elisir d’Amore), Adele/Rosalinde (Die Fledermaus), Agathe (Der Freischütz), Senta (Der fliegende Holländer), Minni (La Fanciulla del West), Frau (Das Gehege), Salome/Herodias (Salome), Chrysothemis (Elektra), et al.
Stages:
Hamburgische Staatsoper, Bayerische Staatsoper, Bayreuther Festspiele, Staatsoper Unter den Linden Berlin, Semperoper Dresden, Gewandhaus Leipzig, Oper Leipzig, Oper Stuttgart, Oper Köln, Deutsche Oper am Rhein, Staatstheater Wiesbaden, Wiener Staatsoper, Wiener Festwochen, Salzburger Festspiele, Opernhaus Zürich, Grand Théâtre de Genève, Concertgebouw Amsterdam, Festival d‘Aix-en-Provence, Opéra Comique de Paris, Glyndebourne Festival, Den Norske Opera, Accademia Nazionale di Santa Cecilia, Teatro Filarmonico Verona, The Israeli Opera, Jerusalem Opera Festival, New National Theatere Tokio, Korean National Opera, et al.
Cooperation with directors:
Achim Freyer, Peter Konwitschny, Johannes Schaaf, Günther Krämer, Marco Marelli, Jean-Pierre Ponnelle, Peter Sellars, John Dew, Adolf Dresen, Nikolas Brieger, Johannes Erath, Claus Guth, et al.
Cooperation with conductors:
Giuseppe Sinopoli, Vladimir Ashkenazy, Horst Stein, Neville Marriner, Zubin Mehta, James Levine, Jeffrey Tate, Marcello Viotti, Simone Young, Nikolaus Harnoncourt, Wolfgang Sawallisch, Kent Nagano, Christian Thielemann, et al.
Katja Pieweck
Soprano
Birthplace:
Hannover, Germany
Studies:
Hochschule für Musik und Theater in Hamburg with Prof. Ks. Judith Beckmann
Prizes:
Dr. Wilhelm Oberdörffer Preis of the Körber-Stiftung (2007), Cultural Prize of the Berenberg Bank Hamburg (2000), First Prize of the International Robert Stolz Singing Competition in Hamburg (2000), Masefield Fellowship of the Alfred Toepfer Stiftung
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 1999/2000, member of the International Opera Studio of the Hamburg State Opera (1997/98 to 1998/99)
Important parts:
Adalgisa (Norma), Mercédès (Carmen), Hexe (Königskinder), Smeton (Anna Bolena), Alisa (Lucia di Lammermoor), Marquise de Berkenfield (La fille du régiment), Sélysette (Ariane et Barbe-Bleue), Arsamene (Xerxes), Sancta Susanna (Klementia), Gertrud/Sandmännchen (Hänsel und Gretel), Frau des Dorfrichters (Jenufa), Valencienne (Die lustige Witwe), Witwe Browe (Zar und Zimmermann), Lola (Cavalleria Rusticana), Damigella Pallade (L’Incoronazione di Poppea), Dorabella (Così fan tutte), Marcellina (Le Nozze di Figaro), Erste Dame (Die Zauberflöte), Donna Elvira (Don Giovanni), Schenkwirtin (Boris Godunov), Mutter (Les Contes d’Hoffmann), Mère Marie (Dialogues des Carmélites), Ciesca (Gianni Schicchi), Suzuki (Madama Butterfly), Frugola (Il Tabarro), Goneril (Lear), Berta/Rosina (Il Barbiere di Siviglia), Marchese Melibea (Il Viaggio a Reims), Ariadne (Ariadne), Adelaide (Arabella), Annina (Der Rosenkavalier), Aufseherin/1. Magd (Elektra), Curra/Preziosilla (La Forza del Destino), Annina (La Traviata), Meg Page/Alice Ford (Falstaff), Giovanna/Maddalena (Rigoletto), Fenena (Nabucco), Emilia (Otello), Fricka (Das Rheingold), Siegrune/Sieglinde (Die Walküre), Magdalena (Die Meistersinger von Nürnberg), Brangäne (Tristan und Isolde), Ortrud (Lohengrin), Adriano (Rienzi), Eglantine (Euryanthe), Ericlea (Il Ritorno d’Ulisse in Patria), Larina (Eugen Onegin), et al.
Stages:
Hamburgische Staatsoper, Semperoper, Staatsoper Unter den Linden, Staatstheater Mainz, Bayerische Staatsoper, Oper Leipzig, Internationale Herrenchiemsee Festspiele, Staatsoper Hannover, et al.
Zusammenarbeit mit Regisseuren:
Peter Konwitschny, Karoline Gruber, Claus Guth, Willy Decker, Achim Freyer, Roger Vontobel, Stefan Herheim, Michael Thalheimer, et al.
Zusammenarbeit mit Dirigenten:
Simone Young, Sir Simon Rattle, Peter Schneider, Ingo Metzmacher, Gerd Albrecht, Sebastian Weigle, Rolf Beck, Krzysztof Penderecki, et al.
Gabriele Rossmanith
Soprano
Birthplace:
Stuttgart, Germany
Studies:
Violin studies at the Musikhochschule Trossingen, vocal studies with Sylvia Geszty at the Musikhochschule Stuttgart
Prizes:
1st Prize Mozartfestwettbewerb (1985), honored by the Hamburg Senate with the title of “Hamburger Kammersängerin” (2011)
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 1988
Important parts:
Pamina (Die Zauberflöte), Susanna (Le Nozze di Figaro), Blanche (Dialogues des Carmélites), Mélisande (Pelléas et Mélisande), Despina (Così fan tutte), Zerlina (Don Giovanni), Ännchen (Der Freischütz), Micaëla (Carmen), Morgana (Alcina), Oscar (Un Ballo in Maschera), Helena (A Midsummer Night’s Dream), Nedda (I Pagliacci), Lauretta (Gianni Schicchi), Anne Truelove (The Rake’s Progress), Gretel (Hänsel und Gretel), Musetta (La Bohème), Sophie/Marianne Leitmetzerin (Der Rosenkavalier), Woglinde/Wellgunde (Das Rheingold), Ortlinde (Die Walküre), Hanna Glawari (Die lustige Witwe), Clorinda (La Cenerentola), Echo (Ariadne auf Naxos), Blumenmädchen (Parsifal), Fortuna/Giunone (Il Ritorno d'Ulisse in Patria), et al.
Stages:
Badisches Staatstheater Karlsruhe (1985-88), guest engagements in Munich, Antwerp, Brussels, Berlin, Dresden, Leipzig, Frankfurt, Barcelona, Toulouse, Strasbourg, Glyndebourne Festival, et al.
Cooperation with directors:
Willy Decker, Christof Loy, Guy Joosten, Harry Kupfer, Bob Wilson, Marco Arturo Marelli, Peter Konwitschny, Renaud Doucet, Achim Freyer, Calixto Bieito, John Dew, Vera Nemirova, et al.
Cooperation with conductors:
Horst Stein, Christian Thielemann, Donald Runnicles, Michel Plasson, Sir Antonio Pappano, Robin Ticciatti, Silvio Varviso, Nikolaus Harnoncourt, Ivor Bolton, Kirill Petrenko, Gerd Albrecht, Ingo Metzmacher, Simone Young, Kent Nagano, et al.
Renate Spingler
Mezzo-soprano
Birthplace:
Kempten, Germany
Studies:
Staatliche Hochschule für Musik in Munich
Master class:
with Prof. Reri Grist
Prizes:
Honored by the Hamburg Senate with the title of “Hamburger Kammersängerin” (2017)
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 1986/87
Important parts:
Octavian (Der Rosenkavalier), Margret (Wozzeck), Sdena (Das Fest im Meer), Gräfin Helfenstein/Üppigkeit (Mathis der Maler), Sigrune/Rossweiße/Wellgunde (Der Ring des Nibelungen), Donna Elvira (Don Giovanni), Dorabella (Così fan tutte), Suzuki (Madama Butterfly), Herodias (Salome), Adelaide (Arabella), Flora (La Traviata), Larina (Eugen Onegin), Cherubino (Le Nozze di Figaro), Prinz Orlofsky (Die Fledermaus), Lœna (La belle Hélène), Brigitta (Die tote Stadt), Mary (Der fliegende Holländer), Geneviève (Pelléas et Mélisande), Mère Jeanne de l’Enfant-Jésus (Dialogues des Carmélites), Circe (I.th.Ak.A.), Gräfin Geschwitz (Lulu), Mercédès (Carmen), Hippolyta (A Midsummer Night’s Dream), Marthe Schwerdtlein (Faust), Lola/Mama Lucia (Cavalleria Rusticana), Ottavia (L’Incoronazione di Poppea), 2. Dame (Die Zauberflöte), Tisbe (La Cenerentola), Maddalena (Rigoletto), Tebaldo (Don Carlos), Emilia (Otello), Gaea (Daphne), Hänsel/Hexe (Hänsel und Gretel), Miss Baggott (Der kleine Schornsteinfeger), Auntie (Peter Grimes), Die böse Königin (Schneewittchen), et al.
Stages:
Hamburgische Staatsoper, Oper Frankfurt, Semperoper Dresden, Theater Bonn, Oper Leipzig, Theater Bremen, La Monnaie, Oper Köln, Königliche Oper Kopenhagen, Prinzregententheater München, Theater an der Wien, Theatro Municipale de Sao Paulo, Gran Teatre del Liceu, et al.
Cooperation with directors:
Ruth Berghaus, Willy Decker, Gian-Carlo di Monaco, Dieter Dorn, Adolf Dresen, August Everding, Jürgen Flimm, Achim Freyer, Ramin Gray, Caroline Gruber, Claus Guth, Hans Hollmann, Andreas Homoki, Günter Krämer, Harry Kupfer, Nikolaus Lehnhoff, Juri Ljubimov, Marco Aturo Marelli, Christian Pade, Simon Philips, Ernst-Theo Richter, Nils-Peter Rudolf, Johannes Schaaf, Sir Peter Ustinov, Christoph von Bernuth, Robert Wilson, et al.
Cooperation with conductors:
Gerd Albrecht, Marc Albrecht, Marco Armiliato, Gary Bertini, Michael Boder, Nathan Brock, Semyon Bychkov, Giuliano Carella, Bertrand de Billy, Jaqcues Delaôte, Alessandro di Marci, Peter Eötvös, Alfred Eschwé, Lawrence Foster, Michael Halasz, Eliahu Inbal, René Jacobs, Günter Jena, Alexander Joel, Karen Kamensek, Paul Kildea, Bernhard Klee, Jun Märkl, Cornelius Meister, Ingo Metzmacher, Kent Nagano, Garcia Navarro, Giuseppe Patané, Christoph Prick, Wolfgang Rennert, Donald Runnicles, Michael Schønwandt, Peter Schreier, Klauspeter Seibel, Giuseppe Sinopoli, Leonard Slatkin, Alexander Soddy, Stefan Soltesz, Marcello Viotti, Sebastian Weigle, Bruno Weil, Simone Young, Lothar Zagrosek, Hans Zender, et al.
Marta Swiderska
mezzo-soprano
Birthplace:
Poland
Studies:
Bachelor’s degree in Singing at the Karol Szymanowski Music Academy in Katowice in Poland with Dr. Pawel Sobierajski, Master’s degree in Singing at the Hochschule für Musik und Darstellende Kunst in Frankfurt am Main with Professor Thomas Heyer
Master class:
with B. Fassbender, C. Lehmann, U. Finazzi, I. Bogacheva, P. Esswood, Ingrid Kremling, Wieslaw Ochman, et al.
Prizes:
Second prize in the Jan Kiepura Singing Competition in Sosnowiec in Poland, first prize and the Grand Prix in Vocal Competition „Impressio Art“ “ in Sopot in Poland, participation with honors in the Third Singing Competition „J.E.J.Reszków“ in Czestochowa in Poland, second prize and special prize for the best mezzosoprano in the Second International Giulio Perotti Singing Competition in Ückermunde in Germany, et al.
Relation to the Hamburg State Opera:
Member of the International Opera Studio of the Hamburg State Opera (2015/16-2016/17)
Ensemble member of the Hamburg State Opera since 2018/19
Important parts:
Erda (Siegfried), Baba the Turk (The Rake’s progress), Dora S. (Benjamin), Marthe (Faust), Filipiewna and Olga (Eugene Onegin), 3. Dame (Die Zauberflöte), Tisbe (La Cenerentola), Brigitta (Die tote Stadt), Eine Theatergarderobiere (Lulu), et al.
Stages:
Hamburgische Staatsoper, Baltic Opera, Oper Leipzig, Komische Oper Berlin, Oldenburgisches Staatstheater, et al.
Cooperation with directors:
Michael Thalheimer, Jette Steckel, Katharina Thalbach, Christoph Marthaler, Yona Kim, Paul Esterhazy, Linus Fellbom, et al.
Cooperation with conductors:
Kent Nagano, George Jackson, Pier Giorgio Morandi, Renato Palumbo, Anthony Bramall, Riccardo Minasi, Gregor Bühl, Volker Krafft, Josep Caballé Domenech, Christoph Gedschold, Alexander Joel, Philipp Pointner, Péter Halász, Alexander Vedernikov, Roberto Rizzi-Brignoli, Tadeusz Kozlowski, Peter Ruzicka, et al.
Alin Anca
Bass
Herkunft:
Rumänien
Studium:
Gesangsstudium an der Gheorge Dima-Musikhochschule in Klausenburg
Auszeichnungen:
Stipendium der Liz Mohn Kultur- und Musikstiftung (2011-2013)
Bezug zur Staatsoper:
Ensemblemitglied der Staatsoper Hamburg seit 2013/14
Wichtige Partien:
Don Giovanni/Leporello (Don Giovanni), Figaro (Le Nozze di Figaro), Großinquisitor (Don Carlos), Un Moine (Don Carlos), Basilio(Il Barbiere di Siviglia), Dulcamara (L’Elisird’Amore), Colline (La Bohème), Raimondo (Lucia di Lammermoor), Cesare Angelotti (Tosca), Ramfis (Aida), Lodovico (Otello), Pietro (Simon Boccanegra), Pistola (Falstaff), Panthée (Les Troyens), Walther Fürst (Guillaume Tell), Bonzo (Madama Butterfly), 2. Geharnischter/Sprecher (Die Zauberflöte), Il Dottore Grenvil (La Traviata), Ein Fischer (Stilles Meer), Vater Delacay/Kapitän Walton (Frankenstein), Bottom (A Midsummer Night's Dream), Melisso (Alcina), Zuniga (Carmen), Oberpriester des Baal (Nabucco), Larkens (La Fanciulla del West),u.a.
Bühnen:
Opera Nationala Romana in Klausenburg, Opera Nationala in Bukarest, Staatsoper Unter den Linden Berlin, Hamburgische Staatsoper, Bayerische Staatsoper u.a.
Zusammenarbeit mit Regisseuren:
David Alden, Vincent Boussard, Michael Thalheimer, Stefan Herheim, Roger Vontobel, Jette Steckel, Kirill Serebrennikow, u.a.
Zusammenarbeit mit Dirigenten:
Simone Young, Carlo Montanaro, Kent Nagano, Christopher Ward, Christoph Gedschold, Gabriele Ferro, Jean-Christophe Spinosi, Nathan Brock, Paolo Carigani, Adrian Müller, Pier Giorgio Morandi, Renato Palumbo, Riccardo Minasi, Diego Fasolis, Lorenzo Viotti, Josep Caballé-Domenech, u.a.
Vladimir Baykov
bassbariton
Birthplace:
Moscow, Russia
Studies:
Moscow State Tchaikovsky Conservaroty
Prizes:
Prizewinner of the Mirjam Helin International Singing Competition in Helsinki (1999), prizewinner of the Maria Callas Competition in Athen (2001), prizewinner of the Hans Gabor Belvedere Singing Competition in Vienna (2001), prizewinner of the Georgy Sviridov Competition in Kursk (2001), prizewinner of the Queen Sonja International Music Competition in Oslo (2003), prizewinner of the Queen Elizabeth Competition in Brussels (2004)
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 2015/16
Important parts:
Boris Godunow (Boris Godunow), Holländer (Der fliegende Holländer), Gunther (Götterdämmerung), Wotan/Wanderer (Der Ring des Nibelungen), Jochanaan (Salome), Blaubart (Herzog Blaubarts Burg), Fürst Igor (Fürst Igor), Ruprecht (Der feurige Engel), Salieri (Mozart und Salieri), Mephisto (Faust), Escamillo (Carmen), Vodník (Rusalka), Doctor Schiwago (Doctor Schiwago), Graf Tomsky (Pique Dame), Klingsor (Parsifal), Caspar (Der Freischütz), Peter (Hänsel und Gretel), et al.
Stages:
Théâtre Royal de la Monnaie, Mariinsky-Theater St. Petersburg, Finish National Opera, De Nederlandse Opera, Gran Teatre del Liceu, New Israeli Opera, English National Opera, Tirol Festival, Concertgebouw Amsterdam, Teatro Colón, Vlaamse Opera, Oper Bonn, Warschauer Teatr Wielki, Nationaltheater Mannheim, Teatro Nacional de São Carlos Lissabon, Aalto-Theater Essen, Alte Oper Frankfurt, Centro Cultural de Belém, Stadttheater Regensburg, Primorski Staatsoper Wladiwostok, Oper Leipzig, et al.
Cooperation with directors:
Robert Wilson, Robert Carsen, Jochannes Schaaf, Yury Alexandrov, Giancarlo del Monaco, Tony Palmer, Claus Michael Gruber, Simon Mc Burney, Andrey Konchalovsky, Steven Lowless, Roger Vontobel, Vera Nemirova, Achim Freyer, Michiel Dijkema, et al.
Cooperation with conductors:
Valery Gergiev, Enoch zu Guttenberg, Gianandrea Noseda, Kirill Petrenko, Jaap an Zweden, Alan Curtis, Gennady Rozhdestvensky, Stefan Soltesz, Carlo Franci, Woldemar Nelsson, Kazushi Ono, Jan Latham-Koenig, Hartmut Haenchen, Paolo Carignani, James Gaffigan, Gustav Kuhn, Christof Prick, Kent Nagano, Mikhail Tatarnikov, Christoph Gedschold, Cazushi Ono, Tugan Sokhiev, Mikko Frank, Bruno Weil, Woldemar Nelsson, Justus Franz, Roman Kofman, Martin Brabbins, et al.
Alexey Bogdanchikov
Baritone
Birthplace:
Tashkent, Uzbekistan
Studies:
Galina Vishnevskaya Opera Centre, Tchaikovsky State Conservatory in Moscow
Prizes:
Dr. Wilhelm Oberdörffer-Preis (2017), Special Prize at the “Neue Stimmen” competition (2013), representative for Russia at the BBC Cardiff Singer of the World Competition (2013), second prize at the European Vocal Competition “Debut” (2012), third prize at the Armel Opera Competition in Hungary (2010)
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 2015/16
Important parts:
Barrett (The Servant), Wolfram (Tannhäuser), Eugen Onegin (Eugen Onegin), Robert (Iolanta), Prinz Jeletzki (Pique Dame), Belcore (L’Elisir d’Amore), Marcello (La Bohème), Ping (Turandot), Marchese (La Traviata), Paolo Albiani (Simon Boccanegra), Moralès (Carmen), Graf (Le Nozze di Figaro), Mercutio (Roméo et Juliette), Rodrigo (Don Carlo), Frank und Fritz (Die tote Stadt), Silvio (Pagliacci), Sharpless (Madama Butterfly), Figaro (Il Barbiere di Siviglia), Valentin (Faust), Der Einäugige (Die Frau ohne Schatten), Sid (La Fanciulla del West), Enrico (Lucia di Lammermoor), et al.
Stages:
Armel Opernfestival in Szeged, Teatro Comunale di Bologna, Guangzhou Opera House, Teatro Comunale Luciano Pavarotti in Modena, Teatro Municipale in Piacenza, Teatro Delle Muse in Ancona, Teatro dell’Opera di Roma, Astrakhan Opera House in Magnitogorsk, Kolobov Novaya Opera Theatre Moscow, Deutsche Oper Berlin, Hamburgische Staatsoper, Staatsoper Hannover, et al.
Cooperation with conductors:
Jader Bignamini, Francesco Ivan Ciampa, Emmanuel Villaume, Renato Palumbo, Erich Wächter, Alexander Joel, Stefano Ranzani, Josep Caballé Domenech, Nathan Brock, Gregor Bühl, Kent Nagano, Pier Giorgio Morandi, Christoph Gedschold, Carlo Rizzari, Christopher Ward, et al.
Peter Galliard
Tenor
Birthplace:
Chur, Switzerland
Studies:
With Rico Peterelli, Conservatory in Feldkirch with Maria Eibenschütz, at the Mozarteum Salzburg with Rudolf Knoll
Prizes:
First Prize at the International Mozart Competition (1985), Förderpreis of the Kanton Graubünden (1987), Dr. Wilhelm-Oberdörffer-Preis of the Stiftung zur Förderung der Hamburgischen Staatsoper (1989), honored by the Hamburg Senate with the title of “Kammersänger” (2017)
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 1986/87
Important parts:
Tamino (Die Zauberflöte), Jaquino (Fidelio), Cassio (Otello), Froh and Loge (Das Rheingold), Alfred and Eisenstein (Die Fledermaus), Peter Iwanow (Zar und Zimmermann), Bardolfo (Falstaff), Hauptmann (Wozzeck), Knusperhexe (Hänsel und Gretel), Lenski (Eugen Onegin), Narraboth (Salome), Don Basilio (Le Nozze di Figaro), Prinz and Hauptmann (Lulu), L’Aumonier (Dialogues des Carmélites), Melot (Tristan und Isolde), Walther von der Vogelweide (Tannhäuser), Wolfgang Capito (Mathis der Maler), Goro (Madama Butterfly), Red Whiskers (Billy Budd), Dämon (L’Upupa und der Triumph der Sohnesliebe), Bischof von Budoja (Palestrina), Mime (Siegfried), et al.
Stages:
Hamburgische Staatsoper, Lucerne Festival, Salzburger Osterfestspiele, Opéra National de Paris, Enescu Festival in Bukarest, Staatsoper Unter den Linden Berlin, Deutsche Oper Berlin, Oper Frankfurt, Semperoper Dresden, Oper Leipzig, Staatstheater Nürnberg, et al.
Cooperation with directors:
Claus Guth, August Everding, Johannes Schaaf, Harry Kupfer, Peter Konwitschny, Johannes Erath, Renaud Doucet, Georg Schmiedleitner, Stefan Herheim, Herbert Wernicke, Calixto Bieito, Willy Decker, Paul-Georg Dittrich, et al.
Cooperation with conductors:
Nikolaus Harnoncourt, Christian Thielemann, Ingo Metzmacher, Simone Young, Kirill Petrenko, Kent Nagano, Lawrence Foster, Gerrit Prießnitz, Marcus Bosch, Philippe Jordan, Paolo Carignani, Vaclav Luks, et al.
Kartal Karagedik
Baritone
Turkish Baritone Kartal Karagedik joined the ensemble of Hamburg State Opera at the beginning of season 2015/16 where he made his debuts in the new production of “Les Troyens” (Chorébe) under the baton of Kent Nagano and as Il Conte Almaviva in Stefan Herheim’s production of “Le nozze di Figaro” with Ottavio Dantone, as well as Lescaut in Puccini’s “Manon Lescaut” and Guglielmo in “Così fan tutte”.
Karagedik’s highlights of season 2016/17 included the title role of Don Giovanni at Savonlinna Opera Festival, Dandini, Marcello, Belcore at Hamburg State Opera, Escamillo at Komische Oper Berlin and Mahler’s Symphony No. 8 under Kent Nagano at Elbphilharmonie.
Before joining the ensemble of Hamburg State Opera, Karagedik was a member of Theater Magdeburg and Theater Erfurt. Guest engagements brought him to stages of Teatro Communale di Bologna, Puccini Festival Torre del Lago, Oper Leipzig and Staatstheater Braunschweig. He had interpreted a very wide range of repertoire including Eugeny Onegin, Don Giovanni, Enrico, Riccardo ,Valentin, Albert, Carlo Gérard, Sharpless, Besenbinder, Michonnet, Simon Boccanegra, Germont , Rodrigo in “Don Carlo” and many others.
Karagedik was born in Turkey and completed his vocal studies in his hometown Izmir. In addition to his artistic career as a singer, he is a prizewinner story telling photographer. Since 2014 his photography exhibition “Emotions IN motion” has been met with widespread public acclaim.
Tigran Martirossian
Bass
Birthplace:
Yerevan, Armenia
Studies:
Musical studies at the Gnessin State Academy of Music with Prof. Artur Eizen and Prof. Pavel Lisitsian
Prizes:
Prize winner of nine international singing competitions, inter alia, second prize in the “Neue Stimmen” Competition in Gütersloh (1997), second prize in the 2nd International Singing Competition in Shizuoka (2000), first prize in the Ondina Otta Competition in Marburg (1999)
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 2005/06
Important parts:
Ramfis (Aida), König René (Jolanthe), Salieri (Mozart und Salieri), Fiesco (Simon Boccanegra), Dulcamara (L’Elisir d’Amore), Figaro (Le Nozze di Figaro), Sulpice (La Fille du Régiment), Colline (La Bohème), Basilio (Il Barbiere di Siviglia), Selim (Il Turco in Italia), Banco (Macbeth), Pagano (I Lombardi alla prima Crociata), Daland (Der fliegende Holländer), Dossifei (Chowanschtschina), Fasolt (Das Rheingold), Rodolfo (La Sonnambula), Raimondo (Lucia di Lammermoor) Don Magnifico (La Cenerentola), Philippe II (Don Carlos), Méphistophélès (Faust), Fürst Galizky (Fürst Igor), Ein Eremit (Der Freischütz), Doktor (Wozzeck), Oroveso (Norma) , Pimen (Boris Godunov), et al.
Stages:
Novaya Opera Theatre of Moscow, Bolshoi Theatre, Metropolitan Opera, Teatro alla Scala, Opéra National de Paris, Teatro Real in Madrid, Bayerische Staatsoper, Wiener Staatsoper, Maggio Musicale Fiorentino, Salzburg Festival, Theater an der Wien, Bregenz Festival, Staatsoper Unter den Linden Berlin, Royal Opera House Covent Garden, Opéra Bastille, St. Galler Festspiele, et al.
Cooperation with directors:
Achim Freyer, Yona Kim, Jochen Biganzoli, David Alden, Andreas Homoki, Vincent Boussard, Stefan Herheim, Florentine Klepper, Francesca Zambella, et al.
Cooperation with conductors:
Sir Colin Davis, Zubin Mehta, James Levine, Mstislav Rostropovich, Carlo Rizzi, Simone Young, Plácido Domingo, Kent Nagano, Sylvain Cambreling, Valery Gergiev, Michel Plasson, Jukka-Pekka Saraste, Michael Tilson-Thomas, Daniel Oren, Mark Wigglesworth, Philippe Jordan, Daniele Callegari, Riccardo Frizza, et al.
Dovlet Nurgeldiyev
Tenor
Birthplace:
Ashgabat, Turkmenistan
Studies:
Vocal studies at the Music College in Ashgabat, at the Turkmen National Conservatory, at the Conservatory Tilburg and at Koninklijk Conservatorium Den Haag
Relation to the Hamburg State Opera:
Member of the International Opera Studio (2008/9-2009/10)
Ensemble member since 2010/11
Important parts:
Fenton (Falstaff), Nemorino (L’Elisir d’Amore), Alfredo (La Traviata), Ferrando (Così fan tutte), Belmonte (Die Entführung aus dem Serail), Tamino (Die Zauberflöte), Don Ottavio (Don Giovanni), Lensky (Eugene Onegin), Vladimir (Prince Igor), Telemaco (Il Ritorno d'Ulisse in Patria), Alfred (Die Fledermaus), Chevalier (Dialogues des Carmelites),Hylas(Les Troyens), Macduff (Macbeth), Ismaele (Nabucco), Cassio (Otello), Naraboth (Salome), Medoro (Orlando Paladino), Belfiore (La finta giardiniera), et al.
Stages:
Hamburgische Staatsoper, Bayerische Staatsoper, Münchner Opernfestspiele, Staatsoper Unter den Linden Berlin, Deutsche Oper Berlin, Oper Frankfurt, Ungarische Staatsoper, Polnische Staatsoper, Opéra National de Montpellier, Opéra de Rouen Normandie, Auditorium de Bordeaux, Elbphilharmonie Hamburg, Gewandhaus Leipzig, Laeizhalle Hamburg, Prinzregententheater München, et al.
Cooperation with directors:
Hans Neuenfels, Marie-Eve Signeyrole, Renaud Doucet, Vincent Boussard, Jette Steckel, Willy Decker, Axel Ranisch, et al.
Cooperation with conductors:
Ivor Bolton, Kent Nagano, Bertrand de Billy, Keri Lynn Wilson, Philippe Auguin, Lothar Zagrosek, Michael Schonwandt, Stefan Soltesz, Henrik Nánási, Stefano Ranzani, Andrea Battistoni, Simone Young, et al.
Oleksiy Palchykov
Tenor
Birthplace:
Kiev, Ukraine
Studies:
At the Vocal Faculty of the Petro Tchaikovsky National Music Academy of Ukraine, Atelier Lyrique of the Opéra National de Paris
Prizes:
Recipient of the “Art of XXI century” International Competition (2004), Grand Prix of the XVI International Lydia Abramova Vocal Student’s Competition “Bella voce” in Moscow (2010), Grand Prix for the best Tchaikovsky music performance in the National Tchaikovsky Musical Academy Vocal Faculty Competition (2010), third Prize of the “International Vocal Competition in Memory of Antonina Nezhdanova” in Odessa (2010), special award of the festival “Tournament Tenors” in Szczecin (2010), special prize of the Jury at the International Vocal Competition “Debut” in Wiekersheim (2010), Grand Prix of the International Vocal Competition Ivana Alchevskogo “Alchevskiy Debut” in Kharkov (2011), Prix Lyrique du Carpeaux (2014), Prix Lyrique de L'AROP (2014), finalist of the BBC Cardiff Singer of the World Competition (2015)
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 2017/18
Important parts:
Lensky (Eugene Onegin), Lykow (The Tsar’s Bride), Alfredo (La Traviata), Boten (Aida), Male Chorus (The Rape of Lucretia), Ottavio (Don Giovanni), Ecclitico (Il mondo della luna), Scaramuccio (Ariadne auf Naxos), Pylade (Iphigénie en Tauride), Ferrando (Così fan tutte), Nemorino (L’Elisir d’Amore), Eurimaco (Il Ritorno d’Ulisse in Patria), Paris (La belle Hélène), Lysander (A Midsummer Night’s Dream), Cassio (Otello), Beppe (Pagliacci), Arturo (Lucia di Lammermoor), Sinowi (Lady Macbeth of Mtsensk), Belmonte (Die Entführung aus dem Serail), Mussorgsky (Der Jahrmarkt von Sorotschinzi), Tamino (Die Zauberflöte), Il Conte d’Almaviva (Il Barbiere di Siviglia), Froh (Das Rheingold), et al.
Stages:
Taras Shevchenko National Opera of Ukraine, M. Dzhalil Tatar Academic State Opera, Chaliapin Festival, Le Théâtre du Léman, Palazzo dei Congressi Lugano, Théâtre de Beaulieu, Théâtre du Passage, Festival d’Aix-en-Provence, Opéra de Lyon, La Ferme du Buisson, Théâtre Firmin-Gémier/La Piscine, MC93 Bobigny, Opéra Bastille, Opéra Garnier, Théâtre de l’Athénée, Opernhaus Zürich, Garsington Festival, Komische Oper Berlin, et al.
Cooperation with directors:
William Kentridge, François Girard, Christophe Perton, Àlex Ollé, Barrie Kosky, Willy Decker, Roland Pelli, Andreas Homoki, et al.
Cooperation with conductors:
Nello Santi, Philippe Jordan, Visiliy Petrenko, Michael Schønwandt, Riccardo Frizza, Kazushi Ono, Alexander Myrat, Daniele Callegari, Henrik Nánási, Vakclav Luks, et al.
Alexander Roslavets
Bass
Birthplace:
Belarus
Studies:
Rimsky-Korsakov St. Petersburg State Conservatory in St. Petersburg with Professor Nikolai Okhotnikov
Prizes:
Third prize in the first International Music Competition in Harbin (2018), third and special prize in the Queen Sonja International Music Competition (2017), second prize in the second International Opera Singing Competition of Portofino (2017), special prize in the 36th International Hans Gabor Belvedere Singing Competition (2017), grand prix and audience prize in the second International Eva Marton singing competition in Budapest (2016), second prize in the sixth Galina Vishnevskaya International Opera Singers Competition (2016), grand prix in the Special Foundation Of The President Of Belarus Supporting Talented Youth (2016), first prize in the seventh International Competition of Opera Singers in Saint-Petersburg (2015), diploma in the 10th Elena Obraztsova International Competition Of Young Opera Singers (2015), special prize in the first International Christmas Vocal Competition in Minsk (2014), grand prix in the 42nd Russian National Vocal Graduates Competition in St. Petersburg (2014)
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 2016/17
Important parts:
Malyuta Skuratov (The Tsar’s Bride), Mephistopheles (Faust), King Dodon (The Golden Cockerel), Tom (Un Ballo in Maschera), Marchese d’Obigny (La Traviata), Colline (La Bohème), Antonio and Bartolo (Le Nozze de Figaro), Brander (La Damnation de Faust), Il Conte di Monterone (Rigoletto), 5. Jude (Salome), Lodovico (Otello), Il Sagrestano and Cesare Angelotti (Tosca), Raimondo Bidebent (Lucia di Lammermoor), Peter Quince (A Midsummer Night’s Dream), Lo zio Bonzo (Madama Butterfly), Don Basilio (Il Barbiere di Siviglia), Fafner (Das Rheingold), Sarastro (Die Zauberflöte), King René (Iolanta), Banco (Macbeth), Gremin (Eugene Onegin), Daland (Der Fliegende Holländer), Vodnik (Rusalka), Dulcamara (L’Elisir d’Amore), Ali Baba (Ali Baba), et al.
Stages:
Mikhailovsky Theater, Bolshoi Theater in Belarus, Bolshoi Theater Moscow, Tchaikovsky Concert Hall, Hungarian State Opera, Hamburgische Staatsoper, St. Petersburg State Conservatory Theatre, et al.
Cooperation with directors:
Rimas Tuminas, Dmitry Belyanushkin, Calixto Bieito, Tito Capobianco, Paul Curran, Stanislav Gaudasinsky, Peter Stein, Alexey Stepaniuk, et al.
Cooperation with conductors:
Fabio Mastrangelo, Vladimir Jurowski, Ainars Rubikis, Tugan Sokhiev, Anton Grishanin, Gregor Bühl, Kent Nagano, Paolo Carignani, Renato Palumbo, Pier Giorgio Morandi, Yves Abel, Stefano Ranzani, Carlo Rizzari, Christof Prick, Nathan Brock, Sergei Stadler, Yuri Simonov, Michail Jurowski, Vladimir Fedoseyev, et al.
Jürgen Sacher
Tenor
Birthplace:
Augsburg, Germany
Studies:
Church music and music education at the Leopold-Mozart Konservatorium in Augsburg, vocal studies with Leonore Kirschstein
Prizes:
Scholarship of the Richard Wagner Verband, Promotion Prize of the Hamburgische Staatsoper, appointment as Hamburger Kammersänger (2017)
Relation to the Hamburg State Opera:
Ensemble member of the Staatsoper Hamburg since 1991/92
Important parts:
Mime (Siegfried), Mime/Loge (Das Rheingold), Herodes (Salome), Knusperhexe (Hänsel und Gretel), Hauptmann/Andres (Wozzeck), Monostatos/1. Geharnischter (Die Zauberflöte), Maler/Prinz/Marquis/Kammerdiener (Lulu), Dr. Cajus (Falstaff), Tichon (Katja Kabanova), Truffaldino (Die Liebe zu den drei Orangen), Valzacchi (Der Rosenkavalier), David (Die Meistersinger von Nürnberg), Junger Mann (Moses und Aron), Steuermann (Der fliegende Holländer), Peter Iwanow (Zar und Zimmermann), Pedrillo (Die Entführung aus dem Serail), Walther von der Vogelweide (Tannhäuser), Goro (Madame Butterfly), Graf Elemer (Arabella), Raoul de St. Brioche (Die lustige Witwe), Novagerio (Palestrina), Orontes (Flavius Bertaridus), Asasello (Der Meister und Margarita), Tanzmeister (Ariadne auf Naxos), Graf von Kent (Lear), Reverend Adams (Peter Grimes), L´Aumonier (Dialogues des Carmélites), Aegisth (Elektra), Fedotik (Tri Sestri), Sylvester von Schaumburg (Mathis der Maler), et al.
Stages:
Hamburgische Staatsoper, Staatsoper Unter den Linden, La Monnaie, Gran Teatre del Liceu, Königliche Oper von Kopenhagen, Teatro alla Scala, Salzburger Festspiele, Theater an der Wien, Budapester Staatsoper, Theatro Municipal de São Paulo, Wagner Festival Budapest, Theater Dortmund, Staatstheater Braunschweig, Staatsoper Budapest, et al.
Cooperation with directors:
Harry Kupfer, Willy Decker, Claus Guth, Mario Martone, Achim Freyer, Géza M. Tóth, Livia Sabag, Roger Vontobel, Stefan Herheim, Karoline Gruber, Vincent Boussard, Jochen Biganzoli, et al.
Cooperation with conductors:
Adam Fischer, Bertrand de Billy, Claudio Abbado, Kent Nagano, Semyon Bychkov, Horst Stein, Christian Thielemann, Ingo Metzmacher, Michael Boder, Kirill Petrenko, Simone Young, Daniel Barenboim, et al.
Maria Bengtsson
Stephanie Lauricella
Sylvia Schwartz
Pietro Spagnoli
Christina Gansch
Norbert Ernst
Christian Gerhaher
Andriana Chuchman
Dmitry Korchak
Maxim Mironov
Dimitri Platanias
Alexander Vinogradov
Denis Velev
Oksana Dyka
Géraldine Chauvet
Philippe Sly
Georgia Jarman
Gyula Orendt
Peter Hoare
Sam Boden
Jennifer France
Andri Björn Róbertsson
Vitalij Kowaljow
Joseph Calleja
Roberto Frontali
Nino Machaidze
Ramaz Chikviladze
Agneta Eichenholz
Franco Fagioli
Sonia Prina
Julia Lezhneva
Narea Son
Ziad Nehme
Klaus Florian Vogt
Charles Workman
Allison Oakes
Albina Shagimuratova
Paolo Bordogna
Levy Sekgapane
Lini Gong
Dorottya Láng
Andreas Conrad
Dietrich Henschel
James Rutherford
Kay Stiefermann
Werner van Mechelen
Jörg Schneider
Iulia Maria Dan
Doris Soffel
Ida Aldrian
Robert Dean Smith
John Lundgren
Jennifer Holloway
Lise Lindstrom
Mihoko Fujimura
Maida Hundeling
Irmgard Vilsmaier
Ida Aldrian
Ann-Beth Solvang
Andreas Schager
Jochen Schmeckenbecher
Stephen Milling
Claudia Mahnke
Maria José Siri
Kristine Opolais
Dalibor Jenis
Jorge de León
Kristin Lewis
Marcelo Puente
Roberto Frontali
Antonino Siragusa
Renato Girolami
Maurizio Muraro
Anke Vondung
Julia Lezhneva
Diana Tomsche
Emilie Renard
Hasmik Torosyan
Carlo Colombara
Franz-Josef Selig
Sascha Emanuel Kramer
Ocean Barrington-Cook
Adina Aaron
Malin Byström
Siobhan Stagg
Evan Hughes
Nicole Heaston
Franco Vassallo
Andrea Mastroni
Jessica Pratt
Jonathan McGovern
Tobias Hächler
Eric Cutler
Emily Magee
Linda Watson
Bogdan Baciu
Wolfgang Koch
Luminita Andrei
Dmytro Popov
Gabor Bretz
Christophe Dumaux
Erik Anstine
Kurt Streit
Sara Mingardo
Luigi de Donato
Dorottya Láng
Rainer Trost
Fabio Trümpy
Viktor Rud
Teodor Ilincai
Martin Muehle
Jonas Kaufmann
Alexander Vinogradov
Ziad Nehme
Zak Kariithi
Clementine Margaine
Nadine Koutcher
Georg Nigl
Lilly Jorstad
Roger Smeets
Larissa Wäspy
Arturo Chacón-Cruz
Markus Brück
Kristina Mkhitaryan
Andreas Hörl
Irina Lungu
Stephen Costello
Simone Piazzola
Ramón Vargas
Carmen Giannattasio
Judit Kutasi
Denis Velev
Bruno Vargas
Jochen Schmeckenbecher
Simone Schneider
Wilhelm Schwinghammer
Eglis Silins
Kwangchul Youn
Tanja Ariane Baumgartner
Hanna-Elisabeth Müller
Anja Kampe
Claudio Sgura
Marco Berti
Kate Aldrich
Max Emanuel Cencic
Andrew Watts
Christian Miedl
Pavel Cernoch
Lianna Haroutounian
Elena Zhidkova
Zoran Todorovich
Christiane Karg
Michael Schade
Elena Guseva
Bo Skovhus
Paata Burchuladze
Pia Salome Bohnert
Maria Markina
Julien Arsenault
Marisol Montalvo
Otto Katzameier
Renate Behle
Tim Severloh
Vida Mikneviciute
Andrzej Dobber
Hanna Sawle
Manuela Uhl
Alexander Tsymbalyuk
Vottorio Prato
Hui He
Natalia Skrycka
Julian Arsenault
Marie-Sophie Pollak
Sébastien Rouland
Alessandro De Marchi
Paolo Carignani
Matteo Beltrami
Alexander Joel
Riccardo Minasi
Roland Kluttig
Roberto Rizzi Brignoli
Peter Ruzicka
Seitaro Ishikawa
Christoph Gedschold
Pier Giorgio Morandi
Christoph Gedschold
Diego Fasolis
Paolo Arrivabeni
Vaclav Luks
Lorenzo Viotti
Carlo Rizzari
Stefano Ranzani
Josep Caballé-Domenech
Christof Prick
Leo Schmidthals
Ks. Plácido Domingo
Prof. Dr. Peter Ruzicka
Ks. Franz Grundheber
Marianne Kruuse
Detlef Meierjohann
Wolf-Jürgen Wünsche
Simone Young
