Ensemble Members

Elbenita Kajtazi

Nadezhda Karyazina

mezzo soprano

Nadezhda Karyazina

Birthplace:
Moscow, Russia

Studies:
Russian Academy of the Theatrical Arts in Moscow (2003-2008), Galina Vishnevskaya Opera Center (2010-2012), Young Artist Programme of the Bolshoi Theatre (2010-2012), Jette Parker Young Artist Programme (2013-2015)

Master class:
with Gloria Guida Borelli, Laura Claycomb, Elena Obraztsova, Eugeny Nesterenko, Luba Orfenova, Diane Zola, Richard Bado and Ann Hallenberg

Prizes:
Dr. Wilhelm Oberdörffer Prize of the Foundation for the Support of the Hamburg State Opera (2018), Österreichischer Musiktheaterpreis in the category “Best Young Artist” (2014), second prize in the II International Competition of the Savonlinna Opera Festival (2012), third prize in Placido Domingo’s Operalia Competition in Beijing (2012), fifth prize in the “Neue Stimmen” Competition (2011)

Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 2015/16

Important parts:
Flosshilde (Das Rheingold), Mezzo-soprano (Messa da Requiem), Waltraute (Die Walküre), Drittes Blumenmädchen (Parsifal), Suzuki (Madama Butterfly), Kontschakowna (Prince Igor), Emilia (Otello), Pauline (Pique Dame), Cherubino (Le Nozze di Figaro), Rosina (Il Barbiere di Siviglia), Orlofsky (Die Fledermaus), Hänsel (Hänsel und Gretel), Dritte Magd (Elektra), Maddalena (Rigoletto), Madrigal Singer (Manon Lescaut), Flora (La Traviata), Rosette (Manon), Mercédès (Carmen), Charlotte (Werther), Polinesso (Ariodante), Zweite Dame/Dritte Dame (Die Zauberflöte), Fortune Teller (The Fiery Angel), Olga (Eugen Onegin), Clarissa (The Love for Three Oranges), Petrovna/Dunyasha (The Tsar’s Bride), et al.

Stages:
Tchaikovsky Concert Hall Moscow, International Performing Arts Centre Moscow, National Theatre of
Beijing, Linbury Theatre at the Royal Oper House, Theatre Wielki, De Doelen in Rotterdam, Bolshoi Theatre, Latvian National Opera, Salzburger Landestheater, Royal Opera House Covent Garden, Hamburgische Staatsoper, et al.

Cooperation with directors:
Jim Lucassen, Andreas Žagars, Sir David McVicar, Jonathan Kent, Jette Steckel, Achim Freyer, Calixto Bieito, et al.

Cooperation with conductors:
Yuri Bashmet, Vassily Sinaisky, Jean-Christophe Spinosi, Nathan Brock, Kent Nagano, Kevin John Edusei, Carlo Rizzari, Christoph Gedschold, Mikhail Tatarnikov, Patrick Fournillier, José Aparicio, Gregor Bühl, Stefano Ranzani, Erich Wächter, Philipp Pointner, Vladimir Conta, Maurizio Benini, Dan Ettinger, Emmanuel Villaume, Daniel Oren, Antonio Pappano, Plácido Domingo, et al.

Performances

Katharina Konradi

Hellen Kwon

Soprano

Hellen Kwon

Birthplace:
Seoul, South Korea

Studies:
Hochschule für Musik Köln with Dietger Jacob (1979-1984)

Prizes:
First prize in the Novara International Singing Competition (1984), winner of the Dr. Wilhelm Oberdörffer Preis (1987), Rolf-Mares-Preis in the category “Exceptional Performances of an Actresses” for her interpretation of “Frau” in Wolfgang Rihm’s “Das Gehege” (2010), Grammy Award Nomination for the recording of Walter von Braunfels’ “Die Vögel” conducted by Lothar Zagrosek, honored with the title of “Hamburger Kammersängerin” by the Hamburg Senate (2011), “Order of Civil” by the Korean Government for exceptional artistic achievements (2013), “Star of Ewha” Prize (2018)

Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 1987/88

Important parts:
The Queen of the Night (Die Zauberflöte), Zerbinetta (Ariadne auf Naxos), Sophie (Der Rosenkavalier), Zdenka (Arabella), Susanna (Le Nozze di Figaro), Blonde/Konstanze (Die Entführung aus dem Serail), Fiordiligi (Così fan tutte), Donna Anna/Donna Elvira(Don Giovanni), Despina/Fiordiligi (Così fan tutte), Elettra (Idomeneo), Vitellia (La clemenza di Tito), Musetta/Mimì (La Bohème), Cio-Cio-San (Madama Butterfly), Liú (Turandot), Violetta Valéry (La Traviata), Gilda (Rigoletto), Oscar (Un Ballo in Maschera), Rosina (Il Barbiere di Siviglia), Micaëla (Carmen), Norina (Don Pasquale), Adina (L’Elisir d’Amore), Adele/Rosalinde (Die Fledermaus), Agathe (Der Freischütz), Senta (Der fliegende Holländer), Minni (La Fanciulla del West), Frau (Das Gehege), Salome/Herodias (Salome), Chrysothemis (Elektra), et al.

Stages:
Hamburgische Staatsoper, Bayerische Staatsoper, Bayreuther Festspiele, Staatsoper Unter den Linden Berlin, Semperoper Dresden, Gewandhaus Leipzig, Oper Leipzig, Oper Stuttgart, Oper Köln, Deutsche Oper am Rhein, Staatstheater Wiesbaden, Wiener Staatsoper, Wiener Festwochen, Salzburger Festspiele, Opernhaus Zürich, Grand Théâtre de Genève, Concertgebouw Amsterdam, Festival d‘Aix-en-Provence, Opéra Comique de Paris, Glyndebourne Festival, Den Norske Opera, Accademia Nazionale di Santa Cecilia, Teatro Filarmonico Verona, The Israeli Opera, Jerusalem Opera Festival, New National Theatere Tokio, Korean National Opera, et al.

Cooperation with directors:
Achim Freyer, Peter Konwitschny, Johannes Schaaf, Günther Krämer, Marco Marelli, Jean-Pierre Ponnelle, Peter Sellars, John Dew, Adolf Dresen, Nikolas Brieger, Johannes Erath, Claus Guth, et al.

Cooperation with conductors:
Giuseppe Sinopoli, Vladimir Ashkenazy, Horst Stein, Neville Marriner, Zubin Mehta, James Levine, Jeffrey Tate, Marcello Viotti, Simone Young, Nikolaus Harnoncourt, Wolfgang Sawallisch, Kent Nagano, Christian Thielemann, et al.

Performances

Ruzan Mantashyan

Katja Pieweck

Soprano

Katja Pieweck

Born in Hanover, Katja Pieweck completed her studies in 1996 at the Hamburg Academy for Music and Theater. From 1997 to 1999 she was a member of the International Opera Studio at the Hamburg State Opera which eventually led to her engagement as an ensemble member in 1999. Here she has performed many roles including Mercedes (Carmen), Siegrune (Die Walküre), Magdalene (Die Meistersinger von Nürnberg), Annina (Der Rosenkavalier), Mutter (Hänsel und Gretel), Fenena (Nabucco), Suzuki (Madame Butterfly), Mère Marie (Dialogues des Carmélites), Meg Page (Falstaff) und Marquise des Berkenfield (La Fille du Régiment). Katja Pieweck has made numerous appearances on prestigious opera stages including the Berlin Staatsoper, the Bavarian State Opera in Munich and the Hanover State Opera. In addition to her activity as an opera singer She is a regular guest on the concert stage. Her repertoire includes works from all eras. Her career has been accompanied by numerous prizes and awards including the "Körber Foundation Oberdörfer Prize 2007" and the "Kulturpreis der Berenberg Bank Hamburg". In 2005 Katja Pieweck worked with Sir Simon Rattle and the Berlin Symphonic Orchestra for a concert performance of Janácek’s "Jenufa". In February 2006 she sang with the Philharmonic Orchestra Hamburg in Hindemith’s "Sancta Susanna" under Simone Young’s baton. In 2007 the mezzo-soprano performed as Elvira in "Don Giovanni" at the Herrenchiemsee Festival. She also sang the part for mezzo-soprano in Bach’s "Christmas Oratorio" – a new Hamburg Ballet production – choreographed by John Neumeier. 2008 Katja Pieweck sang Fricka (Das Rheingold, Die Walküre) in the production of Wagner’s "Ring".

Performances

Gabriele Rossmanith

Soprano

Gabriele Rossmanith

Geburtsort:
Stuttgart, Deutschland

Studium:
Violinstudium an der Musikhochschule Trossingen, Gesangstudium bei Sylvia Geszty an der Musikhochschule Stuttgart

Auszeichnungen:
1. Preis Mozartfestwettbewerb (1985), Verleihung des Titels „Hamburger Kammersängerin“ (2011)

Bezug zur Staatsoper:
Ensemblemitglied der Staatsoper Hamburg seit 1988

Wichtige Partien:
Pamina (Die Zauberflöte), Susanna (Le Nozze di Figaro), Blanche (Dialogues des Carmélites), Mélisande (Pelléas et Mélisande), Despina (Così fan tutte), Zerlina (Don Giovanni), Ännchen (Der Freischütz), Micaëla (Carmen), Morgana (Alcina), Oscar (Un Ballo in Maschera), Helena (A Midsummer Night’s Dream), Nedda (I Pagliacci), Lauretta (Gianni Schicchi), Anne Truelove (The Rake’s Progress), Gretel (Hänsel und Gretel), Musetta (La Bohème), Sophie/Marianne Leitmetzerin (Der Rosenkavalier), Woglinde/Wellgunde (Das Rheingold), Ortlinde (Die Walküre), Hanna Glawari (Die lustige Witwe), Clorinda (La Cenerentola), Echo (Ariadne auf Naxos), Blumenmädchen (Parsifal), Fortuna/Giunone (Il Ritorno d'Ulisse in Patria), u.a.

Bühnen:
Badisches Staatstheater Karlsruhe (1985-88), Gastengagements in München, Antwerpen, Brüssel, Berlin, Dresden, Leipzig, Frankfurt, Barcelona, Toulouse, Straßburg, Glyndebourne Festival, u.a.

Zusammenarbeit mit Regisseuren:
Willy Decker, Cristof Loy, Guy Joosten, Harry Kupfer, Bob Wilson, Marco Arturo Marelli, Peter Konwitschny, Renaud Doucet, Achim Freyer, Calixto Bieito, John Dew, Vera Nemirova, u.a.

Zusammenarbeit mit Dirigenten:
Horst Stein, Christian Thielemann, Donald Runnicles, Michel Plasson, Antonio Pappano, Robin Ticciatti, Silvio Varviso, Nikolaus Harnoncourt, Ivor Bolton, Kirill Petrenko, Gerd Albrecht, Ingo Metzmacher, Simone Young, Kent Nagano, u.a.

Performances

Renate Spingler

Mezzo-soprano

Renate Spingler

Renate Spingler began her musical studies at the State Conservatory for Music in Munich. She finished her vocal training under the guidance of world acclaimed soprano Professor Reri Grist. Immediately after her studies, she received an engagement as soloist at the Hamburg State Opera, to whose venerable ensemble she still belongs. In the scope of her duties at this opera house, she works with many internationally renowned conductors and directors.

Renate Spingler guests regularly at many European opera houses such as Frankfurt, Dresden, Bonn, Leipzig, Bremen, Brussels, Cologne and Copenhagen. There she creates roles such as Cherubino (Le Nozze di Figaro), Jenny (Mahagonny), Hänsel (Hänsel und Gretel), Donna Elvira (Don Giovanni) and the Composer (Ariadne auf Naxos).

The recordings of this mezzo soprano include the soundtrack of “The Magic of Venus“, starring Glenn Close, in which she sang the role of the Shepherd (Tannhäuser), and another “Tannhäuser“ production with the Hamburg State Opera produced and aired by a Japanese television company.

As an active performer of contemporary music, Renate Spingler also participated in recording productions led by Gerd Albrecht with the Hamburg Philharmonic State Orchestra, which have included ”Hagadah“ by Paul Dessau and the world premiere of „Freispruch für Medea“ by Rolf Liebermann. Under the direction of Ingo Metzmacher and the Hamburg State Opera, she sang the role of Margret in a live EMI recording of Berg’s “Wozzeck“. Recently, two further recordings with the Philharmoniker Hamburg led by Simone Young have been released by Oehms Classics: In the “Walküre“ by Richard Wagner, Renate Spingler sang the role of Rossweiße; in the live recording of the highly acclaimed premiere of Hindemith’s “Mathis der Maler“, she sang the role of Gräfin Helfenstein / Üppigkeit.

Other solo performances include concerts and recitals throughout Europe and North America in cities such as Munich, Hamburg, Bratislava, Monte Carlo, Luxembourg, Prague and New York. Furthermore, Renate Spingler worked as a Guest Professor for Singing at the Hochschule für Musik und Theater Rostock from March 2005 to March 2006. In June 2008, she sang the role of Sigrune in two concert performances of the opera Walküre at the Gran Teatre del Liceu together with Placido Domingo and Waltraud Meier under the direction of Sebastian Weigle.

On December 9, 2017, the Hamburg Senate honored Renate Spingler with the title of “Kammersängerin” for her special merits in the field of music.

Performances

Marta Swiderska

Alin Anca

Vladimir Baykov

bassbariton

Vladimir Baykov

Birthplace:
Moscow, Russia

Studies:
Moscow State Tchaikovsky Conservaroty

Prizes:
Prizewinner of the Mirjam Helin International Singing Competition in Helsinki (1999), prizewinner of the Maria Callas Competition in Athen (2001), prizewinner of the Hans Gabor Belvedere Singing Competition in Vienna (2001), prizewinner of the Georgy Sviridov Competition in Kursk (2001), prizewinner of the Queen Sonja International Music Competition in Oslo (2003), prizewinner of the Queen Elizabeth Competition in Brussels (2004)

Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 2015/16

Important parts:
Boris Godunow (Boris Godunow), Holländer (Der fliegende Holländer), Gunther (Götterdämmerung), Wotan/Wanderer (Der Ring des Nibelungen), Jochanaan (Salome), Blaubart (Herzog Blaubarts Burg), Fürst Igor (Fürst Igor), Ruprecht (Der feurige Engel), Salieri (Mozart und Salieri), Mephisto (Faust), Escamillo (Carmen), Vodník (Rusalka), Doctor Schiwago (Doctor Schiwago), Graf Tomsky (Pique Dame), Klingsor (Parsifal), Caspar (Der Freischütz), Peter (Hänsel und Gretel), et al.

Stages:
Théâtre Royal de la Monnaie, Mariinsky-Theater St. Petersburg, Finish National Opera, De Nederlandse Opera, Gran Teatre del Liceu, New Israeli Opera, English National Opera, Tirol Festival, Concertgebouw Amsterdam, Teatro Colón, Vlaamse Opera, Oper Bonn, Warschauer Teatr Wielki, Nationaltheater Mannheim, Teatro Nacional de São Carlos Lissabon, Aalto-Theater Essen, Alte Oper Frankfurt, Centro Cultural de Belém, Stadttheater Regensburg, Primorski Staatsoper Wladiwostok, Oper Leipzig, et al.

Cooperation with directors:
Robert Wilson, Robert Carsen, Jochannes Schaaf, Yury Alexandrov, Giancarlo del Monaco, Tony Palmer, Claus Michael Gruber, Simon Mc Burney, Andrey Konchalovsky, Steven Lowless, Roger Vontobel, Vera Nemirova, Achim Freyer, Michiel Dijkema, et al.

Cooperation with conductors:
Valery Gergiev, Enoch zu Guttenberg, Gianandrea Noseda, Kirill Petrenko, Jaap an Zweden, Alan Curtis, Gennady Rozhdestvensky, Stefan Soltesz, Carlo Franci, Woldemar Nelsson, Kazushi Ono, Jan Latham-Koenig, Hartmut Haenchen, Paolo Carignani, James Gaffigan, Gustav Kuhn, Christof Prick, Kent Nagano, Mikhail Tatarnikov, Christoph Gedschold, Cazushi Ono, Tugan Sokhiev, Mikko Frank, Bruno Weil, Woldemar Nelsson, Justus Franz, Roman Kofman, Martin Brabbins, et al.

Performances

Alexey Bogdanchikov

Baritone

Alexey Bogdanchikov

Alexey Bogdanchikov is a young Russian baritone. Born in Tashkent (Uzbekistan) in 1985. In the 2011/2012 season he embarked upon his first resident contract in the ensemble of the Deutsche Oper Berlin. Alexey Bogdanchikov previously studied at the Galina Vishnevskaya Opera Centre and the Tchaikovsky State Conservatory in Moscow, where, in October 2012, he returned to complete his master’s degree in music. In September 2012 he won the 2nd prize in the prestigious European Vocal Competition “Debut”. He has also taken part in various Russian vocal competitions and won prizes in Smolensk (2006) and Rusa (2007). In 2010 he was winner of the Armel Opera Competition in Hungary, which led to his engagement in the role of Barrett in Marco Tutino’s opera “The Servant” at the Armel Opera Festival in Szeged. He sang this role again in Pilzen, Czech Republic, and, in, 2011, in Lugo, Italy. In January 2011 Alexey Bogdanchikov made his debut at the Teatro Comunale di Bologna as Wolfram in “Tannhauser”.

Alexey Bogdanchikov’s repertoire includes number of important roles in Russian, Italian and German operas like Onegin in "Eugene Onegin", Robert in "Iolanta" and Prince Eletsky in "The Queen of Spades" by Tchaikovsky, Belcore in "L’elisir d’amore" by Donizetti, Marcello in "La Boheme" and Ping in "Turandot" by Puccini, Wolfram in "Tannhauser" by Wagner and Barrett in Marco Tutino’s "The Servant". In June 2013 he represented Russia at the BBC Cardiff Singer of the World Competition. Guest contracts in 2013/2014 included Marchese in "La Traviata" in Guangzhou Opera House, at The Teatro Luciano Pavarotti in Modena and at the Teatro Municipale in Piacenza Alexey made his debut as Paolo Albiani in "Simone Boccanegra" next to Leo Nucci and Carlo Colombara. Also Teatro Delle Muse, Ancona, engaged Alexey to sing the role of Belcore in "Elisir d’amore" and Teatro Dell’Opera di Roma to do Morales in "Carmen". Also Alexey sang the role of Onegin in Astrakhan opera house and in Magnitogorsk. From 2014 Alexey Bogdanchikov is a member of ensemble of Moscow Kolobov Novaya Opera Theatre where he made his debut in the title role in "Eugene Onegin" by Tchaikovsky. In the season 2014/2015 he made his debutes as Conte in "Le Nozze di Figaro", as Prince Eletsky in "The Queen of Spades" and as Mercutio in "Romeo and Julliete" by Gounod.

In 2015/16 he joined the ensemble of the Hamburg State Opera.

Performances

Peter Galliard

Tenor

Peter Galliard

Peter Galliard was born in Chur, Switzerland. He studied under Rico Peterelli, at the Conservatory in Feldkirch under Maria Eibenschütz and at the Mozarteum Salzburg under Rudolf Knoll, where in 1985 he won First Prize at the International Mozart Competition.

In 1986 Rolf Liebermann invited him to join the Hamburg State Opera, where Galliard has been working till today. In Hamburg he sang Tamino in “Die Zauberflöte”, Jaquino in “Fidelio”, Cassio in “Otello”, Froh, Loge and Mime in “Das Rheingold”, Augustin Moser in “Die Meistersinger von Nürnberg”, Alfred and Eisenstein in “Die Fledermaus”, Peter Iwanow in “Zar und Zimmermann”, Bardolfo in “Falstaff”, Captain in “Wozzeck”, the Witch Knusperhexe in “Hänsel und Gretel”, Lenskij in “Eugen Onegin”, Narraboth in “Salome” and Don Basilio in “Le Nozze di Figaro”. In Amsterdam he sang the Prince in “Lulu and the Captain”. Peter Galliard also sang L'Aumonier in “Dialogues des Carmélites“ and Melot in “Tristan und Isolde“, Walther von der Vogelweide in “Tannhäuser“, Wolfgang Capito in “Mathis der Maler“, Goro in “Madame Butterfly“, Red Whiskers in “Billy Budd“ and Demon in “L'Upupa und der Triumph der Sohnesliebe“. In March 2008 Peter Galliard performed in the new production of “The Ring” in Hamburg as Loge in Rheingold. In 2008/09 he sang the part of Mime in “Das Rheingold” and Augustin Moser in “Die Meistersinger von Nürnberg”. Also in 2009 he made his debut as Mime in the new production of “Siegfried” and was highly praised by the audience and press. In the 2010/2011 season he sang in new productions of “Bliss” and “Palestrina”. In 2011/2012 concert performances of “Siegfried” and “Das Rheingold” led him to Lisbon and Australia. In the 2012/2013 season he gave a concert performance of “Das Rheingold” in Santa Cecilia. In summer 2013 he was part of concert performances of “Das Rheingold” and “Siegfried” at the Lucerne Festival. In spring 2015 “Siegfried” in Nuremberg followed. Apart from his commitments in Hamburg, in 2015/2016 he sang the Gurrelieder in Shanghai and Beijing, a concert at the Salzburger Osterfestspiele and the role of Haushofmeister bei Faninal in “Der Rosenkavalier” at the Opéra National de Paris. 17/18 leads him as guest to the Enescu Festival in Bucharest where he will be singing Capito in “Mathis der Maler”.

Peter Galliard performed at many opera houses in Germany – at the Staatsoper and the Deutsche Oper Berlin, as well as at the Opera Houses in Frankfurt, Dresden and Leipzig. He also worked in Japan, Spain, France and Israel. Peter Galliard’s repertoire is very extensive. There are many TV, radio and CD recordings of his opera, Lied and concert performances. The tenor worked with famous stage directors such as August Everding, Johannes Schaaf, Harry Kupfer and Peter Konwitschny as well as with great conductors such as Nikolaus Harnoncourt, Christian Thielemann, Ingo Metzmacher, Simone Young and Kirill Petrenko.

On December 9, 2017, the Hamburg Senate honored Peter Galliard with the title of “Kammersänger” for his special merits in the field of music.

Performances

Kartal Karagedik

Tigran Martirossian

Bass

Tigran Martirossian

Birthplace:
Yerevan, Armenia

Studies:
Musical studies at the Gnessin State Academy of Music with Prof. Artur Eizen and Prof. Pavel Lisitsian

Prizes:
Prize winner of nine international singing competitions, inter alia, second prize in the “Neue Stimmen” Competition in Gütersloh (1997), second prize in the 2nd International Singing Competition in Shizuoka (2000), first prize in the Ondina Otta Competition in Marburg (1999)

Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 2005/06

Important parts:
Ramfis (Aida), König René (Jolanthe), Salieri (Mozart und Salieri), Fiesco (Simon Boccanegra), Dulcamara (L’Elisir d’Amore), Figaro (Le Nozze di Figaro), Sulpice (La Fille du Régiment), Colline (La Bohème), Basilio (Il Barbiere di Siviglia), Selim (Il Turco in Italia), Banco (Macbeth), Pagano (I Lombardi alla prima Crociata), Daland (Der fliegende Holländer), Dossifei (Chowanschtschina), Fasolt (Das Rheingold), Rodolfo (La Sonnambula), Raimondo (Lucia di Lammermoor) Don Magnifico (La Cenerentola), Philippe II (Don Carlos), Méphistophélès (Faust), Fürst Galizky (Fürst Igor), Ein Eremit (Der Freischütz), Doktor (Wozzeck), Oroveso (Norma) , Pimen (Boris Godunov), et al.

Stages:
Novaya Opera Theatre of Moscow, Bolshoi Theatre, Metropolitan Opera, Teatro alla Scala, Opéra National de Paris, Teatro Real in Madrid, Bayerische Staatsoper, Wiener Staatsoper, Maggio Musicale Fiorentino, Salzburg Festival, Theater an der Wien, Bregenz Festival, Staatsoper Unter den Linden Berlin, Royal Opera House Covent Garden, Opéra Bastille, St. Galler Festspiele, et al.

Cooperation with directors:
Achim Freyer, Yona Kim, Jochen Biganzoli, David Alden, Andreas Homoki, Vincent Boussard, Stefan Herheim, Florentine Klepper, Francesca Zambella, et al.

Cooperation with conductors:
Sir Colin Davis, Zubin Mehta, James Levine, Mstislav Rostropovich, Carlo Rizzi, Simone Young, Plácido Domingo, Kent Nagano, Sylvain Cambreling, Valery Gergiev, Michel Plasson, Jukka-Pekka Saraste, Michael Tilson-Thomas, Daniel Oren, Mark Wigglesworth, Philippe Jordan, Daniele Callegari, Riccardo Frizza, et al.

Performances

Dovlet Nurgeldiyev

Alexander Roslavets

Bass

Alexander Roslavets

Alexander Roslavets graduated from the vocal department of the St. Petersburg Rimsky-Korsakov State Conservatory in 2014 where he studied under Professor Nikolai Okhotnikov.

While studying at the Conservatory he was a soloist of the Rimsky-Korsakov St. Petersburg State Conservatory theatre where he appeared on stage as Malyuta Skuratov in “The Tsar's Bride” by Rimsky-Korsakov and sang at the numerous festivals and concerts. In July 2013/14 he took part at the open-air opera festivals in Saint Petersburg where he sang the parts of Mephistopheles in the opera “Faust” by Ch. Gounod and King Dodon in the opera “The Golden Cockerel” by Nikolai Rimsky-Korsakov conducted by Fabio Mastrangelo. In April 2014 he made his debut on the stage of the Mikhailovsky Theatre as Tom in “Un ballo in maschera” by Verdi.

In the seasons 2014/15-2015/16 he was an artist of the Young Artist Program of the Bolshoi Theatre of Russia. In 2015 he made his debut on the stage of the Bolshoi performing the part of Marchese d'Obigny in “La Traviata” by Verdi under the baton of Tugan Sokhiev.

In November 2015, he debuted on the stage of the Bolshoi theatre of Belarus singing Don Basilio in “Il Barbiere di Siviglia” by Rossini.

In June 2016 he performed the part of Duke of Cornwall in the World Premier of S. Slonimsky`s King Lear on the stage of the Tchaikovsky Concert Hall conducted by Vladimir Jurowsky.

In July 2016 he covered the part of Mephistopheles in the new production of “La damnation de Faust” staged by Peter Stein in the Bolshoi. He sung the part of Brander in the premiere conducted by Tugan Sokhiev.

In October 2016 he joined the ensemble of the Hamburg State Opera.

Alexander took part in several international competitions among which in 2014 the 42nd Russian National Vocal Graduates Competition in St. Petersburg where he won the Grand Prix and the 1st International Christmas Vocal Competition in Minsk where he was awarded a special prize. In 2015 he took part in the 10th International competition of E. Obraztsova in St. Petersburg where he was awarded a diploma and he won the first prize in the 7th International Competition of Opera Singers «Saint-Petersburg». In 2016 he won the second prize in the 6th Galina Vishnevskaya International Opera Singers Competition in Moscow and the Grand Prix and the Audience Prize in the II International Eva Marton Competition in Budapest. He is the laureate of the Special Foundation of the President of Belarus, which supports young talents.

Performances

Oleksiy Palchykov

Tenor

Oleksiy Palchykov

Oleksiy Palchykov was born in 1986 in Kiev. In 2006 he started his studies at the vocal faculty of the National Musical Tchaikovskiy Academy. In 2004 he is the recipient of the “Art of XXI century” international competition. He made his debut in 2008 singing the roles of Trike and Lenskiy in “Eugeny Onegin” (Tchaikovsky) at the National Shevchenko Opera Theatre and Lykov in “The Tzar’s Bride” (Rimskiy-Korsakov) with the Tatar Academic State Opera and Ballet M. Dzhalil Theatre (Kazan, Russia) and the Shaliapin festival of opera singers.
In 2010 he received the Grand Prix of the XVI International Lydia Abramova vocal student’s competition “Bella voce” (Moscow, Russia), the Grand Prix for the best Tchaikovsky music performance in the National Tchaikovsky Musical Academy vocal faculty competition, the Third Prize of the “International Vocal Competition in Memory of Antonina Nezhdanova” (Odessa , Ukraine), the Special Award of the festival “Tournament Tenors” (Szczecin, Poland), the Special Prize of the Jury at the International Vocal Competition “Debut” (Wiekersheim, Germany). In 2011 he was awarded with the Grand Prix International Vocal Competition Ivana Alchevskogo “Alchevskiy Debut” (Kharkov, Ukraine). He is finalist of the International Vocal Competition in the Opera Festival in Savonlinna (Finland).
He has toured with the Kiev Musical Theatre performing the role of Alfredo in Verdi’s “La traviata” in Switzerland (Theatre du Leman in Geneva, Palazzo dei Congressi in Lugano, Theatre de Beaulieu in Lausanne, Theâtre du Passage in Neuchatel). He performed in France the roles of the Second Policeman, the Second Gentleman, the First Dandy in the “The Nose” of Shostakovich (Festival d’Aix-en-Provence 2011 and the Opera de Lyon) with Kazushi Ono as conductor and William Kentridge as director, the roles of the Third Esquire in “Parsifal” (Opéra de Lyon) with Kazushi Ono as conductor and François Girard as director. With the Symphony Orchestra of Thessaloniki (Greece) performing “Jewish Songs” by Dmitry Shostakovich, conductor Alexander Myrat in 2012.
In October 2012, he joins the Atelier Lyrique of the Opéra National de Paris. He sang the role of Gernando at La Ferme du Buisson and Théâtre Firmin Gémier / La Piscine and Ecclitico at the MC93 Bobigny.
In 2014 and 2015, he made his debut at the Opéra National de Paris in the role of the Messenger (Aida, October 2013), then sang the Male Chorus (The Rape of Lucretia) at the Théâtre de l’Athénée and Don Ottavio in (Don Giovanni) in Bobigny, Ecclitico in Haydn’s “Il mondo della luna”, Scaramuccio (Ariadne auf Naxos) at Paris Bastille, Pylade (Iphigénie en Tauride) with the Atelier Lyrique, Ferrando (Così fan tutte) with the Atelier Lyrique of the Paris Opera in Paris.
In 2014 he received the Prix Lyrique du Carpeaux and Prix Lyrique de L'AROP. In the Summer of 2015 he was among the 5 finalists of the prestigious "BBC Singer Of World" singers competition. In October 2015 he covered Roberto Alagna in the role of Nemorino at Opéra Bastille.
Since 2017 he is a member of the Hamburg State Opera where he sings such parts as Tamino, Lensky, Ferrando, Nemorino, Steuermann, Eurimaco (Il Ritorno d’Ulisse in Patria).

Performances

Jürgen Sacher

Tenor

Jürgen Sacher

Geburtsort:
Augsburg, Deutschland

Studium:
Kirchenmusik und Musikerziehung am Augsburger Leopold-Mozart Konservatorium, Gesangsstudium bei Leonore Kirschstein

Auszeichnungen:
Stipendiat des Richard Wagner Verbandes, Förderpreis der Hamburgischen Staatsoper, Ernennung zum Hamburger Kammersänger (2017)

Bezug zur Staatsoper:
Ensemblemitglied der Staatsoper Hamburg seit 1991/92

Wichtige Partien:
Mime (Siegfried), Mime/Loge (Das Rheingold), Herodes (Salome), Knusperhexe (Hänsel und Gretel), Hauptmann/Andres (Wozzeck), Monostatos/1. Geharnischter (Die Zauberflöte), Maler/Prinz/Marquis/Kammerdiener (Lulu), Dr. Cajus (Falstaff), Tichon (Katja Kabanova), Truffaldino (Die Liebe zu den drei Orangen), Valzacchi (Der Rosenkavalier), David (Die Meistersinger von Nürnberg), Junger Mann (Moses und Aron), Steuermann (Der fliegende Holländer), Peter Iwanow (Zar und Zimmermann), Pedrillo (Die Entführung aus dem Serail), Walther von der Vogelweide (Tannhäuser), Goro (Madame Butterfly), Graf Elemer (Arabella), Raoul de St. Brioche (Die lustige Witwe), Novagerio (Palestrina), Orontes (Flavius Bertaridus), Asasello (Der Meister und Margarita), Tanzmeister (Ariadne auf Naxos), Graf von Kent (Lear), Reverend Adams (Peter Grimes), L´Aumonier (Dialogues des Carmélites), Aegisth (Elektra), Fedotik (Tri Sestri), Sylvester von Schaumburg (Mathis der Maler), u.a.

Bühnen:
Hamburgische Staatsoper, Staatsoper Unter den Linden Berlin, La Monnaie, Gan Teatro del Liceu, Königliche Oper von Kopenhagen, Teatro alla Scala, Salzburger Festspiele, Theater an der Wien, Budapester Staatsoper, Teatro Municipal in Sao Paulo, Wagner Festival Budapest, Theater Dortmund, Staatstheater Braunschweig, Staatsoper Budapest, u.a.

Zusammenarbeit mit Regisseuren:
Harry Kupfer, Willy Decker, Claus Guth, Mario Martone, Achim Freyer, Géza M. Tóth, Livia Sabag, Roger Vontobel, Stefan Herheim, Karoline Gruber, Vincent Boussard, Jochen Biganzoli, u.a.

Zusammenarbeit mit Dirigenten:
Adam Fischer, Bertrand de Billy, Claudio Abbado, Kent Nagano, Semyon Bychkov, Horst Stein, Christian Thielemann, Ingo Metzmacher, Michael Boder, Kirill Petrenko, Simone Young, Daniel Barenboim, u.a.

Performances

Guest Singers 2017|18

Adina Aaron
Liana Aleksanyan
Dinara Alieva
Gun-Brit Barkmin
Maite Beaumont
Maria Bengtsson
Vera-Lotte Böcker
Ingela Brimberg
Jenny Carlstedt
Angela Denoke
Mojca Erdmann
Serena Farnocchia
Adriana Ferfecka
Mihoko Fujimura
Julie Fuchs
Christina Gansch
Angela Gheorghiu
Lini Gong
Elena Guseva
Barbara Hannigan
Anja Harteros
Anita Hartig
Sabine Hogrefe
Jennifer Holloway
Katharina Kammerloher
Katharina Konradi
Olga Kulchynska
Aleksandra Kurzak
Jennifer Larmore
Kristin Lewis
Lise Lindstrom
Claudia Mahnke
Maria Markina
Nina Minasyan
Sara Mingardo
Anne Sofie von Otter
Olga Peretyatko
Ailyn Pérez
Christina Poulitsi
Jessica Pratt
Melissa Petit
Andromahi Raptis
Fatma Said
Simone Schneider
Annette Seiltgen
Tatiana Serjan
Doris Soffel
Ann-Beth Solvang
Elena Sancho Pereg
Alexandra Steiner
Catrin Striebeck
Marta Świderska
Katerina Tretyakova
Oksana Volkova
Guanqun Yu
Elena Zhidkova
Liparit Avetisyan
Thomas E. Bauer
Daniel Behle
Marco Berti
Jean-François Borras
Gábor Bretz
Markus Brück
Max Emanuel Cencic
Arturo Chacón-Cruz
Andreas Conrad
Vincenzo Costanzo

Luigi De Donato
Reinhard Dorn
Christophe Dumaux
Michael Eder
Thomas Ebenstein
Burkhard Fritz
Roberto Frontali
George Gagnidze
Massimo Giordano
Renato Girolami
Matthias Goerne
Günther Groissböck
Ks. Franz Grundheber
Dietrich Henschel
Teodor Ilincai
Yosep Kang
Zak Kariithi
Jonas Kaufmann
Alfred Kim
Matthias Klink
Wolfgang Koch
Alexander Kravets
Sergei Leiferkus
Jorge de Leon
Liang Li
Peter Lobert
Peter Lodahl
Ivan Ludlow
John Lundgren
Ambrogio Maestri
Riccardo Massi
Jonathan McGovern
Werner Van Mechelen
Bejun Mehta
Simon Neal
Georg Nigl
Ziad Nehme
Simon O'Neill
Albert Pesendorfer
Dmytro Popov
Juan Jesús Rodríguez
Julian Rohde
Viktor Rud
Andreas Schager
Jochen Schmeckenbecher
Wilhelm Schwinghammer
Stefan Sevenich
Claudio Sgura
Egils Silins
Roger Smeets
Robert Dean Smith
Kay Stiefermann
Vladimir Stoyanov
Kurt Streit
Falk Struckmann
Bálint Szabó
Daniel Todd
Rainer Trost
Alexander Tsymbalyuk
Bruno Vargas
Franco Vassallo
Carlo Ventre
Christopher Ventris
Alexander Vinogradov
Daniel Wagner
Orhan Yildiz
Kwangchul Youn

Actors

Liliana Benini
Marc Bodnar
Raphael Clamer
Ueli Jäggi
Martin Pawlowsky
Begoña Quiñones
Sasha Rau
Sylvana Seddig
Graham F. Valentine

Honorary Members of the Hamburg State Opera

Ks. Plácido Domingo
Prof. Dr. Peter Ruzicka
Ks. Franz Grundheber
Marianne Kruuse
Detlef Meierjohann
Wolf-Jürgen Wünsche
Simone Young