Grigori Frid | Das Tagebuch der Anne Frank
Tue, May 06, 2025, 11.00 am - 12.00 pm
Musikalische Leitung
Volker Krafft
Birthplace:
Tubingen, Germany
Studies:
Conducting and piano at the Hochschule für Musik und Theater Leipzig as well as conducting, pianoforte and harpsichord at the Conservatorium van Amsterdam
Prizes:
First Prize at the Wigmore Hall/Kohn Foundation International Song Competition together with Dominik Köninger (2011)
Relation to the Hamburg State Opera:
Solo repetitor since the 2012/13 season, additionally musical assistant to the General Music Director (since the 2017/18 season)
Repertoire:
Focus on the German repertoire (Wagner, Strauss etc.), Italian repertoire, Mozart; special predilection for song and chamber music
Career Stages:
Musikalische Komödie/Oper Leipzig, Theater Hagen, Royal Opera Covent Garden London
Stages:
Schleswig-Holstein Festival, Aldeburgh Festival, Oper Leipzig, Theater Hagen, Royal Opera House Covent Garden, National Concert Hall Dublin, Mozartfest Würzburg, Opéra de Lille, Wigmore Hall London, et al.
Cooperation with orchestras:
Member of the Gustav Mahler Jugendorchester and Schleswig-Holstein Festival Orchestra, collaboration with Concerto Köln, Accademia Bizzantina, et al.
Anne Frank
Olivia Warburton
Soprano
Birthplace:
Lincolnshire, United Kingdom
Studies:
Royal Academy of Music, London (Bachelor of Music with honours, Master of Arts with distinction, Artist Diploma in Opera studies), Hochschule für Musik und Tanz, Köln (Erasmus MA), Georg Solti Accademia, Tuscany.
Masterclasses:
Anne Sofie von Otter (Britten-Pears Young Artist Programme), Richard Bonynge (Georg Solti Accademia), Barbara Frittoli (Georg Solti Accademia), Rachel Willis-Sørensen (Royal Academy of Music), Florian Boesch (Royal Academy of Music).
Prizes:
Winner of Arthur Bucher Memorial Prize for highest mark in final recital, Prize winner at the 1st International Haydn Competition in Vienna, Finalist in Renata Tebaldi Competition 2022.
Important parts:
Zerlina (Don Giovanni), Gretel (Hänsel und Gretel), Euridice (L’anima del Filosofo), Anne Frank (Das Tagebuch der Anne Frank), Teseo (Teseo), Valetto (L’incoronazione di Poppea), Fox (The Cunning Little Vixen), L’enfant (L’enfant et les sortilèges), et al.
Stages:
Deutsches Nationaltheater Weimar; Festival d’Aix en Provence; The Grange Festival; Théâtre des Champs-Elysées, Paris; London Handel Festival; Halle Handel Festival; Wigmore Hall, London; Oxford Lieder Festival; The Queen’s Gallery, Buckingham Palace; Aldeburgh Festival; Lincoln Centre, New York; Royal Festival Hall, London et al.
Cooperations with directors:
Simon McBurney, Tim Supple, Jack Furness, Jonathan Moore, Kay Kuntze, Martin Duncan, Olivia Fuchs, Oliver Platt.
Cooperations with conductors:
John Adams, Masaaki Suzuki, Jane Glover, Gregor Bühl, Eivind Gullberg Jensen, Jan Pascal Tortelier, Finnegan Downie Dear, Laurence Cummings, Victor Jacob, Ruben Gazarian, et al.
Find further information about Olivia Warburton here.
photo: Elena Ramirez
Orchester
Philharmonisches Staatsorchester Hamburg
Orchestra
The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.
During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Adam Fischer and Sir Roger Norrington.
Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera and since June 2023 also its honorary conductor. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016, Nagano and the Philharmonic toured South America, followed by concert tours to Spain and Japan in 2019, and in the spring of 2023, the Philharmonic State Orchestra made its debut at New York's Carnegie Hall under his direction, which was acclaimed by audiences and the press. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released by ECM, for which Widmann received the OPUS KLASSIK as Composer of the Year 2019, and ARCHE was performed again in 2023 to great acclaim.
The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.
In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.
The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.
photo: Foto: Felix Broede
