Gordon Kampe | Kannst du pfeifen, Johanna
Sat, Feb. 24, 2024, 4.30 pm - 5.45 pm
Musikalische Leitung
Luiz de Godoy
Musical Direction
Birthplace:
Mogi das Cruzes, Brasil
Studies:
Piano at Universidade de São Paulo (Bachelor) and at Escola Superior de Artes Aplicadas (Master), Erasmus stay with focus on piano and conducting at Hochschule für Musik und Tanz Köln, Diploma course conducting at Universität für Musik und Darstellende Kunst Wien (with honors)
Prizes:
Würdigungspreis der Universität für Musik und darstellende Kunst Wien (2019), Scholarship from UNESCO, the European Union and the Brazilian Ministry of Education and Cultural Affairs, Erwin-Ortner-Preis zur Förderung der Chormusik (2016)
Relation to the Hamburg State Opera:
Leader Alsterspatzen since 2019/20
Repertoire:
Focus on choral symphonic repertoire (spiritual and secular oratorios; in particular Wiener Klassik and Deutsche Romantik), special relationship to performance practices of old and new music
Career stages:
conductor of the Wiener Sängerknaben (2016–2019), choir director of Chorakademie des Wiener Staatsopernchores (2016–2018), assistent of the artistic director of the Wiener Singakademie at the Wiener Konzerthaus (2015–2019), musical director of Opera Studio at Sommerfestival „ Música nas Montanhas“ in Poços de Caldas, Brasilien (2010–2012), corepeater of opera projekts at Theatro Municipal de São Paulo (2005–2009)
Stages:
Esplanade Singapur, Peking National Opera, Seoul Lotte Hall, Shanghai Oriental Art Center, Taiwan National Theater, Teatro Real Madrid, Theatro Municipal de São Paulo, Tokyo Opera City Hall, Wiener Konzerthaus, Wiener Musikverein; Carinthischer Sommer, Dresdner Musikfestspiele, Grafenegg Festival, Schleswig-Holstein Festival
Cooperations with orchestras (as conductor):
Camerata Schulz, ORF Radio-Symphonieorchester Wien, Orquestra de la Armada de Chile, Orquestra Juvenil da Bahia, Polish Baltic Filharmonic, Schubert-Akademie Wien, Youth-Orchestra Singapur et al.
cooperations (choral rehearsal / assistance):
Berliner Philharmoniker, Les Sciècles, Mariinsky-Theaterorchester Wiener Philharmoniker, Wiener Symphoniker et al.
Cooperations with artists:
Gustavo Dudamel, Valery Gergiev, Ton Koopman, Sir Simon Rattle, Simone Young, Franz Welser-Möst
photo: Fernanda Nigro
Inszenierung
Maike Schuster
Director
Maike Schuster is a freelance director and stage manager at the Hamburg State Opera. She works regularly at the Theaterakademie Hamburg, with the Ensemble Consart and the artist collective "operationderkuenste", with whom she has performed Mozart's "Le nozze di Figaro" and "Die Zauberflöte" in Berlin and Frankfurt, among others. During the COVID19 pandemic, she developed an online opera entitled Mindfuck.coronopera about spatial distancing and social empathy.
"IDA, earth heroine. Eine Klimaoperette vom Ausgang des Menschen aus seiner selbstverschuldeten Untätigkeit" was her first self-written music-theatrical work (music by Laura Livers, Friedemann Hasse and Steven Tanoto) and was performed at the Theater in der Marzipanfabrik in Hamburg.
Previously, she worked on various children's singing plays at Herrenbreitungen Castle and at the Kraftwerk Leipzig with the Ensemble Consart, staged excerpts from Monteverdi's L'Orfeo with the chamber choir of the Mönchseegymnasium Heilbronn as part of the Kultursommer am Kanal, which were performed in the reading room of the Warburg-Haus and various world premieres by contemporary composers (including Friedemann Hasse and Steven Tanoto). Friedemann Hasse, Laura Livers, Thies Mynther, Philipp Rohmer, Aigerim Seilova, Steven Tanoto, Shiwen Wang and Dong Zhou) at concert halls and in public spaces, such as at the Theater der Welt Festival in a container at the port of Hamburg.
Bühne und Kostüme
Lea Burkhalter
Stage and costumes
Birthplace:
Bern, Switzerland
Studies:
Art with a focus on stage design at the Hochschule für bildende Künste Hamburg and the Zurich University of the Arts
Prizes:
Nomination "best young artist" in the Theater heute critics' survey 2020,
1st Karl H. Ditze Prize for the best final thesis 2017 at the HFBK Hamburg in collaboration with Marlene Lockemann
Important productions:
Schuld und Sühne, Ein weiteres Beispiel für die Durchlässigkeit gewisser Grenzen, Theater der Nacht, Irre, Queen of Hearts, Kolik, und alle tiere rufen, Don‘t Fear Einbruch des Realen, IM FALL, et al.
Stations:
Work at Schauspielhaus Zürich, Deutsches Schauspielhaus, KonzertTheaterBern, Luzerner Theater, Kampnagel, Gare du Nord Basel, Lichthof Theater Hamburg
Collaboration:
Henri Hüster, Benjamin van Bebber, Bruno Brandes, et al.
Find further information about Lea Burkhalter here.
Bühne und Kostüme
Anton von Bredow
Stage and costumes
Place of birth:
Hamburg, Germany
Studies:
Studied stage design with Raimund Bauer at the HFBK Hamburg and as an ASA scholarship holder at the École des Beaux Arts Paris in the film department with Clément Cogitore and fine arts with Àlvaro Urbano and Petri Halilaj
Important works:
Abl Ma Ansa (film), Civil Dusk (film), Schmerz Camp, Wonderland Ave, Penelope, Flat Earth Camembert, et al.
Stations:
Schauspiel Köln, Theater Basel, Theater Koblenz, Theater Bremen, Kampnagel, et al.
Collaboration:
Christiane Pohle, Adina Pintilie, Maike Schuster, Mariam Mekiwi, Woody Mues, Lea Marlen Balzer, et al.
Find further information about Anton von Bredow here.
Dramaturgie
Michael Sangkuhl
Dramaturgy
Birthplace:
Regensburg, Germany
Studies:
Historical musicology, philosophy and art history at the University of Regensburg
Relation to the State Opera:
Dramaturge at the Hamburg State Opera and for the concerts of the Philharmonic State Orchestra since the 2022/23 season
Stations:
Internships, assistant director, evening stage manager and stage manager for surtitles at the Staatstheater Saarbrücken, at the Theater Regensburg and at the Tiroler Festspiele in Erl
Academic teaching in the field of musicology at the University of Regensburg
photo: Johannes Xaver Zepplin
Musiktheaterpädagogik
Eva Binkle
Music theatre pedagogue
Birthplace:
Saarbrücken, Germany
Studies:
Studies of orchestral music with main subject oboe at the Musikhochschule Saarbrücken, master studies of music mediation and concert pedagogy at the Hochschule für Musik in Detmold, advanced training in musical-scenic interpretation with Rainer O. Brinkmann at the Staatsoper in Berlin
Relation to the Hamburg State Opera:
Musical Theatre and Concert Pedagogue at the Hamburg State Opera since 2015
Career stages:
Oboist, music theater pedagogue at the Saarland State Theater (2013 to 2015).
Lecturer at the Hamburg University of Music and Theatre, jury member project funding for independent performing arts area children's and youth theater (KiJu)
Nils
Karl Huml
Bass
Birthplace:
Melbourne, Australia
Studies:
Vocal training in opera at the Victorian College of the Arts with Rosamund Illing and Ruth Falcon
Prizes:
Herold Sun Aria, 1995
Important parts:
Philip II (Don Carlo), Osmin (Die Entführung aus dem Serail), Don Quichotte, Daland (Der fliegende Holländer), Basilio (The Barber of Seville), Frère Laurent (Gounod's Romeo et Juliette), Ramphis (Aida), Collin (La Bohème), Sarastro (The Magic Flute), Ferrando (Troubadour), Timur (Turandot), Padre Guardiano (La Forza del Destino), Eremit (Der Freischütz), Tod (Uhlmann's Kaiser von Atlantis)
Stages:
Salzburger Festspiele, Teatro Massimo Palermo, Maggio Musicale Firenze, Teatro San Carlo in Naples, Oper Köln, Teatro Bellini Catania, Opera Australia, Wiener Festwochen, Volksoper Wien, Stadttheater Klagenfurt, Theater Hagen, Bremer Theater, et al.
Cooperations with directors:
Barrie Kosky, Elijah Moshinsky, Pier Luigi Pizzi, Stefan Herheim, Marco Gandini, Alessandro Talevi, Günther Krämer, et al.
Cooperations with conductors:
Kent Nagano, Daniele Gatti, Simone Young, Gabrielle Ferro, Omer Meir Welber, Richard Hickocks, Juras Valcuha, Gianluigi Gelmetti, Stefan Soltesz, et al.
photo: Garrie Davislim
Ulf
Grzegorz Pelutis
Bass-baritone
Birthplace:
Słupsk, Poland
Studies:
Bachelor and Masters at Academy of Art in Szczecin, both graduated with honours, Janusz Lewandowski’s singing class (2016-2021)
Master classes:
Opera Academy Young Talent Development Programme of the Teatr Wielki – Polish National Opera In Warsaw (since 2021):
Consant tutelage by: Izabela Kłosińska, Olga Pasiecznik, Eytan Pessen, Matthias Rexroth, Michał Biel, Katelan Tran Terrell;
Guest masterclasses: Edith Wiens, Ewa Podleś, Mariusz Kwiecień, Maciej Pikulski, Hedwig Fassbender, Tobias Truniger, Adrian Kelly, Vesselina Kassarova, Fausto Nardi, Małgorzata Walewska
Prizes:
3rd prize and Juan Pons Prize at I International Juan Pons Singing Competition - Palma de Mallorca, Spain, June 2022
2nd prize winner at 1st Swiss International Music Competition – online, July 2021
2nd prize winner and special prize winner of the Director of the K. Namysłowski Symphony Orchestra in Zamość at 7th Krystyna Jamroz National Vocal Competition - Kielce/Busko-Zdrój, Poland, February 2022
3rd prize winner at 7th National Vocal Competition in Drezdenko, Poland, November 2021
3rd prize winner in"Opera Singers" category at"Prague Romansiada" competition, Prague 2017
Only Polish contestant of Plácido Domingo's Operalia 2022
Relation to the Hamburg State Opera:
Member of the International Opera Studio of the Hamburg State Opera since the season 2023/24
Important parts:
Chorąży “Ensign” (Hrabina - "The Countess"), Dudziarz (Halka), The Mayor “Burmistrz” (Szarlatan, czyli wskrzeszanie zmarłych - “Charlatan, or resurrection of the dead”), Escamillo (Carmen), Archiereios (King Roger), et al.
Stages:
Teatr Wielki – National Polish Opera, The Castle Opera in Szczecin, Polish Philharmonic "Sinfonia Baltica" named after Wojciech Kilar in Słupsk, Gorzów Philharmonic, Tadeusz Baird Philharmonic in Zielona Góra, Stanisław Moniuszko Philharmonic in Koszalin, Karol Szymanowski Philharmonic in Cracow, Various concerts across Europe, e. g. Berlin, Kaliningrad, Prague, Magdeburg, Warsaw, Varna
Cooperation with directors:
Mariusz Treliński, Barbara Wiśniewska, Rafał Matusz, Jitka Stokalska, et al.
Cooperation with conductors:
Jerzy Wołosiuk, Małgorzata Bornowska, Tadeusz Kozłowski, Michał Klauza, Agnieszka Franków-Żelazny, Stefan Plewniak, et al.
photo: Jörn Kipping
Berra
Ziad Nehme
Tenor
Birthplace:
Tripoli, Libanon
Studies:
Diploma in Singing at the Lebanese National Conservatory in Beirut, Master in Opera at the University Mozarteum Salzburg
Master classes:
with Siegfried Jerusalem, Kurt Moll, Barbara Bonney, Andrew Watts, Marjana Lipovsek
Relation to the Hamburg State Opera:
Member of the International Opera Studio of the Hamburg State Opera from 2008/09 to 2009/10
Important parts:
Conte Almaviva (Il barbiere di Siviglia), Ferrando (Così fan tutte), Don Ottavio (Don Giovanni), Arbace (Arbace), Basilio (Le Nozze di Figaro), Alfred (Die Fledermaus), Camille de Rosillon (Die lustige Witwe), Boni (Die Csárdásfürstin), Male Chorus (The Rape of Lucretia), Schwan (Carmina Burana), Nerone (Agrippina), Oronte (Alcina), Truffaldino (Die Liebe zu drei Orangen), Marquis (Spieler), 1. Jude (Salome), et al.; zeitgenössisches Repertoire: Uraufführungen Esame di mezzanotte (Lucia Ronchetti), L’ombre de Venceslao (Martin Matalon), Anoia (Gordon Kampe) sowie Werke von Brett Dean, Giacinto Scelsi, Georges Aperghis
Stages:
Hamburgische Staatsoper, Staatsoper Unter den Linden Berlin, Nationaltheater Mannheim, Staatstheater Kassel, Stadttheater Bremerhaven, Oldenburgisches Staatstheater, Theater Kiel, Staatstheater Darmstadt, Staatstheater Mainz, Théâtre du Capitole Toulouse, Opéra de Marseille, Opéra de Montpellier, Opéra de Rennes, Opéra de Marseilles, Opéra de Reims, Göteborg Konserthuset, Teatro Real Madrid, Shanghai Grand Theatre, Philharmonie de Paris, Festspielhaus Baden-Baden, Berliner Philharmonie, et al.
Cooperations with directors:
Hans Neuenfels, Tatjana Gürbaca, Achim Freyer, Lydia Steier, Harry Kupfer, Tilman Knabe, Sasha Waltz, Markus Bothe, et al.
Cooperations with conductors:
Daniel Barenboim, Valery Gergiev, Simone Young, Dan Ettinger, Kent Nagano, Alessandro De Marchi, Lorenzo Viotti, Alexander Soddy, Stefan Soltesz, Barbara Hannigan, et al.
Find further information about Ziad Nehme here.
Orchester
Philharmonisches Staatsorchester Hamburg
Orchestra
The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.
During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Adam Fischer and Sir Roger Norrington.
Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera and since June 2023 also its honorary conductor. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016, Nagano and the Philharmonic toured South America, followed by concert tours to Spain and Japan in 2019, and in the spring of 2023, the Philharmonic State Orchestra made its debut at New York's Carnegie Hall under his direction, which was acclaimed by audiences and the press. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released by ECM, for which Widmann received the OPUS KLASSIK as Composer of the Year 2019, and ARCHE was performed again in 2023 to great acclaim.
The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.
In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.
The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.
photo: Foto: Felix Broede
